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Dingwall Owners Club

Nice! I'm not sure if our basses differ, I had to get pretty creative to fit both batteries without routing. If all else fails I would still have it wired for both batteries and fab up a jumper(9volt connector w/ the leads soldered together) so the option is more easily available down the line.
Good luck with the project, looking forward to seeing it unfold!

That's a great idea. I may do this as the additional battery clip I ordered hasn't arrived yet anyway. It would allow me to get it up and running for now make sure it does what I want and go from there.

Right now the bass is in pieces on my dining room table. ;) I had a brief exchange with Sheldon last night because I wanted to check my expectations (as low and clean an action as the modern Dingwall neck, like my Rastaburst. He suggested I start with changing out whatever the strings were first, which I'm doing while also giving the bass a cleaning and oiling, etc. Depending on how motivated I am today, I may tackle the preamp. We'll see. Also pictures to follow.
 
You are not alone in your alleged patheticness. I have owned four, now own one and am currently in the process of getting a second. I would like to think of us as pioneers/appreciative enthusiast with specific taste. I'm trying to help a brotha out.

Thanks! At least we know we are not alone.

I just finished working on Semi-Charmed Life by Third Eye Blind. Will probably be another week or two before I can bring it to the band. The bass line is so funky synco, and then add the sing-song syncopation of the vocal, and it's a nice challenge to sing and play.

I bring it up because I sometimes find myself amazed at how wonderful my ABZ is. It is so easy to play for such a long scale. And then of course I grab my other Dingwalls and the same is true for them. What joy!
 
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Gitterdone!!:thumbsup:

Full tear down today, put a new set of Sheldon's Nickel wrapped strings on, did a full setup; relief, action, intonation, cleaned the bass overall, took the neck off, etc.

Sheldon was right that putting on a set of his strings took care of most of the weird tone problems this bass was having. I also then brought the relief back to nearly flat. I noticed that the D string was still having some troubles and backed the hight screw out by a turn which took care of the problem (more on that in a moment). Then I set to getting the intonation in shape. That took a while, I don't know what was on it, but the intonation wasn't even close...It is now. ;) Dead on. After getting that in shape, went back to the D string...thinking that some time to let the neck settle and actually having a ballpark intonation on the string might be what the doctor ordered, I dropped the string by half a turn...weird tones gone. Hrrrm. Re-fine tuned the intonation on the D again just to be sure...dropped it back another half turn on the height to its original and all is good. Not quite as low as the Rastaburst, but pretty close now. Oh, and I took some pictures along the way...

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Old strings off, ready to rock.

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Well worn headstock, Sperzel locking tuners.

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Neck off! I'm uptight. Those neck screws are laid out so that I can put them back in the same position.

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The Pau Ferro board is nice. gave it a quick cleaning with some lemon oil. The grain is tighter and smoother than rosewood and a bit more butterscotch/honey than brown.

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Back of the neck is in surprisingly good shape. No dents, nicks or any other problems. Lots and lots of plies. ;)

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Back of the headstock. You can see a small patch where there's no finish. Whatev. SN#1098...which is kind of fateful, given the Rastaburst is #4098. Anyone got 2098 or 3098? ;)

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Heel and pocket. That bit in the pocket is a sticker of some kind. Very thin, so it's not acting as a shim or anything.

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Lil' man in a boat.

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Typical angled fretwear...no dents or divots. Good shape for a long time to come. This is the 3rd fret.

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...A bit more wear on the body. Over each pickup in thumb anchoring position we're into the wood grain. You can tell this bass is a warrior.

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I was ready not to like this bridge...but really do. Simple and intuitive and the string height screws (what those saddles really are, are super easy to adjust. This is before I went and moved them all over. ;)

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Restrung with Dingwall Nickel wrapped rounds and ready to go. Knobs off for tomorrow's adventure in preamp installation. It's gonna get the OBP-2 with a Volume/Blend/Stacked bass/treble. I'll play it for a bit then decide if I love or don't love the Bartolinis. If I don't it will get a set of FD-3's and a 4 way switch instead of the blend.
 
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Full tear down today, put a new set of Sheldon's Nickel wrapped strings on, did a full setup; relief, action, intonation, cleaned the bass overall, took the neck off, etc.

