I post the following as a means of highlighting my appreciation for Sheldon's keen eye for aesthetically pleasing designs.
Take the Super J in 3 iterations:
1. The original:
2. Now with their standard size pickups and no control plate:
3. A Very Fancy Bass:
In all 3 versions, the attention to aesthetic detail is exceptional. Beautiful curves, no hard edges or lines. It just looks
thoughtful.
Meanwhile, let's compare to a respected European custom shop take
This Maruszcyj 34.5-32.5" fanned fret Jazz:
Link Removed
Blech. Angular, hard edged pickups. Fretboard cut off parallel to the last fret. Angular, hard corners on the bridge pieces. None of these elements jive well with the curvature of a Jazz bass to my eyes,
especially when stuff is set at angles to achieve fanned fret design. This thing looks slapdash, whereas the Dingwall looks intentional.