• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Fender Rumble Club

Any experience using a preamp (like John East) with the bass and connected to Rumble (500 v3?)?
Which is the best steps to EQ the bass?
I am not able to get the appropriate sound and most likely I am not following the rigth procedure for eq’ing.

Another question, could it be possible that in a room (our band rehearsal room) some notes (in my case A) when playing sound much lower that the rest? (G or B sound booming but A not).
 
Crappy? Nope. Grill cloth from The Avengers. I want one for my Studio 40!

flat,750x1000,075,f.jpg

I just thought of the more general 60s psychedelic case. Either way, I'd love to have an amp front like that!
 
Any experience using a preamp (like John East) with the bass and connected to Rumble (500 v3?)?
Which is the best steps to EQ the bass?
I am not able to get the appropriate sound and most likely I am not following the rigth procedure for eq’ing.

Another question, could it be possible that in a room (our band rehearsal room) some notes (in my case A) when playing sound much lower that the rest? (G or B sound booming but A not).

I use a Master Effects Super 800 Plus (think GK 800RB sound) preamp into my Rumbles and it works great. I start with the amp at true flat EQ (per the club wiki), and EQ the preamp for the tone I want from my Thunderbirds. (Other EQ pedals are also involved because some of my Birds have very different pickups). It works great.

The room can definitely have that impact. Individual instruments can have dead spots, too, but if you don't hear the same problem elsewhere, it's the acoustics of the room setup. Try pointing the amp elsewhere, isolating it from the floor, angling it up, putting it on a table, etc. Sometimes that will help. Adding something to absorb sound on a wall to change reflectivity can help, too.
 
Any experience using a preamp (like John East) with the bass and connected to Rumble (500 v3?)?
Which is the best steps to EQ the bass?
I am not able to get the appropriate sound and most likely I am not following the rigth procedure for eq’ing.

Another question, could it be possible that in a room (our band rehearsal room) some notes (in my case A) when playing sound much lower that the rest? (G or B sound booming but A not).

yea, boundary reinforcement or something. bassically the sound waves that bounce off the wall at 1/2 wavelength get cancelled out and @1/4 get boosted so theres info on the web somewhere, ill post my spreadsheet when i can. try moving ur magnets (amp/speakers) closer and further from the wall (not at the same time) to see whats best for you..

remember no amount of EQ boost will help because the higher the positive side of the wave, the higher the negative side bouncing back off the wall cancelling it out.
 
Yea that would be cool. All I did though was, after having repeated trouble uploading the pic, reduced it to 800x600 and it loaded, but got this result :roflmao:
You might want to check out a free account on imgur.com. You upload to them, and then get a URL that you can use when posting an image. The only site for me so far where that doesn't work is Facepalm. They want you to actually upload an image. There's probably language buried in their Privacy statement that gives them the right to repurpose uploaded photos if they want.
 
  • Like
Reactions: 13bass
I asked before but, if you're recording into an audio interface out of your Rumble DI, do you go into the interface with a XLR to TRS 1/4inch with the TRS 1/4inch into the interface, or just go XLR to XLR into the interface? I've been using the TRS to interface as it states using an XLR in from a line level out like the Rumble can damage the interface, but the line level signal from the Rumble is weak. I suppose I can just try an XLR to XLR because I can turn the gain up on the interface that way but I'm wondering about others experiences, thanks
 
  • Like
Reactions: SteveAG
A small community center in an old high school. It was bitter cold and the audience was sparse but fun! Had a great show.
The perfect stage setup. Bass and drums. Guitarist? Behind the curtain. :roflmao:

I'm still amazed at how good of an amp the Rumble 40 is. I really like the extra I/O ports on my Studio 40. It sounds great, maybe even better than the 40 combo, but every once in awhile, I miss the simplicity of my old regular 40.
 
Last edited:
While I enjoy the various presets on my stage 800 I would at times like to use the combo amp as a simple power amp for some various character DI and preamp pedals as well. What would be the best way to use them with the Stage?
Perhaps plugging into the loop return, or to use a preset of say a studio direct input model?


Hey, tj! You are now member #1721 in the Fender Rumble Club. Congratulations and welcome. Put that number in your TalkBass Signature for safe keeping. Then make yourself at home here and on your Rumble Club Wiki page, the repository of all Rumbling wisdom and knowledge.

Please remember to ask specific Rumble Stage & Studio spuestions and discussions on the Rumble LT25, Studio 40 & Stage 800 sub-thread especially for these amps. Thanks.

How about telling us a bit about yourself, such as your bass experience in general and your Rumble journey in particular? You'll fit right in here since we have all kinds. But we all love to ... ... ...

Rumble On!
.
 
Howdy folks!
Just picked up a Rumble 800 today. Great amp! Just have to get used to the 2x10 configuration versus the 1x15 I am used to with the Traynor on the left of the picture below. That Traynor is actually a Godly little combo (especially to a Canadian like myself) that produces enough low end to warrant a visit from a seismologist. Is all that low end really necessary is the question when considering what we supposedly lose in a single 1x15. Surely speaker size alone doesn't mean the world when so many other things are at play.

I started playing bass in 2001, then almost immediately became a drummer by default. Then in 2017 I got into electric guitar for several years, and now more recently I finally picked the bass back up. Immediately recalled why I loved it so much.
Anywho, since I last looked into it, the OG 1x15 config might not be considered as practical as it once was, and that Traynor lacks an ext out for a 2x10 cab. There was a Rumble 800 nearby so I quickly snatched it up. It's nice to know I can add a 15" to it down the road if need be. This amp definitely is of an entirely different flavor than the Traynor, and it seems like it will definitely make more sense on stage.

Currently playing around with the options the amp offers, such as the vintage switch. I certainly dig the sounds I am getting from it.

Finally, no I don't normally lean my instruments against the amps like that. Just for photos!

1000004462.jpg
 
Howdy folks!
Just picked up a Rumble 800 today. Great amp! Just have to get used to the 2x10 configuration versus the 1x15 I am used to with the Traynor on the left of the picture below. That Traynor is actually a Godly little combo (especially to a Canadian like myself) that produces enough low end to warrant a visit from a seismologist. Is all that low end really necessary is the question when considering what we supposedly lose in a single 1x15. Surely speaker size alone doesn't mean the world when so many other things are at play.

I started playing bass in 2001, then almost immediately became a drummer by default. Then in 2017 I got into electric guitar for several years, and now more recently I finally picked the bass back up. Immediately recalled why I loved it so much.
Anywho, since I last looked into it, the OG 1x15 config might not be considered as practical as it once was, and that Traynor lacks an ext out for a 2x10 cab. There was a Rumble 800 nearby so I quickly snatched it up. It's nice to know I can add a 15" to it down the road if need be. This amp definitely is of an entirely different flavor than the Traynor, and it seems like it will definitely make more sense on stage.

Currently playing around with the options the amp offers, such as the vintage switch. I certainly dig the sounds I am getting from it.

Finally, no I don't normally lean my instruments against the amps like that. Just for photos!

View attachment 5326576
If you don’t mind - what’s with the electrical tape on the control knob on the 4-string?