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Eden Forum Disappears

Hey, can someone help me figure out why my on & off speaker switch failed on my Eden Metro (which i put into a head cab)?

I really need the headphone function....also i leave the master on 10 as it was very noisy when i bought the amp years ago even after DeOxit cleaning (which helped a bunch).

Btw, i used cleaner then DeOxit fader lube on the pot...everything else works great!

Also, are the compressors all the same on Eden amps? Thanks in advance!
 
OK, I'm going to try to answer this post in sections...
I am very late to this forum but I am hoping that there are still folks here willing to share their knowledge and experience with me.

I have an Eden WT800B (2006) that is my primary head. I also have an Eden Navigator ( 1998 ) that I am still dialing in with a Crown XLS1500 amp.

Until recently I had been using one or both Peavey 410TVX as the cab. At the time I thought they were decent. I had recently acquired an Eden D410XLT ( late 90s – still has the banana connectors ). The difference between the Peavey and the Eden is breathtaking. It’s like a re-EQ the amp and there is much more definition and clarity. The bottom is tighter as well and not near as boomy and muffled ( that Eden growl ).

After that revelation, I decided to acquire more Eden cabs and that has proven difficult. I had order a used D210XLT through GC and got a Eden D210T instead. I tried and it could not handle the B string. Everything else sounded fine. The speakers were Eden EC1060M. I returned it. I then though if I get newer Eden, I would get a great cab. I ordered Blemished 2019 D210XST. When it came in, I was highly disappointed. The cab sounded like I had a distortion pedal in the signal path. We pulled both speakers and they looked fine and the cones moved freely. The speakers were the “made for Eden” Eminence speakers. They were marked as XS speakers but they looked like a lessor Eminence Legend B102 ( the black cast basket looked identical ) instead of something like an Eminence CA1059 or the like.

That brings me to a bunch of questions:

1) Are the Eminence “made for Eden” speakers inferior to the Eden made speakers or did Marshall just get cheap on the speaker? What Eminence speaker should be in the newer D210XST? Should I be looking for an older XST cab with the old Eden EC1060XS speakers in it?
The speakers that were/are used for the XLT and the XST cabs are made by Eminence specifically to match the Eden in-house speakers. I think it was around 2008 that move was made. David Nordschow (founder of Eden) was still with them and since he designed those speakers, he had final say on whether or not they got it right. It took Eminence multiple tries to get it, but they nailed it. They got exactly the same sound and performance metrics out of them.

We had a lot of trepidation in the Eden Forum at the time about whether or not these were inferior speakers and if they should try to source the old ones that were made in Minnesota before they all dried up. Answer was no on both counts. Over the next number of years, reports from our forum members bore that out. There were even times where two new Eden by Eminence speakers were put in the same 410 cabinet with old Eden speakers and there was no difference in the sound or performance of them.

At the time, those speakers were only available to order from Eden. You couldn't buy them from Eminence. There are a number of older Eden speakers that Eden discontinued though and I believe Eminence has some good substitutes for them, but you need to physically get someone on the phone from Eminence to get the info. But the Eden by Eminence speakers were definitely not off-the-shelf-speakers from Eminence. The speaker numbers stayed the same as the originals when Eminence took over manufacture. It wasn't until Marshall bought Eden that speaker numbers changed. The catalog in 2013 had new speaker numbers.Reputedly the speakers were still the same, just numbers changed to fit in with Marshall's way of cataloguing things.

Some of the speakers that were discontinued were the XLT models. The XLT cabs have a built-in low mid hump that sounds really good in the mix, and they have a great low end. David was surprised after he designed the XST speakers that folks continued to buy the XLT more often than the XST cabs. The XST cabs have higher power handling, noticeable lower and tighter bottom end, and a flat frequency response. They also gave up a couple of decibels in sensitivity - D410XLT had SPL of 106db@1W/1M and the D410XST has an SPL of 104db@1W/1M. The only XLT cabs that Eden (by Marshall) has now are the D210XLT and the D115XLT. The good news is you can approximate the low mid hump the XLT's had by dialing in a little boost around 250 Hz.

2) Are the older EC2700 gold cast bell tweeter with the weld and the red diaphragm cover superior to the newer gold cast bell with no weld and a black diaphragm cover? The newer tweeter looks more like the tweeter in the Peavey cabs and it’s not very good. I think the older EC2700 tweeter with the red diaphragm cover sounds much better.
I checked back in some of my catalogs from 1997 through 2010-11 the tweeters were all that EC2700 tweeter. In 2012 that didn't print that speaker info in the catalog. In 2013 they published new numbers for the speakers and didn't specify the tweeter. I do remember though that back around 2008 or 2009 (maybe earlier) there was a change in the diaphragm because the old one was no longer being manufactured. Your best bet for more info on that would be to PM Armin (bassmann1968) here on TB. He is intimately familiar with what was used and what the best replacement turned out to be. He's an electronics guru!

