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Horrible Stock Colors

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I think there is one rule that 98% of us can agree on, don't paint the fretboard to match the guitar. And if you do, your choices are brown or black.

Someone is now going to post the most beautiful all-white bass on the planet to prove me wrong... :cool:
Well you did ask for it...
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The age of ochre. It made a lot of sense after years of bright, shiny plastics and bakelite.

I read through some kids books from when my mum was a kid. Everything back then seemed to be coloured Hospital Ward Green, Faded in the Sun Beige, Battleship Grey, A Little-Dried-Out Orange, or Faeces Brown.
I think they just picked bright primary colours and then threw some white and brown into the mix until the result was basically a green/beige/grey/orange/brown version of brown.
 
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Painting the fingerboard just looks awkward and wrong, but then I'm more of a traditionalist so I hold my opinion as my own and won't think wrong of anyone who would be inclined to tell me to "get over it."
That's interesting considering you literally already did exactly that, which is perfectly fine by the way. From my point of view, maple fretboard necks are usually completely covered in a finish, so what's the difference if that finish has color? It honestly makes more sense to me to make the entire instrument match with the same color than to tint the lacquer on the neck to look vintage when it's actually brand new, a practice which is far more widespread. If we can't have painted fretboards, why is it ok to have painted bodies/neck/headstocks? Tradition? More like resistance to change/progress or anything otherwise outside the norm.
 
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It's also hard to go wrong with a maple fretboard.,
I read through some kids books from when my mum was a kid. Everything back then seemed to be coloured Hospital Ward Green, Faded in the Sun Beige, Battleship Grey, A Little-Dried-Out Orange, or Faeces Brown.
I think they just picked bright primary colours and then threw some white and brown into the mix until the result was basically a green/beige/grey/orange/brown version of brown.
Very likely. I can't imagine a time when things were made any cheaper. This was the age of Ernest & Julio Gallo and exploding Pinto's.

After coming of age in the 70s, it took me twenty years to have faith that a consumer product might actually work and do what it says...
 
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For me it was the Champagne Gold SR300. Loved the way it played and sounded but couldn't cope with the colour, and it was the only one they had.

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I like it.

Now having posted about liking Antigua & Champagne Gold (And I forget if I mentioned I love Burgundy Mist), but my preference is a finish where I can see the woodgrain--at least part of it--so sunburst, transparent, blonde, natural, or stained.
 
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