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G&L Club Part 7

This lack of shielding is common with G&L. And a real PITA.

Nothing worse than paying big bucks for your dream bass and having to bring it to your luthier as soon as you receive it, because it's basically unplayable.
Not trying to be a dick, but this is pretty easy to do yourself. Need a soldering iron, a beverage and some patience.

But I know some people just feel uncomfortable working on their own gear.
 
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Gives it a rustic or organic feel.
The frost finish on this one really adds to that

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I don't understand how a company with otherwise great workmanship, didn't at least put on a few coats of sheilding paint. I would have thought that would have been pretty much standard on American made instruments by now.

Of course shielding should be included from the factory considering the price point for a USA G&L. On the entry level Tributes?...sure, no shielding is understandable. Gotta make compromises somewhere to keep the price down, and to not discourage potential buyers of USA models.

I'm reminded of the infamous G&L "spring ping" noise issue that was caused by not inserting the much needed little rubber bits into the pickup mounting springs at the factory before installing the pickups. Without those little dampers the springs would vibrate and make an audible ringing sound, which was heard by the pups and added to the output signal. I can only imagine how many players were turned off to the G&L marque when they heard that unacceptable noise.

It seems G&L failed to dampen the springs right around the time that Leo passed, and continued to ignore the problem well into the 2000's. When the issue was finally addressed, their answer was to abandon the spring system in favor of the old school rubber pad system. The original spring system that Leo developed was superior to the simple (read; crude) foam pads of yesteryear, a true improvement. But he realized the springs needed damping to stay quiet. Little rubber chunks dropped into the springs....cheap, fast, and effective. How that little detail was overlooked for so long (and apparently never understood) by BBE is remarkable to me.

That said, I benefitted from the failure when the JB-2 was introduced in 2001 (sans rubber dampers, of course). Having s/c pups meant the JB-2's pickups were microphonic, which is good. But s/c pickups 'hear' everything, way more so than the MFD's. Thus, the JB-2's suffered badly from the "ping" noise. Nice used JB-2's popped up on ebay for cheap money because of it. Score!

I don't have any noise issues with my G&L's, neither older ones nor newer ones. But now I'm curious to know which ones have shielding, or not. Guess I'll have to look inside....
 
There are quite a few new Tribute colors and fingerboard variations being available now. I've seen new L2000, L2500, Kiliton and LB100s. Sweetwater has several and they are awesome. I couldn't help myself. I have 3 Tribute LB100's already, but when I saw THIS.....I had to have it for Christmas

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Wow that is awesome. Probably my favorite color/pickguard/fretboard combo.
 
There are quite a few new Tribute colors and fingerboard variations being available now. I've seen new L2000, L2500, Kiliton and LB100s. Sweetwater has several and they are awesome. I couldn't help myself. I have 3 Tribute LB100's already, but when I saw THIS.....I had to have it for Christmas

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I have 3 Tribute LB100s. I didn't NEED another. But come on......that look.
 
There are quite a few new Tribute colors and fingerboard variations being available now. I've seen new L2000, L2500, Kiliton and LB100s. Sweetwater has several and they are awesome. I couldn't help myself. I have 3 Tribute LB100's already, but when I saw THIS.....I had to have it for Christmas

View attachment 4438513 View attachment 4438514
Nice! Love the blocks, I'm a sucker for blocks. :thumbsup:
 
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While I'm persecuting your eyes with unwanted tort....

I haven't managed to find a decent photo of a bass in this combo, but I did find this example of emerald green metallic and tort. (Upfront Guitars yet again, they love the metallics!)

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Here's my 2018 emerald green metallic Kiloton, which I bought used about a year ago. It came with a black 3-layer PG, which I found dull. I eventually replaced it with a 4-ply aged white pearl, giving it a much more elegant look (IMO). I think I like the aged white pearl better with the metallic emerald than I do the tort, though I love tort PGs. I put one on my natural '78 Peavey T-40. Ain't it great to have so many options?!?!
2018 G&L Kiloton closeup.jpg