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Stoner/Doom Bassists Thread, Part 90: Maxed Out

Was thinking of buying a five string so I don't have to downtune all the time - thoughts?
That's why I have a 5 and a 6 stringer to bolster my herd of 4 stringers. I got sick of downtuning, then got sick of buying d-tuners for each bass, so I made the leap and never looked back. The other advantage of extended range is that you don't have to refactor any sheet music of tabs that you get you come across :thumbsup:
 
I got a chance to try the Al Cisneros Ric today. Luckily for my bank account, it doesn't suit my playing style. I could probably make it work if I took the pickup covers off, but I'd hate to alter it at all if I did buy it. With the covers on it (obviously) demands to be played with his sort of right hand position. Other than the right hand position, I thought it sounded and played great. I also don't think I could get a Ric that doesn't have the two channel output.

If I was a collector I probably would've bought it, but I'm really only interested in having instruments I'm going to play.
 
Checking in for the first time. Been playing doom/stoner/sludge with a new project recently after a couple years out playing that style. Enjoying it immensely and forgot how fun this music is to play live.

Pretty basic rig: Jazz bass > TC Spark Booster > EHX Green Russian Muff > Mark Bass CMD121P.

The Mark Bass is used purely as a monitor on stage. Russian Muff sounds God like.

Was thinking of buying a five string so I don't have to downtune all the time - thoughts?
My personal preference for a B string or lower is 35" scale, which isn't common on a 4 string. On the other side, you will rarely need the high string in these genres.
I fought with it for a long time.
 
I got a chance to try the Al Cisneros Ric today.

I want to go to there... Where'd you find it?

Reguarding 5's, I played them exclusively for a while and dig them (MIA P-Bass). I was always able to fret the notes fine, but got into dropping my B or E strings. When I went to record, the parts would just lock better if I was matching the same hand pattern as the guitarist, using open strings, hammer ons, and pull offs. Around that time, I also started using a pick and doing mostly downstrokes for the same reason: When I matched the guitars, it was just fatter and more in synch. Honestly, I don't enjoy playing with a pic nearly as much, but the results were better.

While I have a 5 and 6 (which I truly love), I've been super focused on doing as much as I can with 4 strings with my current project. I'm loving it! That said, I also have a solo thing for which I'll use my 6 string and synths. I'd like to eventually add a drummer, but that's still in the hopper.
 
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Checking in for the first time. Been playing doom/stoner/sludge with a new project recently after a couple years out playing that style. Enjoying it immensely and forgot how fun this music is to play live.

Pretty basic rig: Jazz bass > TC Spark Booster > EHX Green Russian Muff > Mark Bass CMD121P.

The Mark Bass is used purely as a monitor on stage. Russian Muff sounds God like.

Was thinking of buying a five string so I don't have to downtune all the time - thoughts?
Precisely why I bought one many years ago. No regrets here. Though I now have a 5, a 4 dropped 1 step, and a 6. I find that they often all get into different tunings. I hate changing tunings for a single song or whatever. Overall, the 5 in standard is my main player.
 
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35 scale adds a little more tension.
I have a ESP/LTD TA600 that is 35" scale. Regular .105 Hex core strings tuned to E feel stiff to me.
That may be personal preference.
35 scale adds a little more tension.
I have a ESP/LTD TA600 that is 35" scale. Regular .105 Hex core strings tuned to E feel stiff to me.
That may be personal preference.


fat beams are round core, i believe.
 
My number 1 has been my SR5 since I bought it new on ‘01.
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I have had so many different 4s over the years come and go and kind of kick myself for getting so accustomed to the 5. If I had it to do over again I would have made 4s my main thing.