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Club Sadowsky!!!

I never liked PJ configurations until this bass.
Love how it blends in a mix.
And Green might be an acquired taste.



Thanks - Really Nice! On the P/J front, I've not generally been a fan, but recently picked up an MIJ Sadowsky Metro P/J 5 (alder/morado) that may be pushing my Metro WL 5 to the side....
 
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Thanks - Really Nice! I don't get out much - who's the artist/what's the tune you're playing? And on the P/J front, I've not generally been a fan, but recently picked up an MIJ Sadowsky Metro P/J 5 (alder/morado) that may be pushing my Metro WL 5 to the side....
It’s Charlie Puth, I like his music.
:-)
 
Thanks - Really Nice! On the P/J front, I've not generally been a fan, but recently picked up an MIJ Sadowsky Metro P/J 5 (alder/morado) that may be pushing my Metro WL 5 to the side....
...And I now know about Carl Folk, the Swedish bassist on this track. A fruitful TB/Google/App Store diversion...now, back to the regularly scheduled program...
 
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You always sound incredible @roogbass but your Sadowsky videos are some of my favorites. Would you be willing to share your settings on the PJ and the strings you're using?
Thank you!
Usually I boost the bass just a little bit. No treble boost and the vtc a bit back.
But on this one,
Bass 75% treble 75%, vtc a bit back. Balance slightly to the bridge pup. Sadowsky strings.
 
Don't know what machine heads were used on the Japan metrolines, but both of mine had the smoothest and moist reliable movement I have ever experienced. I always assumed they are the same as in the nyc models, ɓut not sure about that now.

Agreed. My MetroLine and MetroExpress, (both made in Japan) had very good tuners, the German MetroLine I returned, not so much. The tuners were a bit ‘sticky’, I’d presumed they would become better with use, but perhaps not.
Personally I prefer the Japanese made Sadowskys to the German ones.
 
Wobbly and did not turn smoothly - noticeable “catches” in them. One, no matter how adjusted, tightened, loosened, etc. always felt like it was grinding against something.

I took the offending units off, attempted to fix whatever I could, make sure everything was tightened appropriately, but without resolve. I liken it to the few Hipshot Licensed Ultralights I’ve come across that had the same issues. But, the USA versions have always been perfectly stable and smooth.

Might’ve been a fluke, but I know of at least one dealer that’s had plenty of German-made basses come through that will agree that the USA Ultralites are better than the German-made tuners they’re using.

Ain’t bashing, I love my German Metro and have thought about a possible custom shop order, just my experience from the one I own.

Same here. I got two of them and they both have that problem. Have you tried lubing them when you took them apart?
 
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I never liked PJ configurations until this bass.
Love how it blends in a mix.
And Green might be an acquired taste.


PJs are highly underrated. I love how they cut through and are fat at the same time!
 
I have owned 20+ basses in 30 years playing bass and I have never had a tuner go bad! from cheap ibanez basses to custom! :smug::D:thumbsup:

I saw an advert of a used fretless Carvin few years ago, and when I went to the guy to check it, try it, he apologised in the phone that one of the factory tuners was broken, and fell out from the head!! So he lowered the price, but I didn't buy it - didn't had enough cash for a full upgrade, thinkin of swapping all tuners, but it was a fine and really eyecatching bass...
 
Same here. I got two of them and they both have that problem. Have you tried lubing them when you took them apart?
Anecdotally it is apparent that there may be issues with the machineheads on a small number of the German Sads. People don't make these comments without reason. Probably a qc issue with a batch which can affect any business. I am sure that Warwick will have noted these comments and taken action to address any problems. It is a strength of this forum that we can rest assured that the man himself will also be watching. In my experience with such things the ease with which issues are addressed depends on the integrity of the music store. I was once told that an obvious problem I had with a Fender neck was that it needed to settle and to give it two years before they would assist in any way!
 
Hi.
Does this have an easy solution?

bajo sadowsky.jpeg d46aca51-6adc-4ada-af65-127d43347c45.jpeg

@Sadowsky @deepestend