• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

The BOOOOSH

Uh yeah...i told my drummer, who is also the lead singer and likes to toss his sticks in the air and try to catch them (ala Neil Peart) that everytime he drops them, he gets a BOOOSH. I dont care where we are in a song, or what Im playing, a'BOOOSHin' I will go. Needless to say, our gigs are littered with BOOSHES.
 
B-Voom is a variant of the mysterious Voom, as demonstrated in the Cat in the Hat Comes Back. Employing an upper-register tritone, the B-Voom is typically played on the A and E strings. Fingered 2-1, the "B" is placed on the last sixteenth division of beat 3, while the "Voom" portion of the lick is a MASSIVE slide that should be placed on beat 4.

I don't know if it cleans up stained snow, but it can clean up the pocket and set up a very deep downbeat.

seuss%2520voom%25202.png
 
I love the Booosh. The temptation to over Boooosh is something I constantly struggle with. I generally Booosh at least 3 times in a standard cover gig. Only one is premeditated. In Creep (Radiohead) after the falsetto vocal “run, run, run, run, R u nnnnnn” –Booooooooooosh -Bass face -headstock thrust toward the current position of Ursa Minor in the night sky. Crowd roars (in my head):hyper: