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You can usually find a used pair of RCA 7025's in good condition on eBay for $70 or $80. I got mine on eBay two weeks ago, but they were actually NOS, never used. I couldn't be happier with results though, using them in V2 & V3.
And you definitely can't go wrong with the NOS JAN Philips 5751 in V1.
TC.65 said:TAD is currently producing a 7025 I just don't know how their quality is.
steve_rolfeca said:The last I heard, TAD wasn't actually producing their own tubes. They were cherry picking good ones, then giving them their stamp of approval.
If so, it still works for me- kind of like Groove Tubes in the good old days.
I have a TAD 12AY7, and it's a sweetheart.
One Drop said:Yes, TAD selects and tests Chinese tubes, and they are very reliable because of it.
Maybe my ears are simply old and knackered but I couldn't really hear any significant difference between a NOS Philips 5751 and the original tube in V1. Nothing that a tiny tweak of the EQ couldn't sort anyway.
Unless you've got money to burn I'd recommend sticking with the original tubes.
I'm convinced that when people expect to hear a difference they will (bit like a placebo effect). Anyway, that was my experience. YMMV etc.
Strange, I heard a big difference. The bass immediately become less boomy and tighter, it was not that subtle a change. Maybe it's individual tubes? Or maybe it's your speaker cabinet. I'm playing through a fEARful, which is very revealing in the low end (and has SO much real response down there), so any change (and any boom) is really obvious.
I also put a Tung Sol in V2, and that was also a suprisingly big change. It's a lot louder and more aggressive in the mids now.
I have good ears, but they are by no means "golden". It's possible that part of it is a placebo effect, but I swapped 4 or 5 tubes in and out at least 20-30 times, and the results were very consistent even when I wasn't looking at which tube I put in next. I wasn't always sure which tube I liked more, but I could always tell them apart.
smeet said:Strange, I heard a big difference. The bass immediately become less boomy and tighter, it was not that subtle a change. Maybe it's individual tubes? Or maybe it's your speaker cabinet. I'm playing through a fEARful, which is very revealing in the low end (and has SO much real response down there), so any change (and any boom) is really obvious.
I also put a Tung Sol in V2, and that was also a suprisingly big change. It's a lot louder and more aggressive in the mids now.
I have good ears, but they are by no means "golden". It's possible that part of it is a placebo effect, but I swapped 4 or 5 tubes in and out at least 20-30 times, and the results were very consistent even when I wasn't looking at which tube I put in next. I wasn't always sure which tube I liked more, but I could always tell them apart.
You can also tighten lower frequencies and cut boom by using a high pass filter. Less messy than switching tubes. The HPF is also a variable control, adapting bass signals for any venue's acoustics.
Genz amps already have a pretty good HPF, so I think the "flubbiness" that people complain about is not sub-bass frequencies, but rather a buildup of mid-bass or something like that. I don't think an external HPF would change that. I never felt like the Streamliner had too much sub-bass, it was more that the fundamentals around the middle of the E and A strings were sometimes a bit unclear. After the tube swaps, I no longer feel that way at all.
Interesting. At what frequency does the Fdeck HPF cut off? You said it's variable? Is that his new one?