3) I noticed that the old D210T and the new D210XST cabs were the same size. The baffling even looks the same. If I were to install Eden EC1060XS ( or something similar like an Eminence CA1059 )speakers in the D210T, would I have the equivalent of a D210XST cab?
No. The D210T used EC1060F speakers. The XST used EC1060XS speakers. The D210T handles 250-watts and the D210XST handles 450-watts so those are rather drastically different speakers. Although he never published them, I'm sure the Thiele-Small parameters are much different between them. The D210T frequency response was 62Hz to 14KHz. The D210XST is 30Hz to 14KHz. So drastically different designed speakers and I doubt that would work.

The cab design is also different on them. The XLT's came after the T's and the XST's came after they XLT's. The T cabinets had a round port in the back and the XLT's had two shelf ports in front, one on top of the speakers and one below. The XST's have just one shelf port under the speakers. They use different speakers and they have different internal dimensions. Remember that the XLT's have that low-mid hump and neither of the other two do. Also, both the D210XLT has higher power handling than the D210T (350-watts vs 250 watts) and the D210XST has higher power handling than the XLT's (450-watts vs 350-watts).

You will rarely get a good result swapping out speakers without knowing the Thiele-Small specs of what was the OEM. You can put a higher wattage handling speaker into a cabinet that is not designed for it and actually blow that speaker at far below it's wattage rating. Remember speaker handling is both how much power it can handle and what its XMAX (maximum extension) rating is. If the speaker moves too easily in a cab, it can crease and even tear the speaker well below its rated power handling.

4) When looking at an Eden EC1060xl speaker and an Eden EC1060XS speaker, they look identical. At least the basket and the magnet look the same. Is there a difference in the width of the magnet gap or the depth of the travel in the magnet different between the two? Or is the only difference in the coil and perhaps the spider and cone?
I couldn't tell you, but again, you may be able to get that info from Armin (bassmann1968 on TB). He might know but I don't and I really can't promise that he does. I can tell you that appearances aren't everything. but further than that, a lot of the specific info about speaker designs and particulars are well guarded secrets.

5) If the only difference between the Eden EC1060xl and the EC1060xs is the coil and such, if I were to have the speaker reconed with a kit that was meant for an XS style speaker, would I have an EC1060xs speaker at that point?
Uhhhhh....maybe? If an XST recone can be done on that frame, perhaps. And once again, I'm going to tell you to PM Armin to see if he knows off the top of his head. He has a mountain of Eden cabs and amps and I imagine he's probably re-coned a few speakers himself.

6) Has anyone had any experience with shops that recone speakers ( such as Simply Speakers or Speaker Exchange – both online ). If so, what was your experience? Did the speakers you had reconed sound as good as they did before?

Back when the forum was still open there were a number of folks that had re-coning done by a few different shops and they swore the re-cones were as good as they ever were. But I don't have those records. Marshall deleted all that archived info when they closed the forum.

Based on my limited experience with the 2019 Eden D210XST, I am of the opinion that Marshall has cost cut the parts used to where the newer cabs are not as good as the old. I am thinking that I would rather find older Eden cabs, even if they needed fixing, since they are using better quality parts ( such as the wonderful Eden handles are now gone and a cheaper type is being used ). I am still looking for a solid D210XLT and D210XST. I have even eyeballed some used D212XST and D115XLT cabs. Any insight from Eden owners is appreciates.
I don't think that's the case, at least as far as the cabinet designs and speaker designs go. The speakers are still manufactured to Eden's original specs at Eminence and then sent across the pond to Marshall's cabinet shop to be built out there. I would expect some minor changes and it sounds like the handles are one of them because they probably already use that handle on Marshall cabs...it IS the same shop that makes both Marshall and Eden Cabs.

But honestly, Marshall has never had much luck with bass amps and cabs. Yeah there are some exceptional examples out there but they didn't have anywhere the reputation or market acceptance with their bass gear as they did with their guitar amps and cabs. And honestly the design of those two things are pretty much diametrically opposed. They paid USM a good chunk for Eden, which was already well-established, and they gave it better distribution because now anyone who sells Marshall, can also sell Eden. Not a big deal in the US but a big deal world wide. So I'd be surprised if they went on a cost-cutting spree with the bread and butter of their Bass amp and cab manufacturing.

Regarding the D212XST and the D115XLT they are both good cabs. The D115XLT has that low mid hump and although it has a bit more of the old school sound that you get with 15" cabs, it has pretty quick transients so you get good definition out of it. The D212XST is a bit different than the D212XLT, which was quite a nice cab. The D212XST definitely has a lower and tighter bottom end and has higher power handling. For the best sound out of it I'd suggest adding a little boost in the low mids at 250Hz. If you can't add a little boost there, anywhere between 250Hz and 500Hz will work, I just think the slight boost at 250Hz sounds the best. If you boost it too much your sound will honk at you, so if you hear it honk - back it off. I typically run my boost just above 1 o'clock at 250Hz.
=========================
All right, now that I've given you all that information, I'm going to give you some more. First of all, I need to let you know that I am an Endorsing Artist for DNA. DNA is David Nordschow amplification. After he sold Eden in 2008, he stayed there for another year and then left in 2009. But he didn't stop designing amps and cabs then. In 2010 he came out with his first cabs and later followed it up with a 1350-watt Class D amp weighing all of 7-lbs with all the whistles and bells including adjustable compressor and side-chain effects besides the normal effects loop.

