Yikes, if a new nut may be needed I might have to rethink this.
Thanks.
I bet @Sheldon D. could supply a pre-cut nut. The nuts are CNC'd.
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Yikes, if a new nut may be needed I might have to rethink this.
Thanks.
I bet @Sheldon D. could supply a pre-cut nut. The nuts are CNC'd.
Always a good idea. And a third!maybe its a good idea, to get a 2nd dingwall. =)
They do sell the DW string tree on their webstore. FYI.At that point, either a string tree or a new nut might be in order.
Neither of them have been sold. It was difficult trying to tell anyone what they look like. I think this is an exceptional looking bass, but there was no way to describe to anyone how it would turn out. And with the new FDV pickups it should sound incredible. I initially ordered the ABII as a 4-string. My wife made me change it to a 5 as she knew I would keep it if I got the 4 - she knows me too well. They both have Luminlay side dots.Jesus. Is that AB2 sold?
"Awesome" would suffice, I'd think!It was difficult trying to tell anyone what they look like. I think this is an exceptional looking bass, but there was no way to describe to anyone how it would turn out.
It has the 3-band Glockenklang with switches whereas the ABZ has the Darkglass pre with switches. I am told the new FDV pickups should give it a more Vintage tone. Sheldon suggested the contrast to showcase the top. I looked long and hard at the tops in order to decide as there were several beautiful choices."Awesome" would suffice, I'd think!Looks like a nice redwood top, and I'm glad Barry suggested going for the contrast inlay on mine, it really does looks like great (and is super-flamed, too, by the look of it). Seems like we've got some similar flaming pattern on the top going on, with it on the bottom and up near the horns with a non-/less-flamed section around the base of the neck.
With the fully-loaded electronics on that AB2, whoever nabs it should be easily able to get whatever sounds they're looking for out of it!![]()
Dingwall AB 1 live of a phone cam a few years back
Oh yes, I know I agonized over the choices too. But what I now think looking at these really different speced basses is that it is not worth too much agonizing over the details as both are amazing and I could grab either and be really happy.Well, sucks that it isn't sold / wasn't a pre-order. Someone is going to end up with a hell of a nice bass.
I think pretty much any day now my build confirmation is going to happen. So I need to have a talk with my self and see what if what I spec'd out some 6+ months ago is still what I want.
That is cool that you got to jam with a named musician. I bet that was fun! I have had the opportunity in my life to play with two different members of popular top recording artist/touring bands. What I was pleased to see is that neither had any kind of "Hey I am the top dog" type attitude by looked down on me because I was more of a hobbyist. They just smiled and settled into doing their thing, grooving right along and were two of the nicest people you could ever want to meet. I did have the opportunity to go pro about 30 years ago - glad I didn't actually. I think at the time I still didn't have the needed balance to do so.I just found something out, and I thought I'd share it here with the group.
One of my bands had a pretty awesome gig last night. One of the better live band venues around here is closing down in the next couple of months. Big commercial stuff is going in, so they're going to rip it all down and put in Applebees, an office complex yadda yadda. Pretty crappy.
I of course played my Dingwalls. Energy was through the roof - I think everyone was giving it that much more since this place only has a couple of months left. At the end of the show, things were going a bit off the hook. It kind of turned into a mini open jam, which was weird. I haven't played any cover tunes in many years (being in two original bands now, and have been in original only bands for at least 10 years), so I was little shaky.
A drummer hops up on stage, a bassist friend of mine grabs a guitar, and I (ask and then use) his bass rig. We jam through a few Nirvana and Pantera tunes. I was somewhat drunk at this time, and while I know a lot of these songs to hear them, there was no way I actually knew the bass lines. Oh well.
Anyway, to bring this story around to the end of things... I posted about how fun the whole show was last night etc. etc., and it turns out, the drummer that jumped up on stage was Aaron Burckhard! At first, the name didn't mean much of anything to me, but it turns out that he was the original drummer for Nirvana. Pretty sweet moment in time for me heh. Now, I'm not really into Nirvana, but having played with someone who was at the start of something undoubtedly big in music, was definitely a memory I'll be happy to carry around.
It was definitely a cool bit of stage time for me. Like your experiences, this guy was just totally chill (and a good bit more drunk than I) and hammering out some tunes for us to mess around with. He had absolutely no attitude about it, just had a ton of fun. It was also just fun for the sake of fun - we weren't really performing per se. It felt like the four of us ended up in an audition or rehearsal together.That is cool that you got to jam with a named musician. I bet that was fun! I have had the opportunity in my life to play with two different members of popular top recording artist/touring bands. What I was pleased to see is that neither had any kind of "Hey I am the top dog" type attitude by looked down on me because I was more of a hobbyist. They just smiled and settled into doing their thing, grooving right along and were two of the nicest people you could ever want to meet. I did have the opportunity to go pro about 30 years ago - glad I didn't actually. I think at the time I still didn't have the needed balance to do so.