Sheldon was right that putting on a set of his strings took care of most of the weird tone problems this bass was having. I also then brought the relief back to nearly flat. I noticed that the D string was still having some troubles and backed the hight screw out by a turn which took care of the problem (more on that in a moment). Then I set to getting the intonation in shape. That took a while, I don't know what was on it, but the intonation wasn't even close...It is now. ;) Dead on. After getting that in shape, went back to the D string...thinking that some time to let the neck settle and actually having a ballpark intonation on the string might be what the doctor ordered, I dropped the string by half a turn...weird tones gone. Hrrrm. Re-fine tuned the intonation on the D again just to be sure...dropped it back another half turn on the height to its original and all is good. Not quite as low as the Rastaburst, but pretty close now. Oh, and I took some pictures along the way...

All the years I've been playing, I've never had one go 'wonky' until just a few weeks ago. I'm glad that a fresh new set of strings took care of your problem! It's looking even better after the cleanup!
 
I have had my first Dingwall, A Combustion, since Thursday.

I am impressed with the fit and finished. I am impressed with the fan frets. Playing the fan doesn't take that much adjustment.

What I have yet to be impressed with was the tone. Granted, I have plugged into an amp that I was unfamiliar with, and my little practice Hartke 12". I have yet to plug into a real rig or my pa with QSC K-Subs.

My impressions are that the tone is focused and cutting, but not thick, full, fat, etc....

Compared a/b with my Gary Willis GWB-35. GWB has far more bass in my tests so far.

Also noticed that my tuner seemed to be picking up the octave or 5th harmonic much stronger than the fundamental. Reading around 62 the on the low B.

Granted I have not given it a fair test. Will get it plugged into some subs today.
 
I have had my first Dingwall, A Combustion, since Thursday.

I am impressed with the fit and finished. I am impressed with the fan frets. Playing the fan doesn't take that much adjustment.

What I have yet to be impressed with was the tone. Granted, I have plugged into an amp that I was unfamiliar with, and my little practice Hartke 12". I have yet to plug into a real rig or my pa with QSC K-Subs.

My impressions are that the tone is focused and cutting, but not thick, full, fat, etc....

Compared a/b with my Gary Willis GWB-35. GWB has far more bass in my tests so far.

Also noticed that my tuner seemed to be picking up the octave or 5th harmonic much stronger than the fundamental. Reading around 62 the on the low B.

Granted I have not given it a fair test. Will get it plugged into some subs today.

Expect tighter bass and richer harmonics not bigger bass. Tighter is much easier to control in a mix.
 
Expect tighter bass and richer harmonics not bigger bass. Tighter is much easier to control in a mix.

I didn't play bass at church this Sunday because I was on the tech crew. After church was over I plug my base in on the youth stage where they have QSC KW181 and K12 speakers for a PA.

It seem like I had a lot of clarity in the low frequencies and it rumbled the whole building. I mostly play praise and worship music but this afternoon I am going over to a friends house who plays heavy-metal to show him my new bass, he is a guitarist and a bass player and has a serious bass rig.

Will run it through its paces and get back to you, thanks for everything.
 
I didn't play bass at church this Sunday because I was on the tech crew. After church was over I plug my base in on the youth stage where they have QSC KW181 and K12 speakers for a PA.

It seem like I had a lot of clarity in the low frequencies and it rumbled the whole building. I mostly play praise and worship music but this afternoon I am going over to a friends house who plays heavy-metal to show him my new bass, he is a guitarist and a bass player and has a serious bass rig.

Will run it through its paces and get back to you, thanks for everything.

I've not had a Combustion, but have experience with 3 other models and played a Combustion for a few songs at a sit-in. Look for the bass to not be boomy or bloomy, but more consistent and balanced. What that may mean is that you need to EQ a bit more to get the emphasis that you're used to hearing on those frequencies deep down. The deep lows are way more 'coherent' and focused so you can certainly sculpt as needed. I play bass frequency heavy music and boost in the 40-55hz range on both on board preamp and at the amp. Not a whole ton, but a bit.
 
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Nice! Are you the original owner? It's good to know where it's been. I'm excited to play it.


That is awesome.

I think it was in Florida for a while, but I'm not positive. Yes, I commissioned this one in 2007. Bass Northwest brokered the purchase for me. When it arrived in Missouri in the fall, the carton was so light, I wasn't sure there was a bass inside. ;) I was the one who installed the P-tone neck pickup in it. The only reason I sold it was that I wanted to focus my playing on Sheldon's medium-scaled (Super series) instruments. Funds from its sale went to purchase this indigoburst beauty:

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