In my opinion, his DNA cabs are the next step up from his XST cabs that he designed at Eden. I bought his WT500/800 amp (upgraded to 800-watts bridged) from him after he left Eden and before he brought his new DNA1350 to market. I love that amp. It doesn't have the bi-amp circuitry that your WT800b does and it only goes down to 4 ohms per channel and 8 ohms bridged, but man it is a great sounding and crazy versatile amp. My power upgrade was basically to the older WT800A power supply.

Then in 2015, I managed to scrape together $1000 for his DNS410 cab (DNS for David Norschow Speakers). Amazing cab! Very flat frequency response so I boost my low mids a bit (I use a passive Fender Jazz) and I can play anywhere. It handles 1400-watts, but the highest I can ever turn up my master on my 800-watt Eden amp at outdoor festivals is a tiny fraction above 10 o'clock. I've tried to turn it up to 10:30 at festivals a couple of times and I always get told to turn it down. So I'll never need to haul around an 810! Indoors, 9:30 is the highest I can turn it to.

The point is I don't need any other cabs now that I have this one. Plus, it's clearer and more articulate than anything I've ever heard or played through. They are like the next step above his XST designs.

However, I did end up getting a DNS-210 just last year because my 410 scared the owners of small venues to the point they made me use their usually crappy backline. Luckily, I applied for and was accepted into the DNA Endorsing Artist group and a got a decent discount on the cab. Nobody thinks twice about a bassist bringing in a 210.

It wasn't free, and it wasn't as low as dealer price, but it was still a good deal for me. I had already saved up some $$ for it but was able to buy it about 3 gigs earlier than I expected. So I got that and actually now use that DNS-210 for all my indoor venues. It can handle up to 700-watt rms and has a maximum SPL of 134db, which our 800-watt amps could drive it to, and I found out the first time I gigged it that I didn't need anything else indoors. For outdoors and outdoor festivals, I pull out my DNS-410

I like to say if you are buying used, look for an Eden because they are great amps and cabs and used you can get good prices on them. But, if you're buying new. get the DNA gear. It's better than the current Eden gear and, since Eden is now building the cabs in the UK, it's less expensive than the Eden gear is new. But it's been 10 years now since David came out with his First DNA gear and you can sometimes find it used. So if you find it used at a good price...go for it!

Below is my set-up although I've never used both cabs at once. it's always one or the other. Some day I'll have to do that just to say I did. Notice the logo on the newer 2019 DNS-210 cab is gold, black, and silver while my 2015 DNS-410has the older logo which is just silver and black:
DanWithStack_800x1303.jpg
 
Thanks for the very prompt reply. I figure since the forum hadn't had much traffic, I'd be waiting a month or 2.

Based on what you said, perhaps that blem D210XST was more than a blem...like it was used and got "blowed up" and then returned. The D210T sounded better ( at the volumes it could handle ) until I got on the B string.

I'll have to take a pic of that D210T as it's still sitting at the GC. It has a single lower front port, just like the D210XST. I did pull the speakers in it and they were 4 ohm in series ( for an 8 ohm cab ).

I have ordered some more used Eden cabs to see how it goes - D210XLT and an D115XL. The D115XL ( actually the tag on back just says 115XL but says the rating is 400W @ 8 ohms. What's unusual is that it has the banana plug connector but where the tweeter control would be, there is a speakon connector. It also has that older looking Eden logo. I'm guessing it's 1996 or earlier. I'll check it out and let you know.

Your rig looks pretty sharp. That 800W "Highwayman" must through some gear heads off. It's like having a little car with some serious crank horsepower under the hood - seems sedate until you hit the gas.

The Jazz bass looks dang sharp with the white on white on white with a maple neck. The closest I've seen like that was Larry Graham with his all white bass. However, yours has that slightly vintage look with those expose pole pups. I really enjoy a Jazz bass. The sound is unique and the neck profile is fabulous. I've just never really "felt the love" of a P bass neck. I had a special 1993 USA Fender Jazz deluxe ( the "boner" bass ) that I had Tommy Shannon sign...BUT...had to sell when the ex screwed up the checking account ( along with an '89 Musicman Stingray 5 ). These days I have a Lakland Skyline Daryl Jones Jazz bass ( with bartolini pups ).

What I play most at this time is an Ibanez BTB 845 or BTB 515. Both 5 strings with a 35" scale. The neck feels very Jazz like for a 5 string. Since we play a fair number of songs that are using a 5 string ( Wolfmother's Joker and the Thief, for instance ) and drop tuning songs, the 5 string is the go to. It should also explain why I was looking at the D210XST though the D410XLT actually does quite well ( since the D410XLT is relatively new to me, every time I plug in I'm going, "Yeah! Now that's what I'm talking about". So many things to tickle the ear...the low end growl, the punch, the clarity.

