My band avoided the exploitive stuff too, same reason as @bassboysam. Never saw a reason for it and don't care.
@oZZma always felt the same way about all girl bands for the sake of it. Pointless gimmick IMO. Get the players that fit best, who cares how they look/gender.
Although I always thought it was interesting how you often see all girls and a guy drumming or vice versa. Coincidence?
My biamping experience is different than most. I almost exclusively sent an octave up only to a guitar amp. Granted I did for the majority of a song or two send the full bass signal to it, a 15w vox with a greenback. Took it surprisingly well, although I know I was pushing the speaker hard and limited use in that way. IIRC the driver was 25w and 16ohm, not sure if that helped it handle. Sounded great real raggedy and gritty but not farting out.
But if for shows you're trying to avoid an extra trip or need room in your ride, I've heard of taking a stereo cabinet and putting an amp into each channel.
May be able to rig up your 4x12 to do such a thing if the speakers can handle the power.
Such a great sound eitherway though! The ABY I use is the std Morley/livewire/China unit. Cheap and works well. Never had an issue with phase or bleeding and I have pedals before and after. Phasing may not be an issue though since it's different octaves being sent.
@oZZma always felt the same way about all girl bands for the sake of it. Pointless gimmick IMO. Get the players that fit best, who cares how they look/gender.
Although I always thought it was interesting how you often see all girls and a guy drumming or vice versa. Coincidence?
Back from the practice room. I had time to put together the Super Fuzz Kit. Holy copulation. It's an evil evil fuzz. A huge amount of gain/volume to the point unity gain is at approximately 1 on the vol knob. The tone knob version was a good move. So many good points in between the original's two positions.
It is simply put, Electric Wizard circa Dopethrone in a can. Jus's secret weapon fuzz was the Boss Hyper Fuzz, which afaik is a modded Super Fuzz circuit (it has a lot more control options). Theres a subtle upper octave that thickens and gives it fullness and a certain amount of chaos. No bass suckage, though at high volume/gain the bass gets really loose and potentially farty. The muff has a tighter, fuller low end, but this thing just sounds huge and snarly. I love the poopie out of it.
I also got to dabble in bi-amping. Playing at a guitar speaker safe level, I hooked up my JT100 to a marshall 1960A 4x12. Threw the 800RB in biamp mode witb a fairly low crossover. GK by itself sounded like reggae/dub sub bass. JT ran with bass off and mids and treble up high. Didn't need a heck of a lot of volume from the JT. The GK did most of the heavy lifting. I have a new gear goal. Haha
I am going to need a dedicated ABY box though. The big muff only adds in the dirty side when a pedal is active. So hows it sound? Heavenly and worth it imho. Its nothong like a clean blend on a pedal. With fuzz, it is one unified sound, with the tightest booming lows and the wild fuzz at the same time. Highly recommended for fuzz lovers.
My biamping experience is different than most. I almost exclusively sent an octave up only to a guitar amp. Granted I did for the majority of a song or two send the full bass signal to it, a 15w vox with a greenback. Took it surprisingly well, although I know I was pushing the speaker hard and limited use in that way. IIRC the driver was 25w and 16ohm, not sure if that helped it handle. Sounded great real raggedy and gritty but not farting out.
But if for shows you're trying to avoid an extra trip or need room in your ride, I've heard of taking a stereo cabinet and putting an amp into each channel.
May be able to rig up your 4x12 to do such a thing if the speakers can handle the power.
Such a great sound eitherway though! The ABY I use is the std Morley/livewire/China unit. Cheap and works well. Never had an issue with phase or bleeding and I have pedals before and after. Phasing may not be an issue though since it's different octaves being sent.
