Ok group, I’m thinking of getting a clip on tuner. What’s the best in your option? I usually use a pedal tuner. Can a clip on be as good???
My DYI "velcro-tape" a "Korg-CA" clip-on tuner hasn't let me down yet

700 it is





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Ok group, I’m thinking of getting a clip on tuner. What’s the best in your option? I usually use a pedal tuner. Can a clip on be as good???






How is the 801 pushing the double bass frequencies? Not too thin ?? I have an old Framus EUB, and the CMD121 is perfect for this.Currently using these Markbass combos with my uprights. Loving their tone, power and portability. They are perfect for my needs.
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801 and CMD 121P, by the look. Do you patch the 801 into the 121P line in?
How is the 801 pushing the double bass frequencies? Not too thin ?? I have an old Framus EUB, and the CMD121 is perfect for this.
Has anyone played/heard/or even seen the Hartke HD 508 combo amp?
Would like to hear from someone that's played one or better yet, gigged one.
No, I don't run them together. Many of my gigs are drummerless and the 801 does wonders on it's own. I ordered a NY 121 for the CMD to bump it up if I ever need more from that amp.
No the 801 just adds presence to the string bass. I play gigs that don't require the volume that the CMD provides. The CMD is the perfect upright amp in my opinion.
I've thought about having an 801 as a tweeter box for my 212 stack.Currently using these Markbass combos with my uprights. Loving their tone, power and portability. They are perfect for my needs.
View attachment 4105401
Has anyone played/heard/or even seen the Hartke HD 508 combo amp?
Would like to hear from someone that's played one or better yet, gigged one.
It's been awhile since I posted on the Combo Club, but I bought a new Rumble 500c awhile back and I love it. I also bought an amp stand to put it on during rehearsals and gigs. I went with amp/cab setups for awhile, but really missed the portability of combos. So I sold off my amps and cabs and bought the 500c.
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I also have a Rumble 100c ordered as well. I really love the rumble line of bass combos.
Good question, shoot-r. I myself have been curious to what that unique combo sounds like. Yeah, the drivers are small, but there a lot of them! If anyone has any info on them, please chime in.
I'm not ashamed to say I rock a combo. It's potentially the best sounding amp I've owned, to my ears more pleasing than any of my previous rigs (Mesa, GK, Trace Elliot to name a few) and has had plenty of positive feedback from sound guys and audience members alike.
I present to you all; my Ashdown ABM C210H-500 evo iii 15th anniversary. One of only 25 worldwide, and made in Ashdown's UK custom shop! View attachment 4104719 View attachment 4104720
Combention with a soft "b" is the right terminologyCombo Convention!
Combention with a soft "b" is the right terminology![]()
I've not been a huge combo fan in the past, but this one has "really" got my attention.
500 watts spread into it's 4-8's, (so 125 watts per driver should equal very low distortion at high volume.) No extension cab needed.
Four 8" drivers would give slightly more cone surface area than Hartke's 15.
I'm thinking this might be a great near-field monitor for live stage use along with FOH support.
Just wish I could find one to audition!
Aha, another solution from our FL, I was already wondering how to get that Kasino (+extension cabSo does that mean the word, convene, is combene? Just want to make sure before any more nuns travel back to their combent.
Aha, another solution from our FL, I was already wondering how to get that Kasino (+extension cab)at our first annual Combontion... but enslaving the nuns you mentioned, as roadies is the most fearless solution that only your Fearlessness Leadership can provide
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Ahh, good call, my friend. ... ... Then we’ll table the site and name until after the holidays. Better yet, send in your own destination and convention title and our committee will give it every consideration. Central location might be best, but I’m open to all cutting edge brainstorms.
You may begin.
RR, you bring the pie and I’ll bring the pizza!
You’ve been hanging around G’Dog too much (or not enough). I say whatever it takes to get that extension cabinet to Florida, that we do it. Either that, Swink, or we find one in GP’s backyard. Not literally, but figuratively. Keep your peepers peeled
I haven't noticed that there was something casually hanging out of your shorts... butThat was just one, short, casual, hangout, just that one time only. I try not to impose myself on anyone too much. (A little goes a long way.)
I haven't noticed that there was something casually hanging out of your shorts... butthanks for the warning
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Oops. I forgot to say that I've owned both of these combos before. Both sound really nice and loud. I sold both of them to go with amp/cab setups. I've missed both of them dearly. If they gave the 100 a horn it would be the perfect combo IMO.And may you enjoy your Rumblers for years to come. I have the 100 and it's a great all-around combo. With its XLR DI out you can play gigs that need a little more power, but small to medium acoustic gigs are right up its ally. The 500 will take you the rest of the way there, and if you need still more power, snag a Rumble 115 cab and enjoy the full 500 watts. Give your impressions of either or both combos when the 100 comes in.