Another question Frank: just so I'm not caught by surprise on a gig...is there a low battery indicator, like a flashing active light, for example?
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Smallequestrian said:So I put myself on the Notify list for a DE-CL. How does it work, do the people on the notify list get the first shot when you do your next run? Sadly, I could really use one now, but I'm fine with waiting.
+1
I rarely use pedals, but this is the pedal I wish was a part of my amp (actually I take that back; having it in front of my other pedals has made them behave MUCH better)...been with me on all my gigs this weekend and don't see that trend changing...perfect volume control.
Thanks guys!! Im really happy that you like them.I agree I wish this was a part of my amp most on board compressors are horrible I've had two amps with onboard compression a Warwick and a TC Electronics I think FEA Labs should license some technology to the bigger amp makers it would make a huge difference but come to think about it they would probably make some subtle changes to the design and find a way to rip the guys off
Another question Frank: just so I'm not caught by surprise on a gig...is there a low battery indicator, like a flashing active light, for example?
So I put myself on the Notify list for a DE-CL. How does it work, do the people on the notify list get the first shot when you do your next run? Sadly, I could really use one now, but I'm fine with waiting.
Forgive me if this has been stated already, but does the High output of the dual band optical comp-limiter pass a high-band signal when the pedal is off? Can the pedal be used as an always-on crossover?
Also, can someone explain this for me?
"The compressor-limiter side-chains use precision full-wave rectification of the audio signals in the THRESHOLD circuits to improve tracking"
I know what a side chain does but not in this context.
I've been wanting to get a dualband distortion forever but sadly they are discontinued : (
Any chance of one in the future? (or would someone like to sell me one?![]()
I have one, and you can't have it!!!
Actually, it really is a great o/d distortion. Takes a while to dial-in, and longer to understand what all the knobs do, but the result is really fantastic.

Sorry to be the bearer of bad news, but it is against forum rules to post an item for sale outside of the classifieds. You need to fix this.
BFunk said:Sorry to be the bearer of bad news, but it is against forum rules to post an item for sale outside of the classifieds. You need to fix this.
By quoting that post, you just made it impossible to "fix" ... LOL
I put myself on the wait list for the DB-CL last December, and to be honest, I often wondered if maybe I should just go another direction rather than wait. After all, its just a compressor, right? But I wanted what I wanted, so I held on.
Took delivery of the unit this past weekend, and all I can say is that it was absolutely worth the wait. Ive been playing with this for few days and so far I love it. This is exactly what I was looking for. At some point during the wait, I began to wonder if perhaps the DE-CL wouldnt be a better fit, given some of the reviews in this thread regarding its ease of use.
However, so far the DB-CL has been very easy and intuitive to operate, despite the number of knobs, flexibility and range of the controls. Every bass is different, but dialing the sound I want from each one has been quick and easy. The crossover frequency control really helps in that regard, particularly on those basses where I want to tighten up the low end a bit, but leave the highs alone or compress differently (more or less relative to the lows.) So far the process has been listening to the bass and thinking more of this, less of that and voila!
Im not really big on effects, and even my past experiences with compressors has been less than satisfying. In general, I want effects that enhance my sound, not become my sound. I think the DB-CL will be that one pedal I take to every playing situation.
-Alan
