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G&L Club Part 7

I have several. Tribute and USA. Couple of them I bought from fellow TBers.


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Couple of USA guitars too
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Hey, @_seafarer, thanks for asking! I've really enjoyed the EB cobalt flats on my (Tribute) SB-2. I had bought that set to go on another instrument but they didn't seem a good match. Since I had Chromes on my LB-100, I thought something else on the SB-2 might be interesting and I pulled those strings out of a drawer. Although I still find their surface a bit sticky compared to the glassy surface of the Chromes, the cobalt flats have an interesting "biteyness" to them that I think really suits the MFDs in the SB-2. It's difficult to describe the sound, but the inherent sonic quality of these strings is in line with the inherent sonic quality of the pickups on this bass in a way that works synergistically. Sometimes I like strings which mitigate against some annoying quality of a bass and its pickups, but this is a rare case where I think there's a similarity which is enhancing of the best features in both. In any case, they're not coming off.
less that they get less sticky, more that you get used to it.
MFD's and the Cobalt flats are a great match.
 
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That was a pawn shop find.

The story with that one, if you're curious... it's an '03 that I bought on eBay in early 2004. The original owner apparently was a factory employee and had a collection of Tributes in Candy Apple Red that he was selling off. I bought it, and it came with a G&L hardcase. UPS was kind enough to damage the packaging hard enough that the hard case dented and the bass had a little compression damage right below the knobs. I was originally going to pursue a claim, but it seemed to be more trouble than it was worth. After a couple of months, I rewired it to have a master volume, master tone (to SB-1 wiring spec) and an on/off switch for the bridge pickup. Gigged it that way for several years in the Bay Area, was my #1 for quite a while. Eventually, I moved to Denver and largely put my basses away and was playing guitar more actively than anything. Ended up selling that bass w/ case on Denver craigslist somewhere around 2012 in order to help fund an ASAT guitar. As I got back into playing bass in 2014 or so, I've really missed that bass. So again, if/when the time to sell comes...
 
I'm getting ready to shield my JB. I took the control plate, PG and PU's off and found that there is gray shielding paint on the inside of all the cavities and I have continuity from all locations tested. But this thing hums like crazy on most stages. The hum changes depending on where I'm standing.
Have others found that shielding that G&L uses to be deficient? I though I read that people found no shielding on their JB's from the factory.
 
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The story with that one, if you're curious... it's an '03 that I bought on eBay in early 2004. The original owner apparently was a factory employee and had a collection of Tributes in Candy Apple Red that he was selling off. I bought it, and it came with a G&L hardcase. UPS was kind enough to damage the packaging hard enough that the hard case dented and the bass had a little compression damage right below the knobs. I was originally going to pursue a claim, but it seemed to be more trouble than it was worth. After a couple of months, I rewired it to have a master volume, master tone (to SB-1 wiring spec) and an on/off switch for the bridge pickup. Gigged it that way for several years in the Bay Area, was my #1 for quite a while. Eventually, I moved to Denver and largely put my basses away and was playing guitar more actively than anything. Ended up selling that bass w/ case on Denver craigslist somewhere around 2012 in order to help fund an ASAT guitar. As I got back into playing bass in 2014 or so, I've really missed that bass. So again, if/when the time to sell comes...
Very cool. I always wondered who did that mod. It also had different knobs on it when I got it. One red topped and one blue topped iirc. It is now tumed to drop c and I play it every week with my kid (drummer). Great little bass. If I ever get rid of it, it's yours.
 
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Very cool. I always wondered who did that mod. It also had different knobs on it when I got it. One red topped and one blue topped iirc. It is now tumed to drop c and I play it every week with my kid (drummer). Great little bass. If I ever get rid of it, it's yours.

I can't take credit for the knobs, but yeah, I did the mod. If I remember right, I also replaced the pots with full-size Alphas, but maybe misremembering due to time. Either way, glad it's in good hands and getting some good use. :thumbsup:
 
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Hey, @_seafarer, thanks for asking! I've really enjoyed the EB cobalt flats on my (Tribute) SB-2. I had bought that set to go on another instrument but they didn't seem a good match. Since I had Chromes on my LB-100, I thought something else on the SB-2 might be interesting and I pulled those strings out of a drawer. Although I still find their surface a bit sticky compared to the glassy surface of the Chromes, the cobalt flats have an interesting "biteyness" to them that I think really suits the MFDs in the SB-2. It's difficult to describe the sound, but the inherent sonic quality of these strings is in line with the inherent sonic quality of the pickups on this bass in a way that works synergistically. Sometimes I like strings which mitigate against some annoying quality of a bass and its pickups, but this is a rare case where I think there's a similarity which is enhancing of the best features in both. In any case, they're not coming off.

less that they get less sticky, more that you get used to it.
MFD's and the Cobalt flats are a great match.

Thanks both! I'll definitely give them a spin.