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It may not be accurate now. At the time the analogy was made, it wasn't that bad.That’s a lot better analogy. The Chevy/Ferrari was not accurate at all.
Do you seriously think that if James Jamerson had all the equipment available to him then that exists today, that he would have chosen all the same gear he chose then?
What if's are irrelevant imo as speculation doesn't lead anywhere definite but what is definite and speaks for itself is the body of work and quality of tone he produced with a P bass.
I'm not saying the P bass is the best but don't think it should be dismissed or downplayed either. I have a P bass & a Jazz bass & honestly play the Jazz waaay more frequently, they just serve different purposes.
I have two basses with bridge/neck pickup configuration using split single-coil pickups. Though not exact, they closely cover the concept. I’m happy with them but the truth is, I almost never use the bridge pickup. I don’t care for what to me is a hard tone, lacking warmth. That and the offset body shape which is also unattractive to me, is why I don’t own a Jazz bass and never will. For those who love them, enjoy them and go make some good music. Meat/poison, floor/ceiling etc....you know how it goes.You couldn't pay me to put up with owning a Ferrari. However, although a Jazz bass is not my first-call instrument, if you own more than 3 basses, one should be a Jazz.
Is that the real life Alfred E Neuman?
More like good-natured boredom, are y’all out of topics to discuss?You don't realize this thread was all about good natured ribbing, do ya?
I have to remember that one! Who used to say that to you? Grandmother?If if’s and but’s were candy and nuts, we’d all have a Merry Christmas.