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Stoner/Doom Bassists Thread, Part 90: Maxed Out

@askrere youll be quite happy with the Catherdal trust me...keep that Dano spring king though for full dano board action.


Also per a Bear Amps recommendation Im forgoing the cheap DOD EQ pedal and just bought an DOD Studio BiFet, he says it has gobs of useable low end with plenty of boost. And with the studio version I still have a DI just incase, but with a much smaller foot print. Bears never steared me wrong yet so well see...

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Forgot to mention - the rig sounded glorious last night. I had it fairly cranked, gain and drive pretty much dimed, with the flatwound strings and amp OD it was more Geezer than Geezer. Really shaging incredible sounding. Now I'm wondering how much better it could sound if I had a different cab. Thinking about a 6x10 or 8x10 now. Going to keep my eyes out for a stupid deal and see what turns up.
 
A little bootleg-style audio from Sat. night's gig. This is MDT's The System is Broken. We played it at rocket pace, but this one works well like that. I was happy with the octave fuzz in the breakdown toward the end, been using an OC-2 + BB for that part.



Edit: I'll add that I'm pretty happy with the non-fuzzed tone, too. Punchy. Pick + Chinabacker + Sheehan OD + AD200 + Heritage 810 FTW. Vulcan sounds just as good as the AD200, too.
 
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Forgot to mention - the rig sounded glorious last night. I had it fairly cranked, gain and drive pretty much dimed, with the flatwound strings and amp OD it was more Geezer than Geezer. Really ****ing incredible sounding. Now I'm wondering how much better it could sound if I had a different cab. Thinking about a 6x10 or 8x10 now. Going to keep my eyes out for a stupid deal and see what turns up.
Id skip the 610 Jan...unless you look into some of the nicer sealed 610s, like berg or barefaced, I think ashdown makes a decent one now...the ampeg 610 is boom town, in a bad way.
 
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Mudslide- the 70's lotus might be the keeper if it's as solid as a few 70's guys I have seen. It might even be better built then the mim. What's the sx need to get working ? Depending on the lotus I would sell the mim, use a little money to get some used parts from a local shop, and sell the sx to get a rig. Dont forget to check out local pawn shops for gear.

Thanks. I appreciate everyone's suggestions and advice. It's true I would find it hard to part with the Lotus. It's dripping with 70s vibe and has one of my fave necks ever. Body is laminated which doesn't bother me though it weighs a ton.

The SX was in a flood. All electronics are dead and the black finish got a bit chewed up. However the neck was untouched. Tuners and bridge aren't the best but are still functional.

I bought a Duncan QP, new knobs, black pickguard and new wiring harness and jack for the MIM with the intent of moving the MIM guts into the SX.

Be hard to part with the SX too. Also love the neck on it and it was the first bass I scored back around 2006 when I first got back into playing after a few years of mostly being out of the game.

I think the only one I could do without is the Mexican, even though it really seems to be the "best" of the three. I'm not as attached to it and it is worth more than the other 2 combined.

I could dump the components I bought for the MIM into the SX and keep the MIM stock, try to sell it.

Askrere's advice of putting the MIM up for trade towards an amp is also good counsel.

I do like the idea of having at least 2 basses. Don't care to have more than that really, but I like having a backup.

Probably get bagged on for rocking an old Lotus and an SX, but I wouldn't wanna jam with people who sneered at brand names anyway.

It is kind of pointless to have three basses and only a 35 watt amp not much larger than a shoebox.
 
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@askrere youll be quite happy with the Catherdal trust me...keep that Dano spring king though for full dano board action.


Also per a Bear Amps recommendation Im forgoing the cheap DOD EQ pedal and just bought an DOD Studio BiFet, he says it has gobs of useable low end with plenty of boost. And with the studio version I still have a DI just incase, but with a much smaller foot print. Bears never steared me wrong yet so well see...

View attachment 597305

I have one of the OG one's and it's a nice booster/EQer...having a DI & modern Boss-style power input would be nice amenities, too.
 