As for David Nordchow's DNA gear, I've browsed the site but didn't really get down deep into it. Of course, I had nothing to listen to or no one who had such gear to enlighten me. I do appreciate Davis's approach though, at least with the Eden gear. My first decent head was an SWR400 ( with a Peavey 410TX ). The guy I bought it from said it had issues cutting out on 1 channel, so he gave me a good deal. Later, when it started acting up, I pulled the fuses for the output channels, and one had a foil gum wrapper around a blown fuse. I put in a new fuse and everything was great. Meanwhile, the dude that sold me the SWR400 was now lugging around an SWR 900. He's a smaller guy so weight was always a concern for him. When he found out that I got the SWR400 working fine he wanted it back and gave me another sweet deal on the SWR900. It's a 1992, so pre CBS, pre Fender SWR. I still have it. I thought they were the "bees knees" at the time until I got to hear an Eden head. I first noticed them with certain pro bass players like Scott Ambush and I think Nathan East. That made me interested in the sound. Then a local country and rock bass player had one and that convinced me to try one. Occasionally, they would show up used at a local guitar shop ( the Peavey dealer ) and I'd always check 'em out. When the WT800B showed up, I knew that was the one and never have
regretted it. I also have a USA made Ampeg SVT-3 Pro but I've never really dug the sound as much as the WT800B.

I'll take a deeper dive into DNA gear and get a better feel for it. Anything you can add about DNA will be useful. Since it's high end gear, compare to other current stuff like Mark Bass, Bergantino, fEARFUL cabs, Aguilar, etc. I'm still a bit concerned about Class D amps for bass ( like, when it goes, it's pretty much a throw away ). The WT800B even lost 1 power amp channel once ( $350 to fix and I don't think it was a fault of the Eden amp - I had a crappy case that I think trapped lots of hot air - I no longer rack the WT800B) but at least it was fixable...for now. It's part of the reason I got the Navigator. I can buy used PA power amps all day for $250 to $350 - all Crowns ( I think I have 4 of them now - 2 are in the PA ). So if I blow a power amp, I can just ditch it and slap in what I already have laying around without having to send anything to a tech to fix. So far, none of the Crowns have died.

Thanks again for your input and help. It will be nice to hear from Armin once I figure out how to PM him. If I can figure out how to post some pics, I'll get them out as well.
 
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It's too bad that y'all lost the archives. Marshall should have at least given you the opportunity to save the threads off somewhere. I don't know how many people there were involved in the old forum but if enough folks contribute to this forum then you should be able to build up some of what was lost.

I'm a gearslut ( while I can be - getting up towards retirement ) and I usually dive into the gear. Every cab I've owned I take apart to see what's there and how it's set up. Every bass and guitar, same thing. I have no qualms of taking an Eden cab apart and taking pics, just so other Eden peeps can use it as a reference or answer a question. There is far more older Eden gear than I can ever get around to but I don't mind contributing with what Eden gear I have. I'll even do it with the WT800B and the Navigator ( I won't be yanking boards out though ).

I like the 31Hz name.

I will post something later about an HPF I got from England ( that's set at 25Hz with a very steep cutoff - that was the pitch anyway ). It sure helps get rid of the low frequency cone wobble and tightens up the bottom end. I got it because I was using those Crown PA amps. The Navigator can crank out some very low frequencies and the PA amps will go down to 20Hz ( or lower ) and I was getting the low frequency cone movement. The HPF fixed that. Funny how I don't have that problem with the WT800B. Eden must have some sort of HPF filter built in somewhere ( but that didn't carry over to the Navigator ). Maybe Armin knows about that as well.
 
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Just saw this. I used to ask tons of stupid questions on the Eden forum and everybody was always so gracious and patient with their responses, it was a truly great bass forum in general. I'm sorry that the plug was pulled. My first amp when I returned to playing bass as an adult was a WT-550 and I used a WTX-260 for years in my house as a practice amp. Along the way I got a Navigator and it rocked my world for some years.

Ironically I used my Navigator last weekend, which was the first time in at least a year. I got this new beautiful G. Gould 5 string and I wanted to have maximum EQ options available for its first run out in public. What better than a Navigator? I love that preamp, I use a Sovtek 12AX7WB in it and it warms it up just a tiny bit more. I've had probably five Navigator's including one Chinese one and my perception is the older ones sound better. This current one is I think a 98 or 99.

50555721-5A6E-42E6-8218-E795BF96E7BE.jpeg
 
Hey, can someone help me figure out why my on & off speaker switch failed on my Eden Metro (which i put into a head cab)?

I really need the headphone function....also i leave the master on 10 as it was very noisy when i bought the amp years ago even after DeOxit cleaning (which helped a bunch).

Btw, i used cleaner then DeOxit fader lube on the pot...everything else works great!

Also, are the compressors all the same on Eden amps? Thanks in advance!

I don't know how much help I can be as I have never had a metro amp.

When you said it failed, I am assuming that it won't mute your speakers? Does the headphone jack still work ( even if the speakers aren't muted ). I don't know if there is any internal circuitry that does something to the amp output but keeps the amp under load to prevent damage. It is possible it's just the switch, especially if you use it lots.

