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Songs you just won't play

I like that approach too and have used it in a few really musically rewarding projects. For the inexperienced here, I think we should disclose that from an employability standpoint, this is equal to being an originals band.

I was in a cover band once with this guitarist who would throw a tantrum if it didn't sound exactly like the recording. It was miserable. I didn't stick around long. The "blueprint" approach has always rang true for me.
 
I can understand this point of view. Have you discussed it with your band mates? There are a zillion songs, maybe don’t play that one.
Yep, I've told them. We'd never do that song, anyway, but sometimes stuff slips out, as we tend to jam a bit on stuff that's not in our repertoire during rehearsals. So when that song came up like that, I just said I'd never play it and told them why. They said they'd never really thought about the lyrics. I think that's common. Funny thing is that our singer is mixed-race, and he also had never thought about it that way. It's one of those songs where you have to know a little history to understand, and he's younger than I am.
 
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The Proclaimers - I’m gonna Be. Learned it for a saint paddy’s gig and ended up double booked so we didn’t end up playing it. We learned it for a gig we didn't play and I’m never playing it again haha.

Radio Country for sure.
Hardcore Metal is a no for me too.

As cheesy as the song is the audience always seems to love it. My old band just did it one night having never talked about doing it or rehearsing it or anything. It had just started on the jukebox when we came off break, so the guitar player started playing along and then the singer started singing and then all of a sudden we were all playing doing this song we had never talked about before. The crowd loved it so it made it into the occasional rotation. It's fun because you can ham it up on the accent.
 
I've tried to avoid the "I'll never play X song attitude" I will pretty much play anything if the audience likes it. Then one day my old BL notified everyone that we would be playing the Cupid Shuffle and I realized that I too am too snobby for certain songs.
 
What?! But this is one of the more beautiful lyrics in pop!

What's this No Woman No Cry ********.
It's Cry Baby Cry. Or did I miss a joke or something.



No woman, no cry
Make your mother sigh
She's old enough to know better.
No woman, no cry

The King of Marigold was in the kitchen
Cooking breakfast for the Queen
The Queen was in the parlor
Playing piano for the children of the King.

No woman, no cry
Make your mother sigh
She's old enough to know better.
No woman, no cry

The King was in the garden
Picking flowers for a friend who came to play
The Queen was in the playroom
Painting pictures for the children's holiday.

No woman, no cry
Make your mother sigh
She's old enough to know better.
No woman, no cry

The Dutchess of Kircaldy always smiling
And arriving late for tea
The Duke was having problems
With a message at the local Bird and Bee.

No woman, no cry
Make your mother sigh
She's old enough to know better.
No woman, no cry
 
I'll play whatever, over-played hits, polka, country, metal, whatever. I have no shame, if you hire me to play I'll do my best at whatever the gig is. There were a bunch of little kids boppin around in front of us at a recent food truck fest the 80s cover band I'm in played, so we busted into "baby shark" :cool:

Same here, no shame... If I had my rathers, there are many I don't like to play, but bring it on!
 
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I was in a cover band once with this guitarist who would throw a tantrum if it didn't sound exactly like the recording. It was miserable. I didn't stick around long. The "blueprint" approach has always rang true for me.

Unless it's a tribute band, it's ridiculous to worry about sounding just like the recording.

Even worse is trying to do songs in the original key if the vocalist can't hit it... Either play it in a comfortable key or not at all... many insist on original keys...
 
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I was in a cover band once with this guitarist who would throw a tantrum if it didn't sound exactly like the recording. It was miserable. I didn't stick around long. The "blueprint" approach has always rang true for me.
I prefer it too. Also, though, having gone fairly deep into the cover band scene in a couple towns now, I feel sure that the cover band product is pretty much note-for-note covers of songs everyone knows. The idea is you’re pretty much a party rock jukebox except live. The further you get away from that formula, the more you have to rely on your band’s draw, rather than your material format, to get gigs. Yes, it’s artistic wasteland. It’s what the cover band gig is though, should you choose it and choose to be competitive.

But don’t get me wrong. I was in a band that used to do a song that began as a KC & The Sunshine Band deep track, morphed into a Headhunters-era Herbie Hancock tune, and developed a Level 42 rhythm section groove along the way. It was a totally badass 12 minute song, but it was not a cover and we may have lost more gigs than we got by playing it.
 
I was in a cover band once with this guitarist who would throw a tantrum if it didn't sound exactly like the recording. It was miserable. I didn't stick around long. The "blueprint" approach has always rang true for me.

Most original artists don't sound like the recording when you hear them in concert. I prefer it that way, if I wanted to hear the original recording, I'll stay at home with my $9.99/month Spotify account.
 
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