That's a very illuminating analogy, Bongo!
Of the two pedal compressors I've used in recent years for live work, the EBS Dual Band (black label series) hit me as even and transparent, while the Markbass Compressore noticeably phattened the tone.
Lately I've been hearing very good things about a box called the Smoothie...
Of the two pedal compressors I've used in recent years for live work, the EBS Dual Band (black label series) hit me as even and transparent, while the Markbass Compressore noticeably phattened the tone.
Lately I've been hearing very good things about a box called the Smoothie...
Got busy typing and had a brain fart. I have been wrestling with introducing both compression and an octave to my sound through developing a small board. Seeing I have a tube amp that is very capable of round and full (i.e. fat sound), I wish for compression to be have subtle impact on my sound ( I know this is vague) and an octave to be there to ( again,subtly add the lower octave in the select instances where the low end drops out when venturing up the fretboard. 