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The Combo Club

What self-discipline. Next to you, I’m filthy-shirted short order cook during the midnight shift at a local Denny’s...

and yet every one of you here can play circles around me all night, I'm making breakfast for the 2:15 am club here....
 
Me likey. Works like a champ

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Hey, that is great. How long do you think you can get out of a charge? I know Phil did a video on the D4 and I think mentioned it, but then it’d depend on what battery you have. No matter, you’ve now got a portable combo to take wherever you want.

I’ve got mine out to use for the coming days. First time I’m gonna try my completed board through it and see if I can run through the combo, via the line our to record.

Have fun, ‘Redstrand! :hyper:
 
Hey, that is great. How long do you think you can get out of a charge? I know Phil did a video on the D4 and I think mentioned it, but then it’d depend on what battery you have. No matter, you’ve now got a portable combo to take wherever you want.

I’ve got mine out to use for the coming days. First time I’m gonna try my completed board through it and see if I can run through the combo, via the line our to record.

Have fun, ‘Redstrand! :hyper:
I’ll give it a run over the weekend and figure out how long. It’s dead quiet and seems to work well
 
The demo tape one of my old bands used to use had me going to the wrong note at the end of "White Rabbit." It never seemed to matter to those that gave us the gig. Bugged me constantly. I am not going to share it.
Well, that's one thing about our tapes. There are no mistakes even though they're all live recordings.:angel::rolleyes::bag:
 
I'm having a hard time imagining that tone. Got a sample to share?

Me too, RR. Not that it may be a bad thing, as I like all of those bassists. I’ll say this, Doc likes aggressive bass-playing. Go you ‘lil Voxes!
I’ll give it a run over the weekend and figure out how long. It’s dead quiet and seems to work well

Please do so if you can. I'm not planning on going airborne, but am definitely curious. I'm doing a little playing right now, and with my compressor, it's given my bass a shot of energy right to the Double Four, and it handles it like child's play. Sounds like a piece of woody heaven.
 
Me too, RR. Not that it may be a bad thing, as I like all of those bassists. I’ll say this, Doc likes aggressive bass-playing. Go you ‘lil Voxes!


Please do so if you can. I'm not planning on going airborne, but am definitely curious. I'm doing a little playing right now, and with my compressor, it's given my bass a shot of energy right to the Double Four, and it handles it like child's play. Sounds like a piece of woody heaven.
It’s a great combo. definitely a floor combo. Doesn’t sound good perched on things. Also it isn’t fond of my newer Ric. Seems like some bonding time is in order
 
It’s a great combo. definitely a floor combo. Doesn’t sound good perched on things. Also it isn’t fond of my newer Ric. Seems like some bonding time is in order

You said it, Red. That combo thinks it’s a full-size amp and really needs to stay on the floor and close to a back wall. But when you do, oh the fun you’ll have.

As far as individual basses go, my Jazz sounds good but my Beatle bass has all the woody character I love to hear. And after playing it for the past three hours, it offers more detail similar to a quality home loudspeaker.

It may be shy in the BOOM department, but the notes you okay are honest and accurate. Each time I play this amp I love it even more, and that is bad news for RR! :sour:
 
You said it, Red. That combo thinks it’s a full-size amp and really needs to stay on the floor and close to a back wall. But when you do, oh the fun you’ll have.

As far as individual basses go, my Jazz sounds good but my Beatle bass has all the woody character I love to hear. And after playing it for the past three hours, it offers more detail similar to a quality home loudspeaker.

It may be shy in the BOOM department, but the notes you okay are honest and accurate. Each time I play this amp I love it even more, and that is bad news for RR! :sour:

It is the woody sound I crave in my bass — all right, one bass — as I figure I've got the Stringray end covered. And happened to notice G&L is offering what looks to be a L1000 Tribute short scale.Tribute Series Fallout Shortscale Bass

Talk to me, Vox, let me see a pedal like the Trace Elliot Transit B. All business and a DI. So I can get that sweet Vox preamp into 500 watts of comboliciousness. Please? Pretty please?

Speaking of Vox, the Vox tuner I'm running now is top drawer. I tune an open E like nobody's business. With the TC Unitune I generally need to play the harmonic. The Vox is dead on, and I can probably use it without my glasses. For whatever reason I take off my glasses on stage ....

What say ye? Which string do you tune first, and in what order?
 
