Clearly, that's what's missing from the rest of the cabs in the bass world.ok, screw the NDA...i'm spilling the beans. the secret of duke's cab is it's made with love.
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Clearly, that's what's missing from the rest of the cabs in the bass world.ok, screw the NDA...i'm spilling the beans. the secret of duke's cab is it's made with love.



ooohhhhh - I like that cab with the LMII....would also be wonderful to hear what that cab and head would sound with some flatwounds.......![]()
ThunderDad? ThunderGod?![]()
Or how about Thor, the Norse hammer-wielding god associated with thunder, lightning, storms, oak trees, strength, destruction, fertility, healing and the protection of mankind? I mention this because my jazz band is called The Jazz Hammer of Thor and I could use an endorsement deal....How about Zeus? He's the *real* Thunderdaddy!
now, if I could get that in a smaller package (less than 30lbs) I'd be over the moon....
... my jazz band is called The Jazz Hammer of Thor.... )
I haven't seen much mention at all of the "MRL" cabinet.
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Mr. Duke, are you still going ahead with this?
I may be most interested in that.
The MRL cabinets are in my basement now, but they're empty; I've used the drivers in other projects. I haven't been campaigning MRL because Thunderchild is a lot more competitive in the bass cab market. It's more efficient, less expensive, lighter, still has adequate low end for most people, and is a 4-ohm load. MRL on the other hand goes deeper and sounds a bit better; it actually uses the same woofer and compression driver as in my home audio Rhythm Prisms, along with a higher power-handling version of the same crossover. In retrospect, if fills a need that's not really there (that of a multi-role loudspeaker).
Not to mention that Fender did all the R&D on the $3500 clone in the 1950s.
I have some ideas, but that project may get pushed back; looks like I'm going to be busier than I thought.
The MRL cabinets are in my basement now, but they're empty; I've used the drivers in other projects. I haven't been campaigning MRL because Thunderchild is a lot more competitive in the bass cab market. It's more efficient, less expensive, lighter, still has adequate low end for most people, and is a 4-ohm load. MRL on the other hand goes deeper and sounds a bit better; it actually uses the same woofer and compression driver as in my home audio Rhythm Prisms, along with a higher power-handling version of the same crossover. In retrospect, if fills a need that's not really there (that of a multi-role loudspeaker).
no, you really don't have any idea what they're about in this cab. you only think you do because you've heard a cab with two 3012lf's.
correct...you think you do![]()
bergantino sure sells a lot of nv610's at $1400. i believe mesa has a couple $1400 cabs they don't have any trouble moving, too.
boy, i'm gonna laugh my head off when you see it and this post comes back to bite you on your asswill everyone rush out and buy it? of course not. not everyone will buy a thunder child when you can get an avatar 112 for $200 either, but there's no doubt in my mind that duke will sell as many of both models as he can make.
how come alleva coppolo can make a $3500 precision that sells well and you don't believe a $1400 cab would sell? get real.
The MRL cabinets are in my basement now, but they're empty; I've used the drivers in other projects. I haven't been campaigning MRL because Thunderchild is a lot more competitive in the bass cab market. It's more efficient, less expensive, lighter, still has adequate low end for most people, and is a 4-ohm load. MRL on the other hand goes deeper and sounds a bit better; it actually uses the same woofer and compression driver as in my home audio Rhythm Prisms, along with a higher power-handling version of the same crossover. In retrospect, if fills a need that's not really there (that of a multi-role loudspeaker).
+1 The MRL seems to be a 'direct alternative' to the 12/6/1 boxes (like the fEarful and LDS boxes). Same 'off the shelf' 3012LF (from the description on that retail site), and that lower crossover point and deeper voicing of the driver would most likely, IMO, result in the deeper, smoother, more creamier tone that is a bit more similar to the 12/6/1 boxes. While 'on paper', less midrange distortion and a deeper voiced low end would 'seem' to sound 'better', for many bass guitar applications, that would not be the case, where a little more character in the midrange from the top of the driver (I guess the price there is a touch narrower dispersion) is a very good thing.
When you combine that with the higher cost and 8ohm impedance (and lower SPL.... which makes matching a head with a single one of these a bit of an issue), I think you are focusing on exactly the right thing with the Thunderchild.... nothing else like it that I'm aware of (regarding impedance, size, weight, low end, max SPL, etc.).
Now, if you could (as was mentioned above), get proprietary 8ohm 3012LF's that matched your current 4ohm voicing, and created a 'Thunderchild 2 4ohm' with the same small footprint, 212 and the same horn for a price that is the typical 20% less than 2 x Thunderchild, I think you would sell a bunch of them!
Now, if you could (as was mentioned above), get proprietary 8ohm 3012LF's that matched your current 4ohm voicing, and created a 'Thunderchild 2 4ohm' with the same small footprint, 212 and the same horn for a price that is the typical 20% less than 2 x Thunderchild, I think you would sell a bunch of them!