I ended up with the Deluxe Comp. I’d have to look at the settings. I don’t remember exactly how it is set.
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I don't know... I just like having dials for my compression (Cali76 v2) external from the stomp... plus I like the meter... seeing the release during songs. But I've been wanting to go back to analog pedals for a while. I'll still have the stomp on my pedalboard, but I'll be using it similar to how Bryce Vaughn uses it as a controller switch... even if I can only add 2 mono analog pedals through the FX loop. It's all I really need anyway. I'll also use a few stomp effects when a song calls for it... but no amp/cab's. BTW... I like it when "Goodbye Yesterday" is on the schedule.I'm sticking with the Stomp again this week. I added a touch of compression and it's not bad. Not bad at all. With the Cali76, I had it set up for some color, which was nice, but it was always there. With the Stomp comp, I'm using it much more subtly. It's barely doing anything, but it's set about where I want it. I put it on footswitch one just so I can kick it off if it doesn't translate in the sanctuary. Switch 2 is the Teemah drive (for Goodbye Yesterday). Swith 3 is chorus (for Same God). The keyboard synth will be set up for House of the Lord. Goodness of God will have some drive for the bridge and final chorus.
If the comp passes the live test, then I will put it on the master channel. And move on to see what else I can dig up with it.
Please share the settings! I'll try it on the HX One. I have no room for a compressor on the 18" board at the moment. I have two compressors just sitting there. Cali76 BC and Keeley Bassist.I ended up with the Deluxe Comp. I’d have to look at the settings. I don’t remember exactly how it is set.
50% mix is parallel compression. Meant to thicken the tone and increase sustain but leave the attack.Well, right now it is kind of random. I dialed it in pretty quickly, liked it, saved it and then tried the rest of the comps. Then I went back to it and decided to roll with it as is. The goal was to only have it come on for those one of two times that I dig in too hard. So, it’s not doing much.
It’s likely going to change, but here’s where I am now.
2:1 ratio, attack @ 38ms, release at 200ms, mix 50%, level at zero and knee at +6db.
Then the threshold is set to kick on right at the loudest that I would pluck the string, so it would vary by bass.
Also, compression isn’t something that I totally understand yet. I’m by no means a golden ear, so I’m open to suggestions.
50% mix is parallel compression. Meant to thicken the tone and increase sustain but leave the attack.
What you want is called limiting. Which typically is 100% mix, a higher ratio like 6:1 and lower threshold to only affect the attack/digging in.
New board layout.
From this:
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To this:
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Me too.I’ve found I’m using drive pedals less and less and going straight from edge of breakup in the DCX to fuzz when a song calls for it.
Another fantastic pedalboard added to the thread by the extraordinary @projectapolloToday's bass rig using the Moog for the first time. All the recent talk about the Origin Bassrigs and I experimented with this unorthodox arrangement. '64 Black Panel for two cleaner songs (no cab sim) and the Super Vintage (with 8x10 cab sim) for the 2 driving songs. Serek Grand short scale, as well.
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Today's bass rig using the Moog for the first time. All the recent talk about the Origin Bassrigs and I experimented with this unorthodox arrangement. '64 Black Panel for two cleaner songs (no cab sim) and the Super Vintage (with 8x10 cab sim) for the 2 driving songs. Serek Grand short scale, as well.
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Nice job squeezing the BMSNew board layout.
From this:
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To this:
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Cornerstone, Let Everything That Has Breath, What a Beautiful Name.Awesome. Which songs did you use the Moog on?
In a counterculture move I sold my Moog
I did just order a Roland SE-02. That’s the smallest fully featured synth with keys I could find.
I wanted something more portable because I ended up never using the Moog because of that. I would often use a tiny Roland synth (the S-1) instead.