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SBMM Stingray Short scale

Have a look at The Gator XL Guitar Cases and Gig bags, check out ...
GC-ELEC-XL Guitar ABS Case
Pro Go X Series Gig Bag
Gator makes very nice stuff and is priced better than the makers’ brands. I really looked hard at that gator case. But I honestly prefer the soft case for putting in the van and I’m not a touring pro. Hell I’m not even gigging yet (trying to get some of my peers to come out from COVID hibernation and do stuff again)
 
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:vomit:
I haven't tried tapewounds yet.. but I'm also curious. I want to revive this thread also if possible...

What strings are we using everyone? And what genre do you mostly play with your chosen strings? Curious to hear what's working for you!

I was using standard (pink pack) D'Addario nickel rounds for awhile and I loved them, but I decided I wanted to give Chromes a try since some people rave about them. So far, I like them, but there are some things I miss about the rounds.. still trying to find that perfect balance I want to hear.. I don't want my tone to be dull really, but I also don't want something that dies out within a few months and needs to be replaced.. TI flats are supposedly amazing, but also apparently super slack and I think I play too aggressively for that. Some people say tapewounds are a good compromise..(?)

Oh, I play mostly rock.. but I like to get funky and mellow sometimes too. I could probably do that with my tone knob but I think the string replacement thing is more my concern. I live in Thailand and short scale strings are hard to come by.. trying to limit how often I need to buy a new set. Import costs and shipping times really suck sometimes..

Any thoughts on this, guys? Come back to our SBMM shorty thread so I get regular notification mails in my inbox again and little dopamine hits throughout the day :p Thanks in advance.
After having played flats on my Mikro for a year I was sure I would want flats on this too. :vomit: But no. Not only did I not care for the strings I bought but I think this bass demands rounds. I immediately replaced them with some DR high beams I had lying around and I have no complaints about them. I am thinking about giving GHS Balanced Nickles a try.
 
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. . . I had some issues with volume moving between strings. I would get set with what sounded like a good level for a song, and then as soon as I hit a few notes with that E string, lookout, I was far too hot. Of course when I tried to set lower level based on that, I would then get buried in the mix on other parts of the song.

I'm a novice- but is this simply a setup issue? I had the Ray setup and restrung back when I got it but I guess have mainly used it for recording until now.

This is common with short scales. I play short scales now, and in my experience there are two solutions.
(1) Change strings - some strings do this less than others. You just have to figure out what works best for you on this particular bass.
(2) Over time my playing technique has automatically adjusted to compensate. I think I'm being a little softer on the E than the other strings.
 
This is common with short scales. I play short scales now, and in my experience there are two solutions.
(1) Change strings - some strings do this less than others. You just have to figure out what works best for you on this particular bass.
(2) Over time my playing technique has automatically adjusted to compensate. I think I'm being a little softer on the E than the other strings.
A good compressor might also be helpful.
 
Should mention that I have GHS pressure wounds on my SBMM and enjoy them as well.
I'm with you on the GHS Pressure Wounds! I've converted most of my SS basses to them now. Great shot down the middle between flats and rounds sound-wise, and still very comfortable on the fingers.
 
This is common with short scales. I play short scales now, and in my experience there are two solutions.
(1) Change strings - some strings do this less than others. You just have to figure out what works best for you on this particular bass.
(2) Over time my playing technique has automatically adjusted to compensate. I think I'm being a little softer on the E than the other strings.
I can also add that the amp makes a difference. When I transitioned from my single 12" GK MB150E112 to a PJB Double Four, the string to string level was much improved.
:D
 
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