Thanks! Yeah, I thought her quick summation there was too good not to pass along.
Thank you very much, Ken!
The LF version has been getting all the love, making all the other 15's "green" with envy, but if you don't need that massive bottom end then there are some things the non-LF version does better. In particular, I like what its upper-mid bumpage sounds like on bass guitar, and I actually use a trick in my crossover to emphasize that bumpage by a few more dB. That would be with the switch in the "grindy" position. And then with the switch in the "smoothy" position, that upper-mid region is filtered back into the hi-fi camp.
Now that I have in mind a target curve for a deliberately "voiced" bass cab, I've gone through the published data of available woofers looking for likely candidates. And it just so happens they all come from one manufacturer: Eminence. How 'bout that.
I use a bunch of different recordings, including some direct-feed, controls "flat", unprocessed bass tracks of Ironjaw (Jeff Hedback) on his P-bass. Of course this still doesn't replicate the demands on excursion of a live electric bass, but I figure that if I start out with Kappalite-class woofers to begin with, I'm already addressing the excursion issue as much as I reasonable can.
During the R&D phase I also compare with other bass cabs and one or two home audio speakers, and often end up making a tweak here or there. I want my Thunderchild series bass cabs to be all-arounders in "smooth" mode. If anyone ever compares to similarly-priced home audio speakers, I want him or her to be pleasantly surprised.
About a week ago I had a pair of 8-ohm TC112s on hand, and so I spent most of a day playing swamp blues recordings through them while I worked on a couple of other cabs. Not really bass test material, but I've heard the artist (the late great Coco Robicheaux) live more times than I can count, and imo it worked. I think I could transplant the guts of the TC112-8 into larger veneered boxes and charge 2.5 grand a pair and get away with it.