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Dingwall Owners Club

Dont know if its just me, but somehow I find it harder to set my Dingwall that there is no fret buzz than my "regular" 34 scale basses. I know the strings are still new so I will set it again tomorrow. Normally it wouldnt really bother me but I play thru Darkglass XU and it enhances the buzz sound into harmonics and that doesnt sound very good.

Is longer scale actually more sensitive into this because the strings have more lenght to vibrate?

I think so. But you can get the action quite low. If all a person does is play down low for the most part perhaps a bit higher action or more relief isn’t so bad.

Personally I like my action a bit up from low low. For the double thumb it helps me as I work on that technique. I find for tapping a little bit extra height(not to much though otherwise it works against you) is nice to get more dynamics as well.
 
Those warnings are for people who lack what used to be common- sense, and stupid people don't read manuals, labels or otherwise.
Obviously we need people to make sure our kids don't have lead-laden toys, but one should always assume playing with electronic guts and wires exposes you to lead.
Agree to disagree re: "everybody" knowing things which you are fortunate to have learned. They're simply printed words and can be easily ignored if they are somehow irksome but provide valuable information for people without the "common sense" they apparently lack.

Better too much info than not enough.
 
Better too much isn’t how useful warnings work. Humans are pretty good at adapting by rubbish at coping with lots of repetition, so the huge number of warnings just means people ignore all of them.

A better approach is probably reduction of bad things and label only the most egregious of what remains that’s practiced elsewhere.

B>
 
Dont know if its just me, but somehow I find it harder to set my Dingwall that there is no fret buzz than my "regular" 34 scale basses. I know the strings are still new so I will set it again tomorrow. Normally it wouldnt really bother me but I play thru Darkglass XU and it enhances the buzz sound into harmonics and that doesnt sound very good.

Is longer scale actually more sensitive into this because the strings have more lenght to vibrate?
Exactly where is the buzzing? Which frets and which strings?
 
Wait, what? That must have been an oversight. Can't imagine they are actually shipping without batteries!

Dingwall never cheaped out on batteries. Anything I've gotten from them had Duracell Procells installed. I'd guess there's a logistics/shipping reason, but I have no idea what the backside of that looks like.
I doubt that this had anything to do with a decison not to ship Dingwalls with batteries, but I once bought a Z2 from a fellow TBer and one of the batteries got loose (the magnetic cover was off the bass and the battery was flopping a round inside the bass. It put a crack in the top that was difficult to repair, mainly due to the burst. I let Sheldon know, mainly because I was hoping he could fix it, but they were past doing those kinds of repairs with their backlog. I also wanted him to know because, as unlikley as it was to happen, it did.

Of course, this was in a hard shell case, and not the standard gig bag they ship them in now. I think hard shell cass that are not a perfect fir allow too much travel if dropped from a significant height. I also once received an ABI in a hardshell case and I received and found a knob floating around inside that had been sheared off at the shaft! Amazingly, the loose knob and the force of shearing off the shaft did not damage the top.

Anyway, just from my experience, when I ship a dingwall I've sold, I remove the batteries and put them in an exterior pocket in the gig bagwrapped in bubblewrap. :)
 
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Of course, this was in a hardshell case, and not the standard gig bag they ship them in now. I think hard shell cases that are not a perfect fit allow too much travel if dropped from a significant height.
Right! And for that reason, any bass shipped in a hardshell case that doesn't have an exact form-fitting liner should be well protected with bubble wrap or other shock absorbing material so that when it is dropped, (which it inevitably will be), the instrument does not receive the full force of the blow. Padding should also be added at the top of the headstock if there is any possible way the tip of the headstock can contact the inside of the case.
I believe it is both careless and lazy to ship an instrument that can freely flop around inside a hard case. You are just asking for trouble.
 
Welcome to the club! How about a photo?

I finally had the time to take some photos:

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I'm I the only one that prefers the 2 pickup NGs to the three pickup models? Love my NG2.

I kinda wish the neck pickup was placed higher up towards the neck instead of right next to the bridge pickup. I wonder if that would give us even wider range of tone options? Also, I dislike plucking at the bridge position since the string tension is too rigid, but I have nothing to rest my thumb at a more normal position on the NG-2, so I put it on the protruding bit of wood at the end of the neck.
 
I kinda wish the neck pickup was placed higher up towards the neck instead of right next to the bridge pickup. I wonder if that would give us even wider range of tone options? Also, I dislike plucking at the bridge position since the string tension is too rigid, but I have nothing to rest my thumb at a more normal position on the NG-2, so I put it on the protruding bit of wood at the end of the neck.
You can take your pick guard off and move them or get a combustion?
 
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I doubt that this had anything to do with a decison not to ship Dingwalls with batteries, but I once bought a Z2 from a fellow TBer and one of the batteries got loose (the magnetic cover was off the bass and the battery was flopping a round inside the bass. It put a crack in the top that was difficult to repair, mainly due to the burst. I let Sheldon know, mainly because I was hoping he could fix it, but they were past doing those kinds of repairs with their backlog. I also wanted him to know because, as unlikley as it was to happen, it did.

Of course, this was in a hard shell case, and not the standard gig bag they ship them in now. I think hard shell cass that are not a perfect fir allow too much travel if dropped from a significant height. I also once received an ABI in a hardshell case and I received and found a knob floating around inside that had been sheared off at the shaft! Amazingly, the loose knob and the force of shearing off the shaft did not damage the top.

Anyway, just from my experience, when I ship a dingwall I've sold, I remove the batteries and put them in an exterior pocket in the gig bagwrapped in bubblewrap. :)
That’s pretty wild...perhaps these are machined closer, but it is a really snug fit now and would be difficult for the batteries to fall out. But yeah, the basses in hard shell cases have to be protected.
 
I almost never perch my thumb on anything but the strings or just press it against the body for quick B string plucks.

Try perching on the end of the neck. Since the B string is 37" the neck sticks out pretty far back, and is actually kind of perfect as a thumb rest. And the spot has enough depth to allow you to just keep your thumb there without accidentally muting the B string.
 
Why yes, yes you are. Just joking. I do prefer the 3x but just sold a Z where he only wanted 2x.
I almost went Z2 on the fretless but as I wanted the D bird switch option and I thought the “all 3 on” option would be fun to explore. It is.
Same as middle solo.
But my goto is B/M parallel which is kinda what I figured it would be... then there is switches to play with from there.
The funny thing is it actually crossed my mind pre build that having the 3rd pick up does make a great rest point so if nothing else it was an expensive ramp.

With that,

I wouldn’t change a thing about this beauty.
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