meh….not bad…So apart from breakage and stiff feel you did like the sound?
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meh….not bad…So apart from breakage and stiff feel you did like the sound?
Yes, I found them uninteresting. Not bad, just nothing to commend them. Seemed to have no personality.
I think you're right. You seem to have an eye for that kind of thing and should consider some artistic expression to see if anything ever comes of it.
Now you have me seriously thinking about.
While I really like my custom PG, I also like the one Chucky has that's this color: ____*I saw a pic of a black one with a black pg and it looked pretty BA. The genII T-bird has a very large pg and being white it visually dominates. On a lighter colour like this aged white - it looks pretty good.
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Apparently theirs was a volatile relationship behind the scenes. I read Any Sumners book "One Train Later" - a sort of journal of his time with the Police. It's a good read if you are a Police fan.
It was a non-urban tribe thing to hate Disco. '70s Disco was all about 'uptown' Discotheques, horn sections, flashy cloths and... dancing. In some ways not that dissimilar to '80s New Wave with dance clubs, synths, flashy cloths/hair and... dancing. In both genre's - bass was up front.
Then there were some bands that incorporated both genres -
I love Jive Talking. But just for the record Barry contends that they never did Disco. They were doing R n B.
I recently saw (or was reminded of) the Bee Gee’s walk in Redcliffe Qld
(just north of Brisbane). I’d actually like to go and have a look next time I get up that way.
They, Barry specifically I guess, certainly had a successful career. Can’t knock them. I recently bought their Greatest Hits cd after them not being my thing earlier. I must admit though being astonished by Staying Alive when it started getting radio play. Though I think I preferred Lido Shuffle.
Actually, that's her admirer's. Unless she killed him and claimed it.
I've not cared for most I've played. But this... I love this.
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Pickups: 1 “New” Hot-Vintage P-Bass, 1 “New” Hot-Vintage Jazz. Whatever they are, they sound fantastic. But I do use the P more than the P/J. J PU is wound hotter and does make a difference.
Yeah, I was never crazy about most new wave either, synth bands especially. When that stuff started to predominate is when I started to go backwards, discovered a lot of 50's R&B, C&W etc. Same with hair bands, I do not blanket hate any of it though, some stuff from just about every genre usually shines. I do like Moogs though, and especially love Moog bass. As far as playing I'm happy with just about anything as long as it's played well with feeling, I could be happy playing in a really good polka band. (well maybe not) I like roots music a lot.
Like 'em or not, it's always been obvious they could play. And who doesn't hit a wrong note? I mean besides Scott, and maybe his roady?
It's been years since I played D'adds. Never cared for them--then. Different rigs now, so they may work well. Used to they seemed to have an odd mid thing or possibly it accentuated one already present. My NR is coming with new D'add steels, so I'll give them another consideration.Ok. Compared to Daddario EXL's? They are my usual strings, do the job fine, last long, don't stand out (I'll fix that with the amp) but aren't scooped either. Boring, but relatively cheap and available everywhere.
Just asking because all the other DR's I've tried (Lo-Riders and High Beams) I didn't care for.
Volatile, especially between Stewart and Stingo (as Mr. Copeland likes to call him). "A moody and sulky English bastard vs. an arrogant and upbeat American bastard" or something like that is how Stewart described them.
I read Andy's book once and it was good. It's funny to think that he was pushing 40 when he joined and coming from a jazzy background he was frowned upon by his peers because he joined a "punk band". Managed to push the only real punk away (Henry Padovani) during the progress. But they did pretty well...
Not a Police follower, but I saw an interview/show where Brian Johnson met up with Sting and they traveled around and talked about various things. Brian is as much a normal guy as you can get, Sting just seemed like a pompous elite who lowered himself to be among the common people to (barely) interact. It was a cool series and most were pretty down to earth, but Sting was on a throne all his own.Volatile, especially between Stewart and Stingo (as Mr. Copeland likes to call him). "A moody and sulky English bastard vs. an arrogant and upbeat American bastard" or something like that is how Stewart described them.
I read Andy's book once and it was good. It's funny to think that he was pushing 40 when he joined and coming from a jazzy background he was frowned upon by his peers because he joined a "punk band". Managed to push the only real punk away (Henry Padovani) during the progress. But they did pretty well...
I have a CD of The Bee Gees greatest hit and every song on it is just that - they were hit-makers. At the height of their late '60s success (1969) they joined other bands of the day to do an "epic" 2 record concept album called ODESSA. (with a red-velour cover - I have the later red-velour covered CD box). Kind of esoteric and probably for die-hard fans over a larger pop audience but, it was a thing then. (Sgt Peppers, Tommy, Her Majesties Satanic Request to name a few. Then they morphed and dominated in the Disco era becoming even more broadly popular. Post Disco I think you had to be a long-time fan as their later material was good but not especially memorable. There's a good doc about them that's probably on YouTube -- I have the DVD.
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Here's just a few of my favorites:
A guy in the rickresource forum owns that Ric RM-1999 bass, painted white:
I saw a pic of a black one with a black pg and it looked pretty BA. The genII T-bird has a very large pg and being white it visually dominates. On a lighter colour like this aged white - it looks pretty good.
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I've not cared for most I've played. But this... I love this.
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Pickups: 1 “New” Hot-Vintage P-Bass, 1 “New” Hot-Vintage Jazz. Whatever they are, they sound fantastic. But I do use the P more than the P/J. J PU is wound hotter and does make a difference.

…. a P and a Stingray (always dug that tone) in one bass….
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I made a 5 string Jazz body bass back in 2008 with a Reverse split P and Stingray pup wired to a custom made John East stereo preamp with the Precision portion of the amp modeled after the Fender active P bass and the Stingray portion voiced the same as a vintage PreEB Stingray. Plays great and was my main bass for many years.Always wanted to play one of those. They seem like a good idea.
Stunning. And I don't like tort, but it can look good on white and does there.I made a 5 string Jazz body bass back in 2008 with a Reverse split P and Stingray pup wired to a custom made John East stereo preamp with the Precision portion of the amp modeled after the Fender active P bass and the Stingray portion voiced the same as a vintage PreEB Stingray. Plays great and was my main bass for many years.
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