Do other forum members know if there are any schematics available or did that all disappear when the old forum disappeared?

I'd try searching online for any mention of the that speaker switch not working to see if there are any residual conversations that weren't removed when the forum vanished.

I'd do the same for schematics on an offhand chance that there might be something out there.

As for the compressor, I would imagine there is some similarity for the simple on/off type compressor where there is nothing to adjust. The Navigator and I believe some of the newer Eden amps have adjustable compressors built in.

If you don't like your built-in compressor, there are plenty of compressor pedals with varying degrees of adjustability, complexity and price. You might try to borrow a friend's compressor to try in out and turn off your built-in compressor to see if you hear a difference and it's something that you like.
 
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Cabs,
the D210XST shouldn't sound bad, it doesn't matter what year.
Did you put it back together and still sounds like that?
Did you check if maybe the wires touched the woofers from the back? That creates the sound/noise you described.
Dan gave you a great inside (as usual, I love his answers, while I keep mine short :-) )
Tweeter, I think I lost track. I need to dig up that information.
There were all kinds. Metal, plastic, different color cones.
At the end there are only really two different kinds, because there are two kind of diaphragms that I have in stock to replace them if necessary.
Between them no big difference I could hear or measured.
 
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Thanks for the very prompt reply. I figure since the forum hadn't had much traffic, I'd be waiting a month or 2.

Based on what you said, perhaps that blem D210XST was more than a blem...like it was used and got "blowed up" and then returned. The D210T sounded better ( at the volumes it could handle ) until I got on the B string.

I'll have to take a pic of that D210T as it's still sitting at the GC. It has a single lower front port, just like the D210XST. I did pull the speakers in it and they were 4 ohm in series ( for an 8 ohm cab ).

I have ordered some more used Eden cabs to see how it goes - D210XLT and an D115XL. The D115XL ( actually the tag on back just says 115XL but says the rating is 400W @ 8 ohms. What's unusual is that it has the banana plug connector but where the tweeter control would be, there is a speakon connector. It also has that older looking Eden logo. I'm guessing it's 1996 or earlier. I'll check it out and let you know.

Your rig looks pretty sharp. That 800W "Highwayman" must through some gear heads off. It's like having a little car with some serious crank horsepower under the hood - seems sedate until you hit the gas.

The Jazz bass looks dang sharp with the white on white on white with a maple neck. The closest I've seen like that was Larry Graham with his all white bass. However, yours has that slightly vintage look with those expose pole pups. I really enjoy a Jazz bass. The sound is unique and the neck profile is fabulous. I've just never really "felt the love" of a P bass neck. I had a special 1993 USA Fender Jazz deluxe ( the "boner" bass ) that I had Tommy Shannon sign...BUT...had to sell when the ex screwed up the checking account ( along with an '89 Musicman Stingray 5 ). These days I have a Lakland Skyline Daryl Jones Jazz bass ( with bartolini pups ).

What I play most at this time is an Ibanez BTB 845 or BTB 515. Both 5 strings with a 35" scale. The neck feels very Jazz like for a 5 string. Since we play a fair number of songs that are using a 5 string ( Wolfmother's Joker and the Thief, for instance ) and drop tuning songs, the 5 string is the go to. It should also explain why I was looking at the D210XST though the D410XLT actually does quite well ( since the D410XLT is relatively new to me, every time I plug in I'm going, "Yeah! Now that's what I'm talking about". So many things to tickle the ear...the low end growl, the punch, the clarity.

As for David Nordchow's DNA gear, I've browsed the site but didn't really get down deep into it. Of course, I had nothing to listen to or no one who had such gear to enlighten me. I do appreciate Davis's approach though, at least with the Eden gear. My first decent head was an SWR400 ( with a Peavey 410TX ). The guy I bought it from said it had issues cutting out on 1 channel, so he gave me a good deal. Later, when it started acting up, I pulled the fuses for the output channels, and one had a foil gum wrapper around a blown fuse. I put in a new fuse and everything was great. Meanwhile, the dude that sold me the SWR400 was now lugging around an SWR 900. He's a smaller guy so weight was always a concern for him. When he found out that I got the SWR400 working fine he wanted it back and gave me another sweet deal on the SWR900. It's a 1992, so pre CBS, pre Fender SWR. I still have it. I thought they were the "bees knees" at the time until I got to hear an Eden head. I first noticed them with certain pro bass players like Scott Ambush and I think Nathan East. That made me interested in the sound. Then a local country and rock bass player had one and that convinced me to try one. Occasionally, they would show up used at a local guitar shop ( the Peavey dealer ) and I'd always check 'em out. When the WT800B showed up, I knew that was the one and never have
regretted it. I also have a USA made Ampeg SVT-3 Pro but I've never really dug the sound as much as the WT800B.

