Two basses are better than one!ned's atomic dustbin
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Two basses are better than one!ned's atomic dustbin
Getting anyone to agree on a definition of 'post punk' would probably take 20 pages of debate here and end in a series of heated disagreements.Some people here apparently think postpunk is just music that occurred after punk.
Elvis Costello?
Spike, not so much. This Year's Model, yes.Some people here apparently think postpunk is just music that occurred after punk.
Elvis Costello?
I'm late to this thread, it's my bailiwick. Hugo Largo needs to be studied by all. Noone has mentioned Pylon ay? (btw, the bass is an Aria and the amp is Peavey MKIV) bass is Michael Lachowski
Some Other Athens GA band covered this song, got some well deserved airplay I suppose
"The foxes have control" (what bass is this?) bassist is Jane Munro
I post this every time, although it has been covered above, certified lyrics are "The devil bites dirty, we wax and we wane" Will Heggie, bass. Elizabeth is 19
You miss spelled Scratch Acid
Others that haven't been mentioned yet:
Pop Group
ESG
Liquid Liquid
I still can't decide whether "post-punk" simply refers to chronology, or if it's become an actual genre (in which case, shouldn't it be spelled with upper case letters?)
Sorta like "prog-rock" -- which is just a contraction of/shorthand for "progressive rock" -- versus "Prog-Rock" -- which is a genre that doesn't necessarily have to be at all progressive, so long as it includes some of the touchstones of the original "progressive rock" music.
And then there's "Post-Punk Progressive Rock" ...which I always assumed was a genre, because if it simply referred to chronology it would be kinda stupid. Or stupid-ish.
Anyway, here's Bill Laswell thrashing the hell out of an Ibanez 8-string bass circa 1981. I think this fits both definitions of "post-punk"
I still can't decide whether "post-punk" simply refers to chronology, or if it's become an actual genre (in which case, shouldn't it be spelled with upper case letters?)
Sorta like "prog-rock" -- which is just a contraction of/shorthand for "progressive rock" -- versus "Prog-Rock" -- which is a genre that doesn't necessarily have to be at all progressive, so long as it includes some of the touchstones of the original "progressive rock" music.
And then there's "Post-Punk Progressive Rock" ...which I always assumed was a genre, because if it simply referred to chronology it would be kinda stupid. Or stupid-ish.
Anyway, here's Bill Laswell thrashing the hell out of an Ibanez 8-string bass circa 1981. I think this fits both definitions of "post-punk"
the internet says fIREHOSE is post punk (among other genres) so it must be true. Either way, it's very bass forward.Getting anyone to agree on a definition of 'post punk' would probably take 20 pages of debate here and end in a series of heated disagreements.
That era of music blurred a lot of genre lines. I like a lot of the bands from that era but I gave up trying to categorize them a long time ago.
Pop/punk/post-punk/new wave…. at a certain point it just came down to what record labels wanted to call things for marketing purposes. What was fIREHOSE? Heck if I know…
The Jesus Lizard deserve a shout here
Check out AFI's new album. It's awesome. It's like they completely switched from punk to post punk.I don't feel the need to defend that in any way.
Someone's gonna come along and tell you Smiths were Proto-Madchester or some nonsense.Despite my more modern earlier post, I'll say that Andy Rourke is the king on this topic. So many of his basslines were perfect for what the Smiths were doing. RIP
Agreed. I mean, Paul Weller was in an important Punk band. He still releases records but no one calls those "Punk". Even Mods get old, if they're lucky. Elvis Costello made his bones on the post Pub-Rock Punk circuit on Stiff records. He just grew up.Spike, not so much. This Year's Model, yes.