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Thunderbird Club

It's essentially a bass ukulele shaped like a NR TBird. Amazon sells them...
https://www.amazon.com/Savannah-STB-700-VS-Lightning-Bass-Guitar/dp/B016KMRMNY

I have a hollow body Kala bass uke and Chucky is right, the bottom end is earth shaking massive. Unfortunately, because of the piezo in the bridge it also has a fairly bright top end. I use mine with a small combo amp and have to EQ it with the treb knob completely off and the bass knob nearly off. The strings are a type of rubber (I like the black ones not the white ones) so it takes some getting used to, but once you get the hang of it they can be a really fun and rewarding bass to play. EQ is critical, these little buggars will walk all over the rest of the band and completely bury a heavy hitting drummer or loud keyboard. I about gave a sound guy a heart attack during set up when I plugged it into my normally EQ'd SVT-VR and 610 rig and hit one note.:woot:

Warning, you'll look goofy on stage, like most Uke players do, but for a fun take on the right song it can be a big hit with the audience. I used to play my Kala for the Offspring song Pretty Fly for a White Guy, it was the perfect look for that song. More of a novelty bass than a workhorse.

A couple of people in our group play in a retirees Ukelele band. I’ve been encouraging them to bring them along and we can do up a song as a fun alternative. Maybe “You are my Sunshine”. I was thinking a Bass Uke would go with that well (if a bit expensively), that or my acoustic bass guitar. Alternatively, and cheaper, I could get a Uke but with the low G string (I think they sound cool ) - learn the song and the Uke. Or do nothing I suppose. :laugh:

For building a Bass Uke I was wondering about scavenging a 3/4 size electric guitar as a start point, or a neck from one at least. Around 22 3/4 “ - 23” scale.
Make sense ? Or am I mad ?
 
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It's essentially a bass ukulele shaped like a NR TBird. Amazon sells them...
https://www.amazon.com/Savannah-STB-700-VS-Lightning-Bass-Guitar/dp/B016KMRMNY

I have a hollow body Kala bass uke and Chucky is right, the bottom end is earth shaking massive. Unfortunately, because of the piezo in the bridge it also has a fairly bright top end. I use mine with a small combo amp and have to EQ it with the treb knob completely off and the bass knob nearly off. The strings are a type of rubber (I like the black ones not the white ones) so it takes some getting used to, but once you get the hang of it they can be a really fun and rewarding bass to play. EQ is critical, these little buggars will walk all over the rest of the band and completely bury a heavy hitting drummer or loud keyboard. I about gave a sound guy a heart attack during set up when I plugged it into my normally EQ'd SVT-VR and 610 rig and hit one note.:woot:

Warning, you'll look goofy on stage, like most Uke players do, but for a fun take on the right song it can be a big hit with the audience. I used to play my Kala for the Offspring song Pretty Fly for a White Guy, it was the perfect look for that song. More of a novelty bass than a workhorse.
This thing has a solid wooden body (unlike most Uke basses) with a bolt on neck and yes, a piezo pup as you say.
Curiously, three knobs for what seemed like a single pickup..
 
As an Amazon Associate, TalkBass may receive commissions from qualifying purchases made via links on this site.
I haven't pulled the trigger and sent it yet. I am busy enabling myself, but it takes a little time to do it completely. This is a thoroughly irrational thing, which means it is necessary. It also means I have to agonize over it the required amount before doing what I was inevitably going to do. It might be a month or two before I can put up pictures of the soon to be Pinkbird.

Do it!
DO IT!






Did that help?
 
I also ‘opened’ the show doing my first solo electronic gig “The Snipecatcher.” That was terrifying and really fun. Got a fantastic reception, which helped ease my nerves a bit :)
View attachment 3269827

You are using an Octatrack, awesome and it makes my head spin. I wish the UI was a little bit more user friendly. I will stop detailing this thread but feel free to PM me if you want to chat Electronic Music Gear, etc. (I am big into modular synths).

@TBird1958 I apppreciate the offer but I am not very active on TB these days.

@Markamb1 The reasons why I play a Dingwall are:
Even timbre and tension across all strings. The different string lengths are akin to a piano.
Superior engineering, no neck dive, no dead frets. They weigh between 8 and 9 lbs. so they are comfortable. I have played a lot of high end basses and these are my favorites.
Due to the reasons above, the sound is just superior and makes for a great playing experience.
 
You are using an Octatrack, awesome and it makes my head spin. I wish the UI was a little bit more user friendly. I will stop detailing this thread but feel free to PM me if you want to chat Electronic Music Gear, etc. (I am big into modular synths).

@TBird1958 I apppreciate the offer but I am not very active on TB these days.

