Well if you move the crossover frequency high enough, you're essentially turning the tweeter off...
Or putting less information through it. Depends how low the tweeter goes, right?
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Well if you move the crossover frequency high enough, you're essentially turning the tweeter off...
This doesn't clarify that he direction you move the knob. Clockwise or counterclockwise would be easier to understand
although sustained a bit of superficial damage in transport My One10 has now arrivedalthough sustained a bit of superficial damage in transport
Now have a Supertwin for the main gigs and One10 for home use and quiet rehearsals.
The first thing that strikes me is this thing is tiny! But i can see why Alex says its comparable to a good 15" cab, as it has authoritative lows and volume for such a small cab.
It's tone reposnse is actually much flatter than i was expecting, definately warmer than the 12's but not radically different (at least to my ears). Maybe i need to push it more to see the difference?
Playing recorded music and vocals through it, with some minor eq'ing doesn't sound too bad...certainly no worse than many of the rubbishy vocal monitors i get given at most venues. I'm thinking this could double as a vocal monitor in a pinch ...i'm guessing one of the full range tweetered cabs would do this better, but this is good enough for me.
What's the verdict on positioning with these? Much difference in the Port against the floor or outwards? Do you get more florr coupling if its pointed down?
Also, did someone mention shoving some cloth in the hole to seal it up? Is that ok for the cab? What effect does it have?
It's been a while since I've posted here (busy year), but I thought I would check in to say I've been doing a bunch of gigs with my Super Compact powered by a Mesa D800 this year and continue to be amazed at what that combination can pull off. I never thought in a million years I would be satisfied with gigging a single 1x12" cab, but here we are. Admittedly, I elevate it on an amp stand about two feet off the ground, but even with a band that's up to ten pieces including a horn section, it covers the gig. I bought two Super Compacts, but I've only used both together on a gig once and it wasn't really necessary. I'll probably bring both out to my next outdoor gig for kicks, though.
It's been a while since I've posted here (busy year), but I thought I would check in to say I've been doing a bunch of gigs with my Super Compact powered by a Mesa D800 this year and continue to be amazed at what that combination can pull off. I never thought in a million years I would be satisfied with gigging a single 1x12" cab, but here we are. Admittedly, I elevate it on an amp stand about two feet off the ground, but even with a band that's up to ten pieces including a horn section, it covers the gig. I bought two Super Compacts, but I've only used both together on a gig once and it wasn't really necessary. I'll probably bring both out to my next outdoor gig for kicks, though.
I'm sure this has probably been answered somewhere but I cant find the post... Has anyone gigged a Supercompact + One10 stack? Liked it or hated it? I've read that Barefaced dont recommend mixing their 10 and 12 " drivers but someone must have tried it out anyway?![]()
I just did a gig with this pairing. I've had both cabs for a couple of years now but never stacked them. I usually will not mix drivers but this was a big backyard party and wanted to experiment. Verdict: pleasantly surprised. Nice punch, more flavorful tone (BF 12 drivers are so hifi) can't wait to try it again.I'm sure this has probably been answered somewhere but I cant find the post... Has anyone gigged a Supercompact + One10 stack? Liked it or hated it? I've read that Barefaced dont recommend mixing their 10 and 12 " drivers but someone must have tried it out anyway?![]()
Same but with Quilter BB800. Lots of power and still some headroom.Lately into the small rig, one-tripper. Super Midget, powered by a Trace Elliot ELF. Does a surprising amount.