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G&L Club Part 7

Good point, I had never seen the angled tuners before (*).
Very clean instrument.
Quartersawn neck. No sign of being bi-cut. So, one-piece maple or glued fingerboard? Puzzled on this one.
I once had a 2004 ASAT Bass with the 3-bolt plate (s/n: #B034xxx, body date: NOV 3, 2004).

(*) - Edit - Oh, I've just come across a picture of my 2004 ASAT bass and I now realize it had the angled tuners too.

View attachment 2999100

It has to be bi-cut, we just can't see the seam in those pics. I just looked closely at my JB-2 from ~2004. Under a bright light, I could barely detect the bi-cut seam, but it's definitely there. I wish it had a glued fret board because it has a frozen truss rod.

Ha, I've had this bass for years, but only just now noticed its tuners are angled.

IMG_0017_zpsxhwuk1vb.jpg
 
JB
Finishes
- Lake Placid Blue, 3-ply White Pickguard, Brazilian Cherry fingerboard with white neck binding and white pearloid block inlays
TI-JB-113R04R13 UPC: 791018366768
- 3-Tone Sunburst, 3-ply Black Pickguard, Maple fingerboard with black neck binding and black block inlays
TI-JB-123R20M23 UPC: 791018366775
Body wood Basswood (solid finishes) or Swamp Ash (translucent & burst finishes)
Neck wood Hard Rock Maple with vintage tint gloss finish
Neck dimensions 1 1⁄2" width at nut, 9.5" radius
Pickups 2x G&L Alnico single coil pickups
Controls One volume control for each pickup, master tone
Bridge G&L Saddle-Lock


Quote:
LB-100
Finishes
- Olympic White, 3-ply black pickguard, vintage tint gloss neck with Brazilian Cherry fingerboard and white pearloid block inlays
TI-LB1-113R56R23 UPC: 791018366782
- 3-tone Sunburst, 3-ply black pickguard, vintage tint gloss neck with Brazilian Cherry fingerboard
TI-LB1-121R20R23 UPC: 791018366799
- Natural Gloss, 3-ply black pickguard, clear gloss neck with Maple fingerboard
TI-LB1-121R40M21 UPC: 791018366805
Body wood Basswood (solid finishes) or Swamp Ash (translucent & burst finishes)
Neck wood Hard Rock Maple
Neck dimensions 1 5/8" width at nut, 9.5" radius
Pickup G&L Alnico split-coil humbucker
Controls Volume, tone
Bridge G&L Saddle-Lock
 
JB
Finishes
- Lake Placid Blue, 3-ply White Pickguard, Brazilian Cherry fingerboard with white neck binding and white pearloid block inlays
TI-JB-113R04R13 UPC: 791018366768
- 3-Tone Sunburst, 3-ply Black Pickguard, Maple fingerboard with black neck binding and black block inlays
TI-JB-123R20M23 UPC: 791018366775
Body wood Basswood (solid finishes) or Swamp Ash (translucent & burst finishes)
Neck wood Hard Rock Maple with vintage tint gloss finish
Neck dimensions 1 1⁄2" width at nut, 9.5" radius
Pickups 2x G&L Alnico single coil pickups
Controls One volume control for each pickup, master tone
Bridge G&L Saddle-Lock


Quote:
LB-100
Finishes
- Olympic White, 3-ply black pickguard, vintage tint gloss neck with Brazilian Cherry fingerboard and white pearloid block inlays
TI-LB1-113R56R23 UPC: 791018366782
- 3-tone Sunburst, 3-ply black pickguard, vintage tint gloss neck with Brazilian Cherry fingerboard
TI-LB1-121R20R23 UPC: 791018366799
- Natural Gloss, 3-ply black pickguard, clear gloss neck with Maple fingerboard
TI-LB1-121R40M21 UPC: 791018366805
Body wood Basswood (solid finishes) or Swamp Ash (translucent & burst finishes)
Neck wood Hard Rock Maple
Neck dimensions 1 5/8" width at nut, 9.5" radius
Pickup G&L Alnico split-coil humbucker
Controls Volume, tone
Bridge G&L Saddle-Lock

Are those Tributes? :hyper:
 
Soooooo I've been wrestling with a dilemma lately. There is a seller (from WV) on Reverb with great reviews that has some G&L basses with deep discounts. A few of those are M2000 and M2500 Tributes. I'm hesitating to pull the trigger on one only because I recently got my second L2500 and I might should look at buying something completely different. But the deals are soooo good and these basses have been discontinued....PLUS I'm not sure I want to get one of these colors. I love my G&L basses. They are soooooo well built, I just wonder if I should diversify.
 
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Soooooo I've been wrestling with a dilemma lately. There is a seller (from WV) on Reverb with great reviews that has some G&L basses with deep discounts. A few of those are M2000 and M2500 Tributes. I'm hesitating to pull the trigger on one only because I recently got my second L2500 and I might should look at buying something completely different. But the deals are soooo good and these basses have been discontinued....PLUS I'm not sure I want to get one of these colors. I love my G&L basses. They are soooooo well built, I just wonder if I should diversify.
Asking *us* if you should buy another bass?That's like walking into a frat party and asking if you should have a beer. Of course you should! :smug:
 
Soooooo I've been wrestling with a dilemma lately. There is a seller (from WV) on Reverb with great reviews that has some G&L basses with deep discounts. A few of those are M2000 and M2500 Tributes. I'm hesitating to pull the trigger on one only because I recently got my second L2500 and I might should look at buying something completely different. But the deals are soooo good and these basses have been discontinued....PLUS I'm not sure I want to get one of these colors. I love my G&L basses. They are soooooo well built, I just wonder if I should diversify.

An M is quite a different beast than an L: more sophisticated and modern sounding, a distinctly "active bass" sound. I run my L2500 passive all the time and enjoy that character. My M2500 I use for other things where I want that distinctive sound. The L has nickel rounds on it; the M has TI flats. I like having both, so would you. [I feel like Mephistopheles in Faustus saying all this...but that is the TB way!:whistle:]
 
An M is quite a different beast than an L: more sophisticated and modern sounding, a distinctly "active bass" sound. I run my L2500 passive all the time and enjoy that character. My M2500 I use for other things where I want that distinctive sound. The L has nickel rounds on it; the M has TI flats. I like having both, so would you. [I feel like Mephistopheles in Faustus saying all this...but that is the TB way!:whistle:]
Thank you for your feedback. The L2500 is very "in your face" and I have to EQ it quite liberally (major drop in mids) to get it tamed for my jazz band use. Like you, I leave it in the passive mode exclusively. They are fantastic instruments. I'm glad I have 2.

I guess my fear is that I'll get an M2500 and bond with it more to where I'm not playing my L2500's as much. Well I have 11 basses now. I try to rotate through all of them. I feel money burning a hole in my pocket, but I'd like to spend it on something that makes sense for me.
 
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