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Thanks. I appreciate everyone's suggestions and advice. It's true I would find it hard to part with the Lotus. It's dripping with 70s vibe and has one of my fave necks ever. Body is laminated which doesn't bother me though it weighs a ton.

The SX was in a flood. All electronics are dead and the black finish got a bit chewed up. However the neck was untouched. Tuners and bridge aren't the best but are still functional.

I bought a Duncan QP, new knobs, black pickguard and new wiring harness and jack for the MIM with the intent of moving the MIM guts into the SX.

Be hard to part with the SX too. Also love the neck on it and it was the first bass I scored back around 2006 when I first got back into playing after a few years of mostly being out of the game.

I think the only one I could do without is the Mexican, even though it really seems to be the "best" of the three. I'm not as attached to it and it is worth more than the other 2 combined.

I could dump the components I bought for the MIM into the SX and keep the MIM stock, try to sell it.

Askrere's advice of putting the MIM up for trade towards an amp is also good counsel.

I do like the idea of having at least 2 basses. Don't care to have more than that really, but I like having a backup.

Probably get bagged on for rocking an old Lotus and an SX, but I wouldn't wanna jam with people who sneered at brand names anyway.

It is kind of pointless to have three basses and only a 35 watt amp not much larger than a shoebox.
Mudd, is this going to be a paying gig somewhat soon? If so, you'll be fine gigging the SX until you make enough scratch for a Ritter. the MIM is going to get you the most in sale/trade-in value by far.
 
Mudd, is this going to be a paying gig somewhat soon? If so, you'll be fine gigging the SX until you make enough scratch for a Ritter. the MIM is going to get you the most in sale/trade-in value by far.

Unknown but definitely could turn into paying gigs pretty quick. This drummer and I are psychically linked from playing together all the time years back. He knows every musician in a tri-state area and gets tapped to gig and do studio work regularly.

I vote he sells is man-parts.
Its a renewable resource.

I already gotta kick ladies off my junk all damn day long. Maybe I should try to capitalize on this.
 
Thanks. I appreciate everyone's suggestions and advice. It's true I would find it hard to part with the Lotus. It's dripping with 70s vibe and has one of my fave necks ever. Body is laminated which doesn't bother me though it weighs a ton.

The SX was in a flood. All electronics are dead and the black finish got a bit chewed up. However the neck was untouched. Tuners and bridge aren't the best but are still functional.

I bought a Duncan QP, new knobs, black pickguard and new wiring harness and jack for the MIM with the intent of moving the MIM guts into the SX.

Be hard to part with the SX too. Also love the neck on it and it was the first bass I scored back around 2006 when I first got back into playing after a few years of mostly being out of the game.

I think the only one I could do without is the Mexican, even though it really seems to be the "best" of the three. I'm not as attached to it and it is worth more than the other 2 combined.

I could dump the components I bought for the MIM into the SX and keep the MIM stock, try to sell it.

Askrere's advice of putting the MIM up for trade towards an amp is also good counsel.

I do like the idea of having at least 2 basses. Don't care to have more than that really, but I like having a backup.

Probably get bagged on for rocking an old Lotus and an SX, but I wouldn't wanna jam with people who sneered at brand names anyway.

It is kind of pointless to have three basses and only a 35 watt amp not much larger than a shoebox.

Whoa sell the SX as is, or keep it. No ones gonna pay top dollar for a flooded bass, and putting a nice pickup in it just loses money on both Investments.
 
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Unknown but definitely could turn into paying gigs pretty quick. This drummer and I are psychically linked from playing together all the time years back. He knows every musician in a tri-state area and gets tapped to gig and do studio work regularly.



I already gotta kick ladies off my junk all damn day long. Maybe I should try to capitalize on this.
Not going to make any money calling it junk.
You need a strong brand name for your product.
 
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I have one of the OG one's and it's a nice booster/EQer...having a DI & modern Boss-style power input would be nice amenities, too.

The one I got is a OG studio version. I dont mind the 1/8" power jack, just gotta buy another adaptor cable for my powerbox. Ill probably never use the DI but it may come in handy someday...

This demo of one of the newer RIs is quite baller when he pushes the amp and rolls the tone back...
 
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