I'll take a deeper dive into DNA gear and get a better feel for it. Anything you can add about DNA will be useful. Since it's high end gear, compare to other current stuff like Mark Bass, Bergantino, fEARFUL cabs, Aguilar, etc. I'm still a bit concerned about Class D amps for bass ( like, when it goes, it's pretty much a throw away ). The WT800B even lost 1 power amp channel once ( $350 to fix and I don't think it was a fault of the Eden amp - I had a crappy case that I think trapped lots of hot air - I no longer rack the WT800B) but at least it was fixable...for now. It's part of the reason I got the Navigator. I can buy used PA power amps all day for $250 to $350 - all Crowns ( I think I have 4 of them now - 2 are in the PA ). So if I blow a power amp, I can just ditch it and slap in what I already have laying around without having to send anything to a tech to fix. So far, none of the Crowns have died.

Thanks again for your input and help. It will be nice to hear from Armin once I figure out how to PM him. If I can figure out how to post some pics, I'll get them out as well.
The reason there is not crossover tweeter control because that D115XL does not have a tweeter. It was available both ways for a while. The one with the tweeter is the D155XLT - the T stands for tweeter. The Speakon connector on the back would be a mod done by the previous owner. The Eden forum had a section of "Sticky Notes" with lots of how-to's such as how to replace banana connectors with Speakon for both old Eden amps and cabs. If that Eden gear has banana connectors it is LONG out of warranty so no worries about that. I'd count that speakon connector as a big plus!

My bass looked a closer match to the stark white pickguard when I bought it in 1985. It's Olympic White, which is known to slowly fade to yellow over the years. Mine is now a very nice cream color. I was working part-time at a music store in 1985 and this fellow brought it in to trade for something else. It was in mint condition and he had never even mounted the pickup guards. Fellow taking it in immediately pulled them and put them in the accessory case to sell separately. They were still in their original plastic. We took it in trade towards an Aria Pro II.

I'd given up on ever finding another Jazz with the neck shape and profile of my '65. About 4-days later I finally tried it and it felt like coming home. Had to wait for a month to see if it would sell at retail before the owner would sell it to me. Longest month ever, but he sold it to me and at a good price. That was 35-years ago.

You can PM Armin by hovering on "Inbox" along the top of the frame and then click on "New Private Message". That will open up a page where you can PM him. Just put in his screen name. Hopefully you've seen his recent comments here. He is much more "succinct" than I am...lol;)
 
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I don't know how much help I can be as I have never had a metro amp.

When you said it failed, I am assuming that it won't mute your speakers? Does the headphone jack still work ( even if the speakers aren't muted ). I don't know if there is any internal circuitry that does something to the amp output but keeps the amp under load to prevent damage. It is possible it's just the switch, especially if you use it lots.

Do other forum members know if there are any schematics available or did that all disappear when the old forum disappeared?

I'd try searching online for any mention of the that speaker switch not working to see if there are any residual conversations that weren't removed when the forum vanished.

I'd do the same for schematics on an offhand chance that there might be something out there.

As for the compressor, I would imagine there is some similarity for the simple on/off type compressor where there is nothing to adjust. The Navigator and I believe some of the newer Eden amps have adjustable compressors built in.

If you don't like your built-in compressor, there are plenty of compressor pedals with varying degrees of adjustability, complexity and price. You might try to borrow a friend's compressor to try in out and turn off your built-in compressor to see if you hear a difference and it's something that you like.
Regarding the Schematics, now days Eden ONLY makes those available to Authorized Eden repair techs. Used to be there were pretty easy to get, but then they put the kibosh on doing that. Reportedly was to keep people without the actual knowledge on how to work on them from screwing them up. Got to be too easy to have someone with a little knowledge mess up the amps and even if the amps were out of warranty, Eden still wanted them to be maintain their reputation as reliable amps. Best way to do that was to only supply schematics to authorized techs and repair stations.

Regarding the compressor on Eden amps, that is an auto compressor that is/was controlled by the gain adjustment. After setting up your sound so that gain-set light would dance during your loudest and lowest notes to get to the sweet spot, you could trigger the compressor to engage more quickly and compress longer by turning up the gain - that became a de-facto compressor control. Then, every time you'd see that gain-set light illuminate, you knew the compressor was actively compressing your signal. If the Eden amp didn't have a compressor knob, the gain knob controlled the compressor when it was engaged.

On WT amps that had a compressor light, that compressor light would light up when you were compressing instead of the gain-set light. When it wasn't lit, it wasn't compressing. The auto-compressor was on all the time unless you bypassed it by typically pulling the Enhance knob out or pushing in a bypass button. Personally, I always bypassed the compressor on my Eden Nemesis and WT amps because I didn't like the sound of it. It seemed to have a really hard knee and it sounded good with slap but not much of anything else. I rarely use slap, so I keep mine by-passed.

I do have to point out though that with the Eden TN226, which is the 225-watt class D amp, the auto-compressor sounds much better. I used that amp into an Eden EX-112 cab (300 watts power handling) for a small venue we use to play a lot, and often used the auto compressor on that one. I found one night that the power clip light was coming on and I couldn't turn down. So I tried turning on the compressor.

