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Yes, Id imagine sforzando would appear in multiple bars in the bass transcription sheet.Patrick O'Hearn would get arrested for domestic abuse if he beat up an upright bass like that nowadays!
So happy to see theres still a herd for an old dinosaur like me.Could be the best TalkBass thread ever.
We practiced in a garage, but can remember playing it over and over for a couple weeks until we could include it in our set. Still enjoy playing those riffs to this day.Killer song...was the first song I HAD to sit down and practice until I could play it when I first started....the sheer joy of sloppily, hacking my way through for the first time successfully with friends in the basement has rarely been equalled since.... Music is the best....
Did the girls in the neighborhood all come over and dance around?We practiced in a garage, but can remember playing it over and over for a couple weeks until we could include it in our set. Still enjoy playing those riffs to this day.
That wasn't a big dance tune. I always admired the people who gave it a shot, particularly since our version was about eight minutes long.Did the girls in the neighborhood all come over and dance around?
Unfortunately a lot of my admiration was was tempered by Frank’s sarcasm, his antisocial personality, and his juvenile lyrics. Like many self-confessed geniuses, he worked overtime to make himself difficult to deal with and hard to like. Almost as if it were some sort of cruel joke. Or maybe a test.
Let us not forget this Great jam with Jack Bruce and Jim Gordon.
Powdered Toast Man!.Quick, man! Cling tenaciously to my buttocks!
Cool Beans! Only got to see him from afar. How was Mr Thunes as a teacher?Frank is my fave rave!
Like Matt Groening said, "Frank was my Elvis".
I saw him many times in NYC/NJ from 1970 onwards.
My friend and I presented him with a Varese LP at the start of the Carnegie Hall show...you hear him thank us on the recording ("It says Uncle Meat. Thanks for this.") Don't understand the U.M. remark though.).
Was thrilled to be at his induction to the RRHOF (in the press room, not the dining room) at the Waldorf-Astoria in '95.
And took some lessons from Scott Thunes in NYC in the mid '80s when I spotted his ad in the Village Voice.
Way too serious for a hobbyist like me, but a very cool dude. He was MIA for a lesson we had scheduled that I showed up for (in Manhattan) and made it up to me by taking a looooong subway ride to my apartment in Sheepshead Bay, Brooklyn to make good on it.Cool Beans! Only got to see him from afar. How was Mr Thunes as a teacher?
Used to play a cover version of "Magic Fingers" in the early 70's. It was always a band and crowd favorite. Sounded great with our sax player doing the main riffs on baritone.
Seeing as my first two posts either offended someone or broke the forum rules, ..
Happy listening!Because of this thread, I have started listening to the ENTIRE FZ catalog beginning with "Freak Out" in 1966.
I'm on to "Absolutely Free" now. I'm going to try to listen to at least two albums per day. Thanks for creating this thread.
It helps me keep my mind off of my broken hand.