Might very well be my
Ibanez GSRM20 Mikro Bass, though I like my old main and first bass ever the Aria Pro II Laser Electric Classic a lot too, one of the last models that was made at the legendary Matsumoku factory in Japan, before they moved their production to Korea, and loved the Jerry Jones Longhorn that I once owned, but was stupid enough to sell, which I still regret.
For some reason I just really have bonded with my Mikro, like no other bass I have owned before, even if most people would consider it a lesser bass compared to the other 2 mentioned, and certainly the Rickenbacker 4003 that I ended up hating (looked and sounded great, which was why I bought it in the first place, but just couldn't get along with how it felt to play on).
It's even one of the early ones made in China, from before Ibanez moved their production to Indonesia at the Cort factory, but it had as good as perfect fretwork right from factory, at least good enough that I can get my preferred 1,9mm action at 12th fret on the low E string and about 1,5mm on the high G string without any fret buzz whatsoever, and after I upgraded the pickups it sounds amazing as well.
Here it is, just 28,6 scale, mahogany body, maple neck, rosewood fretboard with 22 medium frets, and a DiMarzio Model P P pickup wired directly to the output jack socket, with the J, from the previously installed EMG Geezer Butler P/J set, still sitting there but disconnected and lowered considerably
:
I even gave it a name, which I usually don't do:
"Dud Bottomfeeder".