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Get off my LAWN! "Grumpy Old Farts"

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I just finished watching this (long) series of videos on an organ we used to go hear in the late '80s and into 1990, before we left L.A.

It gets a bit technical at times, but you learn everything about this amazing instrument.



We've heard folks like Michael Murray, Simon Preston and Jean Guillou perform on it.


In 1969 we got the word that there was going to be a live recording session at the Fillmore West the upcoming Sunday. Ran out got tickets and bundled all up to go. I had never heard of the performer but hey, what the heck it is the Fillmore. The gentleman's name who was making the recording was Virgil Fox. He had a 127 piped organ on stage with a sound system that made the wall of sound look like a Peavey 15. At the start he warned the audience they might want to move back. Of course they didn't. This guy was pretty flamboyant and much to do opened with Tocata in D Minor by JS Bach. We all new it as the Theme From Phantom Of The Opera. I became a instant Virgil Fox fan. I found out later he was called The Liberace Of The Pipe Organ. Phenomenal Show. Unfortunately Mr. Fox passed away in 1980, but I had the good fortune to see him 3 more times. The last time he teamed up with Iztakh Perlman and Wanda Landowska. No matter the type of music it proves that it still can be entertainment.
Edit: I still have my Vinyl copy of that performance called interestingly enough Virgil Fox- Live At The Fillmore.
 
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There is a breed of GOF who watches weather on the television.

The other pipe organist of fame in the period was E. Power Biggs. What the orchestra people then called him was E. Blower Piggs.

I remember that Joke. In fact when I heard it at music class I ran home and told it to my parents. I was immediately grounded for a week. In the house I was raised in if the last name was not Hayden, Bach, Beethoven, Stravinsky, etc etc etc it was not allowed to be heard.
I also remember when CBS used Fanfare For Man and the earth rising for the nightly news. I was vindicated.
Bob
 
216FC6D4-8047-4D6B-A5DF-A3494A208539.jpeg

It's here. Quick evaluation: It's very nice. Nice neck, with an interesting joint; the headstock is grafted on, which is probably cheaper to produce and may make it a bit more stable, I don't know. Neck is easy and fast, and I'm sure I can get what I need from it, tonally speaking, without dropping anything else in. Would be interesting to mod it and see what that produces but I don't feel like spending another $300.

Only issue is a buzz on the A string, which is not that audible plugged in. It plays nicely otherwise, right out of the box, so I'll probably spend the $80 to have my guy go over it, or maybe I'll just tweak the truss rod myself a little to see if that is enough. I have traditionally had poor success doing my own setups; I know everyone says it's easy, but I like to at least let a pro have a crack at them initially and then tweak as needed from there.

The scale definitely improves my speed on the fast stuff, so probably worth the money, and then some.

Also, that's not a floating pickguard. It just looks like one, but it's flush to the body.
 
In 1969 we got the word that there was going to be a live recording session at the Fillmore West the upcoming Sunday. Ran out got tickets and bundled all up to go. I had never heard of the performer but hey, what the heck it is the Fillmore. The gentleman's name who was making the recording was Virgil Fox. He had a 127 piped organ on stage with a sound system that made the wall of sound look like a Peavey 15. At the start he warned the audience they might want to move back. Of course they didn't. This guy was pretty flamboyant and much to do opened with Tocata in D Minor by JS Bach. We all new it as the Theme From Phantom Of The Opera. I became a instant Virgil Fox fan. I found out later he was called The Liberace Of The Pipe Organ. Phenomenal Show. Unfortunately Mr. Fox passed away in 1980, but I had the good fortune to see him 3 more times. The last time he teamed up with Iztakh Perlman and Wanda Landowska. No matter the type of music it proves that it still can be entertainment.
Edit: I still have my Vinyl copy of that performance called interestingly enough Virgil Fox- Live At The Fillmore.

I have a direct to disc recording of Mr. Fox, IIRC recorded at a Cleveland cathedral, that is breathtaking when played on an "appropriate" audio system.
He starts with "Toccata and Fugue" and it's a whirlwind after that.
When the kids were little and we decked the house out for Halloween, we'd put that selection on repeat and blast it out all night to set the theme for the neighborhood. They all said they loved it!
 
The bass looks cool in your space. Right at home.

Maybe the buzz is the pickguard resonating against the body surface. :laugh:
Haha, I should have remembered from playing the one my friend had, but it was quite a while ago and I'm old.

That's my little corner of our shared studio, where I do my personal practice. Everyone keeps dumping their stuff there. I used to have all that stuff in the front room but that all had to be moved when our housemate moved in. His electronic drum kit is to the right of that area, to the right of his drums is my rehearsal setup with my Mesa head and 2x10 cab, and to the right of all that is my husband's drum kit. It's cozy in there.
 
....And it's still humid-er than most areas so it soaks into our Southern type clothing.

Hawaiian shirts, cargo (or, Bermuda, take your pick) shorts, and flip-flops...............

Wait......what?
Y'all mean white seersucker suits, don'tcha?
Why, no self respectin' suthenor from my native Georgia would be caught daid in shorts!
An' whut are flip flops?
That's whut a fish does jest afore ya gut 'em! ;)
 
View attachment 3724862
It's here. Quick evaluation: It's very nice. Nice neck, with an interesting joint; the headstock is grafted on, which is probably cheaper to produce and may make it a bit more stable, I don't know. Neck is easy and fast, and I'm sure I can get what I need from it, tonally speaking, without dropping anything else in. Would be interesting to mod it and see what that produces but I don't feel like spending another $300.

Only issue is a buzz on the A string, which is not that audible plugged in. It plays nicely otherwise, right out of the box, so I'll probably spend the $80 to have my guy go over it, or maybe I'll just tweak the truss rod myself a little to see if that is enough. I have traditionally had poor success doing my own setups; I know everyone says it's easy, but I like to at least let a pro have a crack at them initially and then tweak as needed from there.

The scale definitely improves my speed on the fast stuff, so probably worth the money, and then some.

Also, that's not a floating pickguard. It just looks like one, but it's flush to the body.

I like this finish much more than the green. I'm just not a green guy. :) You might check how well the A string is seated in the nut.
 
View attachment 3724862
It's here. Quick evaluation: It's very nice. Nice neck, with an interesting joint; the headstock is grafted on, which is probably cheaper to produce and may make it a bit more stable, I don't know. Neck is easy and fast, and I'm sure I can get what I need from it, tonally speaking, without dropping anything else in. Would be interesting to mod it and see what that produces but I don't feel like spending another $300.

Only issue is a buzz on the A string, which is not that audible plugged in. It plays nicely otherwise, right out of the box, so I'll probably spend the $80 to have my guy go over it, or maybe I'll just tweak the truss rod myself a little to see if that is enough. I have traditionally had poor success doing my own setups; I know everyone says it's easy, but I like to at least let a pro have a crack at them initially and then tweak as needed from there.

The scale definitely improves my speed on the fast stuff, so probably worth the money, and then some.

Also, that's not a floating pickguard. It just looks like one, but it's flush to the body.
Thass purdy!:thumbsup:
 
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