The compressor only engaged when my gain-clip light came on, but unlike my other Eden amps, it didn't sound harsh plus it kept the amp from clipping quite effectively. So the auto-compressor that is in the new Eden WTP and TN is definitely different than what was in the WT's and Nemesis model.

The WT330, 390, and 405 all had a single control adjustable compressor, which was much better in my opinion than the auto-compressor. My WTDI (DI box with built-in WT preamp) has that same one-control compressor and, although I rarely use it, it works surprisingly well. I think (Armin correct me on this if I'm wrong) the Navigator Preamp is the only WT that has adjustable threshold and ratio controls.
 
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Thanks for the very prompt reply. I figure since the forum hadn't had much traffic, I'd be waiting a month or 2.

Based on what you said, perhaps that blem D210XST was more than a blem...like it was used and got "blowed up" and then returned. The D210T sounded better ( at the volumes it could handle ) until I got on the B string.

I'll have to take a pic of that D210T as it's still sitting at the GC. It has a single lower front port, just like the D210XST. I did pull the speakers in it and they were 4 ohm in series ( for an 8 ohm cab ).

I have ordered some more used Eden cabs to see how it goes - D210XLT and an D115XL. The D115XL ( actually the tag on back just says 115XL but says the rating is 400W @ 8 ohms. What's unusual is that it has the banana plug connector but where the tweeter control would be, there is a speakon connector. It also has that older looking Eden logo. I'm guessing it's 1996 or earlier. I'll check it out and let you know.

Your rig looks pretty sharp. That 800W "Highwayman" must through some gear heads off. It's like having a little car with some serious crank horsepower under the hood - seems sedate until you hit the gas.

The Jazz bass looks dang sharp with the white on white on white with a maple neck. The closest I've seen like that was Larry Graham with his all white bass. However, yours has that slightly vintage look with those expose pole pups. I really enjoy a Jazz bass. The sound is unique and the neck profile is fabulous. I've just never really "felt the love" of a P bass neck. I had a special 1993 USA Fender Jazz deluxe ( the "boner" bass ) that I had Tommy Shannon sign...BUT...had to sell when the ex screwed up the checking account ( along with an '89 Musicman Stingray 5 ). These days I have a Lakland Skyline Daryl Jones Jazz bass ( with bartolini pups ).

What I play most at this time is an Ibanez BTB 845 or BTB 515. Both 5 strings with a 35" scale. The neck feels very Jazz like for a 5 string. Since we play a fair number of songs that are using a 5 string ( Wolfmother's Joker and the Thief, for instance ) and drop tuning songs, the 5 string is the go to. It should also explain why I was looking at the D210XST though the D410XLT actually does quite well ( since the D410XLT is relatively new to me, every time I plug in I'm going, "Yeah! Now that's what I'm talking about". So many things to tickle the ear...the low end growl, the punch, the clarity.

As for David Nordchow's DNA gear, I've browsed the site but didn't really get down deep into it. Of course, I had nothing to listen to or no one who had such gear to enlighten me. I do appreciate Davis's approach though, at least with the Eden gear. My first decent head was an SWR400 ( with a Peavey 410TX ). The guy I bought it from said it had issues cutting out on 1 channel, so he gave me a good deal. Later, when it started acting up, I pulled the fuses for the output channels, and one had a foil gum wrapper around a blown fuse. I put in a new fuse and everything was great. Meanwhile, the dude that sold me the SWR400 was now lugging around an SWR 900. He's a smaller guy so weight was always a concern for him. When he found out that I got the SWR400 working fine he wanted it back and gave me another sweet deal on the SWR900. It's a 1992, so pre CBS, pre Fender SWR. I still have it. I thought they were the "bees knees" at the time until I got to hear an Eden head. I first noticed them with certain pro bass players like Scott Ambush and I think Nathan East. That made me interested in the sound. Then a local country and rock bass player had one and that convinced me to try one. Occasionally, they would show up used at a local guitar shop ( the Peavey dealer ) and I'd always check 'em out. When the WT800B showed up, I knew that was the one and never have
regretted it. I also have a USA made Ampeg SVT-3 Pro but I've never really dug the sound as much as the WT800B.

I'll take a deeper dive into DNA gear and get a better feel for it. Anything you can add about DNA will be useful. Since it's high end gear, compare to other current stuff like Mark Bass, Bergantino, fEARFUL cabs, Aguilar, etc. I'm still a bit concerned about Class D amps for bass ( like, when it goes, it's pretty much a throw away ). The WT800B even lost 1 power amp channel once ( $350 to fix and I don't think it was a fault of the Eden amp - I had a crappy case that I think trapped lots of hot air - I no longer rack the WT800B) but at least it was fixable...for now. It's part of the reason I got the Navigator. I can buy used PA power amps all day for $250 to $350 - all Crowns ( I think I have 4 of them now - 2 are in the PA ). So if I blow a power amp, I can just ditch it and slap in what I already have laying around without having to send anything to a tech to fix. So far, none of the Crowns have died.

