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Thunderbird Club

One with roundwounds and one with flats:
View attachment 3721489
Yep...:thumbsup: Chromes on the left 66s on the right...
E3CEA043-F578-46C0-ADF1-1DE5961CF119.jpeg
 
I've found that I need to set bass at 10(o'clock), low and high mid at 2, treble at 10-12.

My TBird is a 67 NR. I only use the neck pup. I think the pot on the bridge pup is NG, but since I never use it, I don't care. Tone is normally @ 7; 10 for punch if needed. Cobalt flats for strings. Flats on all 4 of my basses.

So today after I put my son for an afternoon nap I had some time to play with my Epi. I use headphones so the fun time could last little longer.
I set my amp the way you described and I really liked the sound. Then I kept this settings on my Rumble and started to play just with the knobs on a T-bird.
Wow... I just can't believe how many tones you can get from this bass. Just move any knob a bit and you get completely different sound. Very responsive and so versatile. I just love this bass more and more.
 
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What's all this "slapping a bass" poppycock that you speak of?
Poppycock indeed!
It comes from years of playing without a drummer and a few years of playing upright in an old school country band with no drummer did not help break me of the habit.
I tend to slap the strings against the fingerboard (with fingers, not thumb) wherever the snare hit usually is.
Usually it blends in. Depending on the tune/genre, I sometimes have to concentrate to not do it.
 
So today after I put my son for an afternoon nap I had some time to play with my Epi. I use headphones so the fun time could last little longer.
I set my amp the way you described and I really liked the sound. Then I kept this settings on my Rumble and started to play just with the knobs on a T-bird.
Wow... I just can't believe how many tones you can get from this bass. Just move any knob a bit and you get completely different sound. Very responsive and so versatile. I just love this bass more and more.
Clearly, it chose you. It's revealing what it can do. That's proof that you were meant to play a Thunderbird.
 
Poppycock indeed!
It comes from years of playing without a drummer and a few years of playing upright in an old school country band with no drummer did not help break me of the habit.
I tend to slap the strings against the fingerboard (with fingers, not thumb) wherever the snare hit usually is.
Usually it blends in. Depending on the tune/genre, I sometimes have to concentrate to not do it.
On the upright, it can be a slap down or a pull up or both, depending on what you are doing.



It would have been better if the video showed more of the right hand triplet technique, but you can hear what it's about and see a little of how it works.
 
They are different. It's hard to say what I like better when it comes to things like this.
OK, full disclosure-at the risk of incurring wrath.:bag: I'm not a Bowie fan-like some of his songs, never 'got with' his voice. I have no beef with those who like him, just not my cuppa. I'm sure some of my likes aren't the norm [NORM!], such as my affinity for "horn bands"-Ambergris, BS&T, Chase, Chicago, EWF, Pig Iron, 10 Wheel Drive, an all female band called Isis(unfortunate name choice-fine at the time), and a potful of others I can't think of at the moment. If Sirius/XM ever put on an all horn band channel, I'd be locked into it.
Tweetchie Zone.