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Block inlays on P basses - anyone else dislike them

Blocks are fine with me on Ps (and I remember the 70's all too well), although I have to confess that I've always been bothered by the block at the first fret because "it's not where a dot would be." Weird, I know, but it accounts for why everything I own has dots or nothing.... (They're fine on y'alls' basses, of course--the posted pics are sweet.) :D
 
Exactly. Blocks = Jazz. P's have dots. That's the way Leo intended it.

I am primarily referring to the Fender "Classic '70s" (huh?) P and the new Guitard Center Special Run P/J, although Lakland comes to mind as well.

I've been biting my tongue the whole time!!! Thought i was the only one that felt that way and didnt want to offend but im NOT a fan of blocked neck on the Fender P Bass

I just like the P Bass with dotted neck ESPECIALLY if it's a Fender P Bass

:atoz:
 
To be accurate, Leo was gone when they added blocks to Jazz Basses. To my knowledge, Leo never added blocks or binding to any basses that he developed, right?

That's right - I stand corrected.

In my eyes, blocks & binding goes with 70s Jazzes, and I'm not wild about it on any other bass..

Agreed!

Great replies everyone! Thanks. And yes, to each his own.
 
Well......last week I bought my first Precision bass and it just so happens to have the J neck with the black binding and the black, block inlays. It's an MIJ model as well. It's not like I had to have that style neck on a P bass, but a few things went into consideration towards purchasing that particular bass. 1) It's a very light bass. That was a must. 2) As soon as I played it the neck felt like home. Great action. No bad frets or strings buzzing anywhere. 3) Of course, the sound was all there. Still can't believe that I waited so long before getting a Precision. 4) It was used (didn't look it) and the price was too good to pass up. But if it played like crap I never would have considered it. I've played more pricey models that were atrocious.

If this bass was all things I mentioned but had a rosewood fretboard with dot's then I would have bought it. Just so happened to have the neck it did. Looks pretty darned cool, too!
 
Exactly. Blocks = Jazz. P's have dots. That's the way Leo intended it.

I am primarily referring to the Fender "Classic '70s" (huh?) P and the new Guitard Center Special Run P/J, although Lakland comes to mind as well.

Some basses look good with block, some don't. Some just might be a matter of choice. Other are the way nature intended.

I like my Jazz with dots and no binding.

Nothing personal. it' the way nature intended.
 
I had this "Big Block P-Bass" once. It was all black, matching headstock, no PG. Tele style chrome control plate and a humbucker near the bridge. The look was sorta stripped, sleek and cool. It had block inlays (no binding) and I thought it was cool. I didn't really know much about basses back then, wish I could try one again.
 
Personally, I like dots and NO binding on my P-basses. I don't even like blocks & binding on a Jazz Bass, though I can let it slide with my late '67 Jazz.:D:D:D

I think it's great that all the options seem readily available. It's a great feeling when your axe looks as cool to you as it sounds & feels.:bassist:

It's a great time to be a bassist with a few bucks to spend!
 
I like both the block inlays and the dots, my P/J has black inlays on maple, and a P and a J with dots.

I have an SX Ursa that has white inlays on maple, and it's gorgeous. Actually, the whole guitar is. It's an Ash body, with a curly maple neck and head stock, and a maple fretboard. I couldn't build it for the price I paid for it, and above all, it's sounds great.
 
I think they look great on Carl Radle's P bass
Carl+on+Folding+Chair.jpg
 
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