billfitzmaurice
Commercial User
- Sep 15, 2004
- 16,860
- 278
- 76
- Disclosures
- Owner, Bill Fitzmaurice Loudspeaker Design
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Technology advances and we are fortunate to be able to choose between more options. I don't take sides. I just go with what works. Here's where I am at for the moment.
Ewwwwwww!!!!!!!!!!!!!!!!!!!!!!
;-)
I agree with Ken & others tho re FOH being best in small-med rooms JUST for voc's & maybe Kick drum.. some horns...
Sounds SO good with the bass pumping & guitar thru it's OWN power!!!
i've done as large as an 800 seat theater using stage volume. did it with a freakin' b-15n, too! we don't blow the places out but we get pretty loud through most of the theater. the thing i like about using pa is the dispersion is better, but i do like being the only point source for bass. definitely clears up the comb filtering.I have to say +1 to this. It's my favorite way to play and to hear others play. Of course provided it's in a place suited to this, ie: small to medium rooms.
They remained in production in the former Soviet bloc because Soviet military gear used them, and there was no EPA in those countries. Those two factors are rapidly going away, and the musical instrument industry alone won't be sufficient to sustain their economical production indefinitely. And if that alone doesn't kill the tube, shipping costs of the necessarily heavy amps that use them will. It's not a matter of if, only when.
i've done as large as an 800 seat theater using stage volume. did it with a freakin' b-15n, too! we don't blow the places out but we get pretty loud through most of the theater. the thing i like about using pa is the dispersion is better, but i do like being the only point source for bass. definitely clears up the comb filtering.
I think that people who deny that tubes will pretty much go away one day need to take a look at the home audio market and it's lack of tubes, or the recording gear market and it's lack of tape. There's always a strong sentiment that things will never change... yet they always do, and a handful of regressives who refuse to change hardly counts as something still being a standard, but that WILL be the situation one day.
+1, all you have to do is play one to understand why they're not going anywhere regardless of class D, H, SMPS or the rest of the alphabet. Can other stuff pretty much sound like one to 97% of the population.....yeah. Can they feel like one to the person playing them......nope.
this thread is ass. 2 days ago i told you all that it's perfectly ok to like everything, and still, people are taking one side of the other. silliness. i think it has something to do with a lot of bass players being douchebags who feel inadequate about their situation so they always try to force everyone to believe as they do. boring.
and yet i always get sucked in. i guess i'm ass, too. sexy ass, though.
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started playing guitar in 1972, bass in 1974. first heard that tubes were going away in 1975. got my first ampeg tube amp in 1978 and proceeded to hear that rumor many times over the years. people with their gk's and traces used to goof on me and i doggedly stuck to the v4b because it was so much better than their rigs to me. and despite finally switching to hybrids in 1997, it wasn't until late 2007 that i ever even heard a solid state amp or preamp that could compare. it's only been recently that i could have even allowed for the possibility, and i still hear and feel a lot of things in my tube amps that compel me to bring them, even though i know i could easily make life on myself a lot easier and still have very good sound. occasionally i do that, but more often than not, i lug the big iron, especially if it's a big gig.
& CRIKEY he had a TIN sound as well...
& was slappin the cremola outta his pointy ended bass
& STILL has a rubbish tone. 
This whole discussion is very much akin to people talking about basses themselves: you need to pick what works for you based on the criteria you establish for yourself.
I've been doing the Class D amp combined with a Neo equipped cab for roughly the last year. And truth be told, for showcase club gigs in NYC it's been fantastic! In that environment you're dealing with a lot of challenges: getting you and your gear to a gig in the biggest city in the United States. That could involve using public transportation because driving to a gig is not always an option. You've got to load-in quickly and get up on stage even faster during the set changes. With my current setup I've got the bass in a gigbag on my back, my cables, tuner and amp head in a messenger bag and the the cabinet in one hand.