add bacon, and you'll be surprised.But even properly cooked they don’t have much flavor

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add bacon, and you'll be surprised.But even properly cooked they don’t have much flavor

Hey Noiseninja, for the Triad you already earn 10 points from the jury. There will be many a word here about whether or not to accept a converted combo. You already have my vote, but the final judgment will be in the hands of our Fearless Leader, who will make an incisive assessment before passing his verdict.Does using a guitar combo with it's stock 12" speaker disconnected and the speaker out instead hooked up to a bass cab?
In that case here is my 160W (@ 4Ohm) Peavey Solo Special 112 guitar combo, modded with a speaker output jack socket, used with the 12" stock build in unit disconnected and instead hooked up to a 400W 4Ohm SWR Triad I bass cab, equipped with 1x15" + 1x10" speaker units + high frequency tweeter horn, the 15" speaker unit receiving the full signal, the 10" unit only receiving the part of the signal that is between 100Hz and 5kHz, and the high frequency tweeter horn receiving everything above 5kHz of the signal :
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As I see it, the combo is still in one piece. If it can still be used as a guitar amp with the built-in 12" driver, I see no problem in accepting The NN as a member. What someone does with their combo to achieve their goal is of no concern to me, as long as the combo can be used as a combo...... And he has a SWR Triad .... unfortunately I do notSorry. Official combo club rules state it must be one unit, indivisible, with liberty and justice for all...

you have my sincere CombolationsI'm Comboless...![]()

Hopefully it won't be for long...you have my sincere Combolations![]()
Hey Noiseninja, for the Triad you already earn 10 points from the jury. There will be many a word here about whether or not to accept a converted combo. You already have my vote, but the final judgment will be in the hands of our Fearless Leader, who will make an incisive assessment before passing his verdict.
As I see it, the combo is still in one piece. If it can still be used as a guitar amp with the built-in 12" driver, I see no problem in accepting The NN as a member. What someone does with their combo to achieve their goal is of no concern to me, as long as the combo can be used as a combo...... And he has a SWR Triad .... unfortunately I do not![]()
You cannot build on hope. Hope is the only doom that did not escape from Pandora's box. Only you can change this dire situation.Hopefully it won't be for long...
And they posted the following: we're so tired of hearing all about the lows. Other than for shaking loose last night's supper, what's it good for? We want pretty highs and velvety upper-mids with our bass playing.....

Or shipping delays from manufacturer to retailer lolYou cannot build on hope. Hope is the only doom that did not escape from Pandora's box. Only you can change this dire situation.
The "book of words" that comes with the R200c(and the R112cab)mentions that "using the tweeter may cause unwanted distortion". Since to me, ALL distortion is unwanted, the only time the 200c's tweeter is on is when I'm running the CD player through it on breaks. I see no reason to have a tweeter in a bass amp. Most of them won't handle or reproduce bass freqs, so why?Jeff and I think alike. Tweeters are for guitar players (as he ducks for cover)!
Ah. I don't slap(bone spur on right thumb, right there)and I don't pop-except corn, so...The "book of words" that comes with the R200c(and the R112cab)mentions that "using the tweeter may cause unwanted distortion". Since to me, ALL distortion is unwanted, the only time the 200c's tweeter is on is when I'm running the CD player through it on breaks. I see no reason to have a tweeter in a bass amp. Most of them won't handle or reproduce bass freqs, so why?
Wow- you scored a nice one there- Thought about MB combos, but a little speedy for my present level- sadly...that JB 15” or the student model are tempting!!!WBB, great question and you're right, the little guy has some punch. While I thought my Micromark was too shy with the bottom end (you're only gonna be able to churn out so much bass with an 8" speaker), the CMD 101 seems to have enough to make it more fun to listen to. Though I haven't played through the 15' Player's Special, I can only imagine it's similar. My feeling is this one uses the same amp as the Micromark, but with a slightly different preamp and speaker, it's a whole new vibe.
Yes, Markbass has always been known as a more modern-sounding combo where its neutrality was a selling point. You're not gonna get the baked-in goodies you'd find in a Fender or Ampeg, but I think it has its own flavor of mid-forward and a fairly flat bottom, IMHO. The highs are smooth overall, though which tweeter you have can make a difference (piezo vs horn). Mine's the piezo, which is on the famed 121P, and it was a ratty, buzzy noisemaker that I ultimately unhooked. This one, when I run my Ampeg SCR-DI through, exhibits that same brittleness in the highs, but with both basses directly into the combo, I found it better than I expected. We'll see how the long-term goes.
MB snagged me originally with the idea that it was a blank sketch pad from which you could create your own tone from. For some nutty reason, I feel this particular combo may allow me to do just that better than previous attempts. Besides working nicely with my current pedal lineup, the tone controls are ridiculously sensitive, unlike those where you have to dime the control to hear any difference. The closest thing I can compare to is Morrighan's VT Bass pedal's controls. Breathe on them and it alters your tone! As everyone knows, I'm into the versatility and my equipment has to be able to do lots of things all at once. This checks a lot of boxes, thus the reason I decided to give Markbass another shot. So far, so good.
Thanks for asking, I'll keep you all updated.
I'm Comboless...![]()

I've owned the JB 15 combo. It was very nice, lightweight, and well built. It sounded great when playing in my bedroom, but during a gig, the sound did not impress me at all. It also was not nearly loud enough, even being used as a personal monitor. At the time, I wasn't playing loud rock music either. Maybe I was expecting too much from the JB combo due to the price tag. I even bought an amp wedge to see if that would help, but sadly after 2 gigs I returned it. Not knocking the amp, I loved the form factor and overall look/build quality, it just wasn't for me.Wow- you scored a nice one there- Thought about MB combos, but a little speedy for my present level- sadly...that JB 15” or the student model are tempting!!!
But your Wizardry seems potent! That’s a nice looking bass! What combo are you thinking of now?? You had TWO Ampeg at one point??? Refresh my fading memory...![]()
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I have been watching a lot of Harry Potter and practicing my sorcery. I accidently turned my ampeg 210 into this
Did an electric gig with my Markbass combo I usually use for upright gigs. It hung with a pretty powerful drummer on my gig tonight. This is a very versatile little rig.
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To anything.add bacon, and you'll be surprised.![]()