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Thunderbird Club

With every fibre of my being I shall resist the urge to defend pineapple on pizza.
Rest assured if any of you should visit, I will consult with you before ordering or making dinner:thumbsup:

I used to be completely opposed to pineapple on pizza. And dipping a "Hawaiian Pizza" in ranch dressing was about as appealing as someone dropping a deuce on a pizza :poop::poop::poop:.
Somewhere along the line I gave in to peer pressure (actually beer pressure) and tried it. No problem eating it since then. I understand why people don't like pineapple on food. I for one don't care for it on a burger or teriyaki chicken sandwich.

I would put a black TRC on the Draig headstock. No point in cluttering it up. It is beautiful, and it should be kept that way. I don't see how a fancied up TRC would do anything but detract.

I would use a black cover that blends in a well as it can. No need to distract from the beauty of the inlay.
 
She decided she was spending too much time on TB, and in Kat fashion, solved the problem by canceling herself here. She's alive and well and working on an obscure sounding music project.

Hope I'm not out of line in asking this. But if you are in contact with her. Can you please tell her this angry New Yorker sends his best regards.
 
I was doing a weekly jam session a few years back. The guy whose house it was at told me I wouldn't need to bring an amp, said he had one I might like. It was a gorgeous, pristine B-18. I didn't even know there was such a thing. Wish I coulda bought it off him.:bawl:

When I was in my high-school 'combo' I rented an amp for one gig at the Officers Club at Offutt airbase near Omaha where I grew up. My Heathkit ss amp was not working or something - I can't remember why I had to rent an amp. It was a B-18 with the green glowing glass plate. I thought it was cool that it collapsed into itself. Back then I really was pretty clueless about sound/tone etc - all I cared about was "was it loud enough?" At another gig at our high-school auditorium my bass was in the shop and I rented a '66 CAR Jazz with matching hs. (it's what they handed me when I asked to rent a bass) I only recall that the pu covers were in the way and I took them off for the show. It was also bigger than my short-scale EB-3 and felt bigger playing it.
 
When I was in my high-school 'combo' I rented an amp for one gig at the Officers Club at Offutt airbase near Omaha where I grew up. My Heathkit ss amp was not working or something - I can't remember why I had to rent an amp. It was a B-18 with the green glowing glass plate. I thought it was cool that it collapsed into itself. Back then I really was pretty clueless about sound/tone etc - all I cared about was "was it loud enough?" At another gig at our high-school auditorium my bass was in the shop and I rented a '66 CAR Jazz with matching hs. (it's what they handed me when I asked to rent a bass) I only recall that the pu covers were in the way and I took them off for the show. It was also bigger than my short-scale EB-3 and felt bigger playing it.
I'd like a glowing plexiglass plate for my PF-50T. Probably have to fabricate it myself.
 
was just about to post this...:laugh:
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I'd like a glowing plexiglass plate for my PF-50T. Probably have to fabricate it myself.

It could be done - it's a pretty basic thing. Back then if buying new you could order to have the lucite plate engraved with your name for a nominal fee. I don't know if this is still available, but Gregg Hopkins of Vintage-Amp Restoration reproduces these Lucite plates for the B-15 and can even personalize it with your name.
 
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She decided she was spending too much time on TB, and in Kat fashion, solved the problem by canceling herself here. She's alive and well and working on an obscure sounding music project.
If you should happen to find yourself in a position to do so... I'd appreciate it if you'd pass along a fond howdy from theFixer:)
 
When I was in my high-school 'combo' I rented an amp for one gig at the Officers Club at Offutt airbase near Omaha where I grew up. My Heathkit ss amp was not working or something - I can't remember why I had to rent an amp. It was a B-18 with the green glowing glass plate. I thought it was cool that it collapsed into itself. Back then I really was pretty clueless about sound/tone etc - all I cared about was "was it loud enough?" At another gig at our high-school auditorium my bass was in the shop and I rented a '66 CAR Jazz with matching hs. (it's what they handed me when I asked to rent a bass) I only recall that the pu covers were in the way and I took them off for the show. It was also bigger than my short-scale EB-3 and felt bigger playing it.
I believe the B-18 was Jamerson's favorite recording setup along with his "Funk Machine"..