Thanks again for your input and help. It will be nice to hear from Armin once I figure out how to PM him. If I can figure out how to post some pics, I'll get them out as well.
Again for full disclosure, I am a DNA Endorser (got a warning from TB to be sure to point that out when I give glowing reports on DNA gear). But I am not embellishing my opinions at all. I bought my first DNA gear in 2015 and became an endorser last year.

The best way to look at the DNA stuff is that it's the next step up from the XST's for the cabs and night and day better than the WTX class D amps that David designed at Eden. After playing through my two Eden EX112 cabs and then playing through my DNS-210 cab, the difference in clarity made it sound like I had just pulled a blanket off of my cabs. And for the lower end of Eden cabs, those EX112's have a great sound - not quite as good as the D112XST's but they are about $600 less than the D-series cabs and there's certainly not $600 worth of difference in the sound.

And don't misunderstand me, I'm not down grading the Eden cabs at all, it's just that David's latest designs are a noticeable step up from what he did at Eden. He designed new long throw speakers that still have excellent transients and new textured porting systems for his cabs that channel air through a lot faster than normal round and shelf ports allowing him to higher power handling, very sensitive cabs with a very tight bottom end and a very full sound across the frequency spectrum. He's made some amazing cabs.

The one thing I am a little leery about though is his simplified EQ section on his DNA amps. But he used it first on his Eden WT330,390, and 405 amps and they were very well received. I first became fascinated with using semi-parametric controls to choose a center frequency that I want to adjust and then cut or boost it as needed. By 2010, when I got my WT500/800 that had three of these controls, I was addicted. The goofy thing is although that EQ system is possibly the most musical and versitale EQ system made, I usually run it flat with just a little boost in the low-mids at 250 Hz. I've also boost the low-mids at 500Hz when using my WTDI because the mid can be toggled between either 500Hz or 2KHz. Did some recording at a professional studio with that 500Hz low-mid boost and it did sound great. I have used semi-parametric EQ to dial in a few troublesome rooms over the years too. It's just so darn versatile, I'm not sure I want to give that up!

For his DNA amps, the DNA-800 and the DNA-1350, he chose some good frequency centers. The bass is centered a 35Hz, the low-mid at 500Hz, the high-mid at 2KHZ, and the treble is a shelving control for everything above 2KHz. So that's pretty much dead on with what my WTDI does and if that's the case, I think I will be happy. I had hoped to have a DNA-800 by March or April of 2020 (again, using only gig money to buy it) but Covid-19 shut that right down. So I don't have one yet. If I don't like it, I can always carry my heavier WT500/800 around. The only thing I don't like about that big amp is its weight at about 36-lbs. in its rack. I'd love to have an 800-watt amp weighing under 5-lbs that I can carry in a shoulder bag and still have it sound like my Eden amp, and I think I can do that.

I truly believe that the DNA cabs are the very best cabs available right now. I've played through a lot of cabs including MarkBass, Mesa, GK, acoustic, Ampeg, etc. and you can just here everything better with these DNA cabs. If you play bass chords, you will very distinctly hear all three notes regardless if the are in low or high registers. It takes very little power to get them to gig levels and they are not only clear but very LOUD cabs. My DNS410 has a max SPL of 137db and my DNS-210 is just slightly behind it at 134db. My 800-watt amp can drive my DNS-210 to its maximum SPL, but again, you don't want to be anywhere near it at those levels. I suspect the DNA amps are as good as it gets too when comparing class D amps. Features-wise they cover all the basses and they sound great with all the high quality videos I've seen...really want a DNA-800! It's about half the cost of the DNA-1350 and easily more than I need.

OK....that's enough "glowing" for now.
 
I don't know how much help I can be as I have never had a metro amp.

When you said it failed, I am assuming that it won't mute your speakers? Does the headphone jack still work ( even if the speakers aren't muted ). I don't know if there is any internal circuitry that does something to the amp output but keeps the amp under load to prevent damage. It is possible it's just the switch, especially if you use it lots.

Do other forum members know if there are any schematics available or did that all disappear when the old forum disappeared?

I'd try searching online for any mention of the that speaker switch not working to see if there are any residual conversations that weren't removed when the forum vanished.

I'd do the same for schematics on an offhand chance that there might be something out there.

As for the compressor, I would imagine there is some similarity for the simple on/off type compressor where there is nothing to adjust. The Navigator and I believe some of the newer Eden amps have adjustable compressors built in.

If you don't like your built-in compressor, there are plenty of compressor pedals with varying degrees of adjustability, complexity and price. You might try to borrow a friend's compressor to try in out and turn off your built-in compressor to see if you hear a difference and it's something that you like.
The headphone function does not work now and the switch will not turn off the speakers.....so the 1st thing is to replace the switch i assume?
 
Hi,
first the Metro issue.
The speaker switch is switching only the internal woofer off, not the connectors for additional cabs and it is just a disconnector. No electronic mute circuit.
That said, all you need to do is replace the switch.
Rock on
Armin
Thanks....do you have any info on where to purchase the switch? What kind of job is it in terms of access? I have no issue with old tube amps but shy away from SS amps but know several techs that are qualified.

Is replacing the switch a fairly simple procedure?