I’ll have the Moons over My Hammy and a glass of milk, if you don’t mind. See you around 2:30.

Let’s jam and record afterwards...:)
When do you sleep?? :eek:
At 2:30 AM, I'm still in dreamy-time. Lexicat has not even jumped on the bed to tell me she's hungry yet. That started just after 6 AM this morning. She let me sleep in a bit.

As far as Morrighan's comment about the ability to play, I have to say that I'm nearly always sure that I'm the worst bass player in any room. But I suppose if she's asleep, and I'm awake, I may be able to play better then. :laugh:
 
It’s a great combo. definitely a floor combo. Doesn’t sound good perched on things. Also it isn’t fond of my newer Ric. Seems like some bonding time is in order
You may need to introduce them slowly. Put them on either side of a door, let them smell each other from under it. If they seem more curious than aggressive, then allow them supervised time nearby each other. And slowly let them sniff each other and see how they react. Be careful if they start to fight to assert dominance - you don't want to put yourself between them.
;)
 
I'll have to learn to record. I could do it off my phone, but I doubt it would sound very good.
Just having a hard time understanding Geddy, Harris, and Butler going through a 500/1. Not that I disbelieve you, just that my feeble imagination does not cover this much ground.

My sound is...well, I don't know. Just what I like I guess. It changes depending on what bass I'm playing. Which is why I have 9 basses, none of which has a twin in my house.
 
You said it, Red. That combo thinks it’s a full-size amp and really needs to stay on the floor and close to a back wall. But when you do, oh the fun you’ll have.

As far as individual basses go, my Jazz sounds good but my Beatle bass has all the woody character I love to hear. And after playing it for the past three hours, it offers more detail similar to a quality home loudspeaker.

It may be shy in the BOOM department, but the notes you okay are honest and accurate. Each time I play this amp I love it even more, and that is bad news for RR! :sour:
I did see that MF no longer has open box models for sale at reduced prices. Reverb has a nice used one, but it's black, and, well, I have two black amps already, so red is the color that holds a place in my heart this time. I'll have to keep checking the normal channels and see if I can nab a bargain. My original idea of getting a handful of tiny bass amps for a shootout has mostly been nixed by playing my tiny GK amp and finding that it sounds soo good that I have a hard time filling up my GAS tank for a new amp.

But you and Red have been doing a great job! :thumbsup:
 
Talk to me, Vox, let me see a pedal like the Trace Elliot Transit B. All business and a DI. So I can get that sweet Vox preamp into 500 watts of comboliciousness. Please? Pretty please?

Nice start to your day, Morrighan! I must be honest, after what I thought was a lousy attempt at a floor pedal (that red one they sell, I don’t even remember the name but owned it years ago), I frankly never thought of that idea. Let’s take your vision and add their NuTube technology and sell it for under three-hundred, including your tuner as well. Brilliant idea!

What say ye? Which string do you tune first, and in what order?

I got in the habit of tuning starting with the first string, G, and making my way to the E, after always starting with the lowest string. I have no idea why either.
 
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It is the woody sound I crave in my bass — all right, one bass — as I figure I've got the Stringray end covered. And happened to notice G&L is offering what looks to be a L1000 Tribute short scale.Tribute Series Fallout Shortscale Bass

Talk to me, Vox, let me see a pedal like the Trace Elliot Transit B. All business and a DI. So I can get that sweet Vox preamp into 500 watts of comboliciousness. Please? Pretty please?

Speaking of Vox, the Vox tuner I'm running now is top drawer. I tune an open E like nobody's business. With the TC Unitune I generally need to play the harmonic. The Vox is dead on, and I can probably use it without my glasses. For whatever reason I take off my glasses on stage ....

What say ye? Which string do you tune first, and in what order?
I'm sorta strange, but y'all knew that. Anywho, I tune G-D-A-E, all at the 5th fret since I avoid open strings. So actually C-G-D-A.
 
Yip, I always tune the G first, then across / down to E. And for no particular reason, either. When I put new strings on, though, I always string the E first, then G, A, D. I enjoy installing new strings, and getting to know them. For now, both basses have good string matches (Chowny CHB-1 = La Bella LTFs, Stingray = D'Addario tapewound). Careful now with strings on the Ray as this old truss rod ain't what she used to be, ain't what she used to be. Careful with the 'Ray in general.