Chef
In Memoriam
I wouldn't be surprised it quality were off a bit on the namm basses.
He finished a bunch of those in a short period of time.
He finished a bunch of those in a short period of time.
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a lot of the issues wouldnt be issues if these werent at the price point theyre at. at least imo. my fodera came with glue seeping from the joints that was dried, a top mount jack instead of the side mount i ordered and aeros instead of duncans. not a big deal if i hadnt payed what i did.
Yeah.. i have seen glue seepage at neck joints /body join from at least a dozen Foderas that came through my buds shop..
But ya know.. each bass sounded so killer that is i had the cake. i would have bought it no matter..


Hey Kirk. You make a good point also. Basses I've owned, like Fodera's and Celinder's, that were literally made by guys with 50 year old pin routers and 'carving knives', are a bit 'funky' in a way (little quirks, etc.), but I always liked that. My Celinder's all had their 'issues', but gosh, they just killed (killed my back and shoulders also.. but that is a different discussion). While my A-C's are amazing, one thing I like about them is that they are not 'CNC perfect' (which is also very cool... my Sadowksy is so perfect it looks like it was made in a VERY good factory, which I guess is close to the truth... it is PERFECT).
The A-C's (at least mine and the other 5 or 6 I've played), feel like they were made by a guy with some old tools, and a BIG love for the 'vintage era' bass guitar. That's a pretty cool thing IMO! My Sadowsky NYC (I love it too) is so perfect in fit and finish that it almost hurts. That's cool too. But man, my A-C's feel 'alive and 50 years old'
Yes, my name is Ken Jung, and I'm a pathetic fanboy.![]()
Yeah.. i have seen glue seepage at neck joints /body join from at least a dozen Foderas that came through my buds shop..
But ya know.. each bass sounded so killer that if i had the cake. i would have bought it no matter..
But I ask you, have ever seen a real Stradivarius?
I have, and they are $$$$$$.. not all of them, there are a few cheap ones too.. but they have glue seepage too.. and minor flaws.. Even Micheal Angelos satute of David has flaws.. so i will let Fodera get away with a minor thing or two.. even Coppolo if it sounds as good as they do and are essentially each a custom instrument and one offs..
Mine isn't perfect.
It's beat to heck.
Aside from that, hard to find fault with it.
Well, yeah...![]()
Hey Kirk. You make a good point also. Basses I've owned, like Fodera's and Celinder's, that were literally made by guys with 50 year old pin routers and 'carving knives', are a bit 'funky' in a way (little quirks, etc.), but I always liked that. My Celinder's all had their 'issues', but gosh, they just killed (killed my back and shoulders also.. but that is a different discussion). While my A-C's are amazing, one thing I like about them is that they are not 'CNC perfect' (which is also very cool... my Sadowksy is so perfect it looks like it was made in a VERY good factory, which I guess is close to the truth... it is PERFECT).
The A-C's (at least mine and the other 5 or 6 I've played), feel like they were made by a guy with some old tools, and a BIG love for the 'vintage era' bass guitar. That's a pretty cool thing IMO! My Sadowsky NYC (I love it too) is so perfect in fit and finish that it almost hurts. That's cool too. But man, my A-C's feel 'alive and 50 years old'
Yes, my name is Ken Jung, and I'm a pathetic fanboy.![]()
Kirk became my hero (even though we snipe at each other over on the Genz threads) when he carved whatever that was into the back of one of his A-C's. That's rock and roll man.
Kirk... we need a picture again for the new thread.![]()
Dood.. you rock!
Yeah i am a crazy Italian guy from NY..
Yes my dog Poudah "poo-dah" passed away after 17 years.. I had my bass in my lap in my studio the following day or so.. and i felt compelled to use my eating utensil to engrave her name in the bass.. That bass has become famous.. to be honest im not sorry i did it.. every one i gog with asks me to use that bass..

As per Kens request. Thank you Ken.
Im memory of my dog Poudah.
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Call me crazy but I like a little imperfection in each instrument. It creates individuality and uniqueness... I feel the CNC process will just be clones... just as a thought whats the difference between a guy in China with a CNC making basses and a guy in the US with a CNC?
I feel Jimmy and all the rest of the luthiers out there making their instruments with their hands is what makes their instruments special.
my fodera came with glue seeping from the joints that was dried, a top mount jack instead of the side mount i ordered and aeros instead of duncans. not a big deal if i hadnt payed what i did.
Hey Kirk. You make a good point also. Basses I've owned, like Fodera's and Celinder's, that were literally made by guys with 50 year old pin routers and 'carving knives', are a bit 'funky' in a way (little quirks, etc.), but I always liked that. My Celinder's all had their 'issues', but gosh, they just killed (killed my back and shoulders also.. but that is a different discussion). While my A-C's are amazing, one thing I like about them is that they are not 'CNC perfect' (which is also very cool... my Sadowksy is so perfect it looks like it was made in a VERY good factory, which I guess is close to the truth... it is PERFECT).
The A-C's (at least mine and the other 5 or 6 I've played), feel like they were made by a guy with some old tools, and a BIG love for the 'vintage era' bass guitar. That's a pretty cool thing IMO! My Sadowsky NYC (I love it too) is so perfect in fit and finish that it almost hurts. That's cool too. But man, my A-C's feel 'alive and 50 years old'
Yes, my name is Ken Jung, and I'm a pathetic fanboy.![]()