@Markamb1 The reasons why I play a Dingwall are:
Even timbre and tension across all strings. The different string lengths are akin to a piano.
Superior engineering, no neck dive, no dead frets. They weigh between 8 and 9 lbs. so they are comfortable. I have played a lot of high end basses and these are my favorites.
Due to the reasons above, the sound is just superior and makes for a great playing experience.

Looking at the frets spins me....
 
A couple of weeks ago I posted a link to a track I recorded as a demo of what I could do for an album project.
The drummer/producer and artist loved it. (used my VP instead of a Pbass...)

I've now been asked by the drummer/producer to record bass tracks for the rest of the guy's album. There's not much money being offered ($300), but I can record at home at my leisure. The producer acknowledges this is about 1/4 of what I should be getting.

I'm hoping this will lead to more recording gigs. To avoid being a complete chump - should I put any conditions on this deal?
 
I’d suggest giving a V3 Rumble a go (everything else seems to have been mentioned :D ).

They do warm with the vintage button in and there are variable reports on the overdrive - some like it, some don’t - can’t hurt to try.

That was actually my first bass amp with my current band! It goes to show how shallow I am, as I ended up selling it at some point because I wanted a "real amp", but it's the amp I go to every time I'm at the shop when testing out a new bass because it sounds so good. I also owned the Stage 800 for a while, but that one was a bit of a different animal. Cool, for sure, but got axed when I decided to downsize to one bass rig.
 
A couple of people in our group play in a retirees Ukelele band. I’ve been encouraging them to bring them along and we can do up a song as a fun alternative. Maybe “You are my Sunshine”. I was thinking a Bass Uke would go with that well (if a bit expensively), that or my acoustic bass guitar. Alternatively, and cheaper, I could get a Uke but with the low G string (I think they sound cool ) - learn the song and the Uke. Or do nothing I suppose. :laugh:

For building a Bass Uke I was wondering about scavenging a 3/4 size electric guitar as a start point, or a neck from one at least. Around 22 3/4 “ - 23” scale.
Make sense ? Or am I mad ?
Yes and yes.:smug:
 
A couple of weeks ago I posted a link to a track I recorded as a demo of what I could do for an album project.
The drummer/producer and artist loved it. (used my VP instead of a Pbass...)

I've now been asked by the drummer/producer to record bass tracks for the rest of the guy's album. There's not much money being offered ($300), but I can record at home at my leisure. The producer acknowledges this is about 1/4 of what I should be getting.

I'm hoping this will lead to more recording gigs. To avoid being a complete chump - should I put any conditions on this deal?
You're there and able to judge the attitudes, but maybe more $ in the future? And credit on the album.
 
It's essentially a bass ukulele shaped like a NR TBird. Amazon sells them...
https://www.amazon.com/Savannah-STB-700-VS-Lightning-Bass-Guitar/dp/B016KMRMNY

I have a hollow body Kala bass uke and Chucky is right, the bottom end is earth shaking massive. Unfortunately, because of the piezo in the bridge it also has a fairly bright top end. I use mine with a small combo amp and have to EQ it with the treb knob completely off and the bass knob nearly off. The strings are a type of rubber (I like the black ones not the white ones) so it takes some getting used to, but once you get the hang of it they can be a really fun and rewarding bass to play. EQ is critical, these little buggars will walk all over the rest of the band and completely bury a heavy hitting drummer or loud keyboard. I about gave a sound guy a heart attack during set up when I plugged it into my normally EQ'd SVT-VR and 610 rig and hit one note.:woot:

Warning, you'll look goofy on stage, like most Uke players do, but for a fun take on the right song it can be a big hit with the audience. I used to play my Kala for the Offspring song Pretty Fly for a White Guy, it was the perfect look for that song. More of a novelty bass than a workhorse.
Well, crap! Now I gotta look into getting one. Just when I thought I was outta GAS. :banghead::banghead::banghead:
 
As an Amazon Associate, TalkBass may receive commissions from qualifying purchases made via links on this site.
saw it in San Francisco today at some old gear shop in North Beach where you can find all kinds of interesting vintage music related stuff...........thought I was seeing things at first :laugh: (but it has been a long two weeks).....that said...only in SF.....it has a wide chunky neck and sounded HUGE into a late 60's B-15.

He wanted 250 for it
View attachment 3269700
I have seen Mandobirds - Firebird shaped mandolins - but that's the first NR ThunderUke. I don't believe I have ever seen a Reverse ThunderUke, come to think of it. Maybe somebody posted one sometime, but I don't remember and am too lazy to search. That makes the old new again!
 
That’s not true, well it is but not the reason. It helps with playability and intonation.
Fanned frets make perfect sense if you think about the arc your wrist and forearm make naturally. What we do on a non-fanned instrument is a little unnatural, at least geometrically. I think it's a brilliant idea, but it's also harder to make, and therefore not a general practice. I would probably like a fanned-fret bass very much, which is a very good reason for me to avoid playing one.