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3Leaf Audio Club - Episode 2

The GR2 is a great, fat sounding Meatball-esque filter. That said, it's absolutely not worth $500. I owned it twice, and sold it after dialing in some pretty damn good replicas of the fattest sounds with my C4. If you're going to drop a few hundo and insist on 3Leaf, the Wonderlove and Chromatron are more flexible as far as range of sounds goes. I'm a filter freak, and the GR2 is excellent at the more narrow scope of sounds it has on tap. The later big box filters from Spencer are definitely more refined, have more usable range, and have improvements in layout/features. Just my 2 cents...

I've owned a GR 2, wonderlove and chromatron and agree completely with this. Wish I still had any of them!
 
I found that the clear nail polish worked so well for the Doom2 that I went for it with the Octabvre III also. It was a good thing too...2 letters tried to leave the pedal when the nail polish brush came close...I was able to nudge them back to where they go pretty decently (the "T" on OUT is still a bit wonky) but the clear coat polish dried and it is now in place and you can rub it with a finger and it stays put!!!

Really glad I did this because it worked!!! Saved a few letters that were gonners from the get so even if the nail polish eventually takes all the letters off, for now, it's better than if I hadn't done it and it doesn't look all that bad either:

LC8i6FVl.jpg

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I found that the clear nail polish worked so well for the Doom2 that I went for it with the Octabvre III also. It was a good thing too...2 letters tried to leave the pedal when the nail polish brush came close...I was able to nudge them back to where they go pretty decently (the "T" on OUT is still a bit wonky) but the clear coat polish dried and it is now in place and you can rub it with a finger and it stays put!!!

Really glad I did this because it worked!!! Saved a few letters that were gonners from the get so even if the nail polish eventually takes all the letters off, for now, it's better than if I hadn't done it and it doesn't look all that bad either:


Kind of makes me want to seal the whole face, that's what Johnk does with some of his, prepping it would be touchy though
 
Kind of makes me want to seal the whole face, that's what Johnk does with some of his, prepping it would be touchy though

That's a way better idea. I was looking for fast and easy. Each pedal took maybe 10 to 15 minutes to do and I didn't have to take anything apart.
 
How does John K seal pedals?

Bizarrely, my previous gen D2 isn't losing letters like the new one but has now started to show a tiny bit of wear.
I was trying to refer back to my email where I asked him specifically, but couldn't find it.. but I seem to remember him clear coating, and then polishing the clear down. I had asked about the sub blaster, basically a label placed atop the polished enclosure, then cleared, and buffed down. It's a very nice way of doing things, the label looks better than some UV print, screen print and even powder coat that I've seen.

Only thing tricky with doing this with the newist 3leaf enclosures would be the prep work needed for the clear to stick properly, any residue and it won't coat correctly. But I would think even the rattle can clear would work, if the surface was clean enough.
 
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Finally got my hands on a Chromatron.
I've had my fair share of 3LA pieces and feel the Chroma may be a keeper.
Really digging its versatility and ability to dial in a really specific filter sound.
My board sports an Octabvre MKII, which IMO is the best octave/sub around.
I also have a Doom and Doom 2 - fantastic.

Anyone care to share their fav Chroma settings?
IMG_1381.jpeg
 
Finally got my hands on a Chromatron.
I've had my fair share of 3LA pieces and feel the Chroma may be a keeper.
Really digging its versatility and ability to dial in a really specific filter sound.
My board sports an Octabvre MKII, which IMO is the best octave/sub around.
I also have a Doom and Doom 2 - fantastic.

Anyone care to share their fav Chroma settings?
View attachment 4549876


I really liked how slap sounded with the band pass, mix around 50%. You could also crank the resonance and drop well below 50% while still getting a super greasy filter sound. For the standard mode I really liked the slower “auto-wah” settings.

I found the effects loop to be less useful than I hoped simply because the mix knob was then giving my clean tone on top of whatever was in the loop. If I kept it 100% wet it wasn’t an issue, but I ultimately moved my octave and fuzz in front of the Chroma so that I could have those available to blend in.

Enjoy them *****!
 
Finally got my hands on a Chromatron.
I've had my fair share of 3LA pieces and feel the Chroma may be a keeper.
Really digging its versatility and ability to dial in a really specific filter sound.
My board sports an Octabvre MKII, which IMO is the best octave/sub around.
I also have a Doom and Doom 2 - fantastic.

Anyone care to share their fav Chroma settings?
View attachment 4549876

20220116_133006.jpg


The sensitivity changes per bass, but I have a buffer I just installed in front so hopefully that will change instead. I house 14 pedals in the fxloop, and love how they are summed in the end. Never have to worry about how your envelope is going to work (every little change before the IEXD makes it behave differently..), it just works, as does the the MK3.

I don't ever hear many people talk about "the chromatron sounds like this, and that" but dialed in (which takes no longer than a couple seconds) it's amazingly responsive, to every bass I have. Even though it has many features, it is very simple to use.

Everything, including the boost is useful. I use a Dunlop DVP4 and SA Reflex (which really allows you to dial in the range 100% perfect) for expression.

Use every bit of it, it's worth it