Hey Matt,
The FD34n pick ups that come on the combustions are I believe the hottest Output pickups from dingwall. They really are fantastic. One way to minimize the clank is to lower those pick ups. You will lose a bit of output doing this but you will find significant differences in sound/output with the range of height adjust. My main player that gets the most time(mainly thru headphones right now) I actually have the pick ups quite low. It took some exploration to find that happy spot.
With that,
if you get some Canadian pick ups you’ll find the FD3 to be similar to the production ones but a little less output and a more refined articulate tone. Quite ballsy and clear. Can really crunch nice too.
I think the P tone is kind of self explanatory. It’s a great sounding pick up with more mids up front as you’d expect and can be used to add some wool or grit to your sound but softens up nicely with the tone rolled back.
The SF2s. I just recently got to try an SF2 for the first time. I swapped out my FD3s in my SJ for a P tone and SF2.
This added more warmth, and a bit of beef in the low end. The sound of the instrument smoothed out. It’s sounds big but not as “edgy” as it used to with the FD3s
I’d also recommend some Payson nickes. They don’t bite as hard as SS for example.
Hi Nate - I thought these previous comments from you could be useful re:the question above - and that also gives me an opportunity to ask you - are you happy with the P-Tone and SFII combination on you SJ (do they work well together)?