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Thunderbird Club

Paisley NR ‘bird? Do it! I think the equation for that is

Awesome + awesome = awesome

Would you go for a clear guard? Clear backed with paisley material? I’m not too sure what the routing is like on a NR.
this is getting a clear guard tomorrow and going back to the black hardware, stock pups and Hipshot bridge got some neat silver Bird stickers from Larry V....no routing on this NR....
4CA713A5-E975-448F-8DE9-F7548795D5E2.jpeg
 
it may be a Gibson copyright issue? As cool and close the BaCHs are to the 60’s NRs (definitely closer than the 12/13 RI) when compared side be side to a Gibby they are WAY off..bigger and heavier with equivalent proportional differences to those observed between that 64 and VP..

It must be a deliberate alteration. It just strikes me as excessive that they made a historically big/long bass bigger/longer. A little bit yes ... a lot?
 
Nice progress shots. I thought somebody else a few dozen pages back said that their BaCH NR had a mahogany veneer on it. Yours looks like solid mahogany.
I believe the 1st and 2nd were a bit piecemeal, with mahogany core but maple veneer tops. The 3rd run, while lacking the tummy contour and a bit thicker than the others, they were solid mahogany, and pretty nice pieces at that.

it may be a Gibson copyright issue? As cool and close the BaCHs are to the 60’s NRs (definitely closer than the 12/13 RI) when compared side be side to a Gibby they are WAY off..bigger and heavier with similar proportional differences to those observed between that 64 and VP..

Having not played an original NR, just the earlier reverses, I can't say I have that much of a basis of comparison, but I'm a bit surprised there's that much of a difference between the Bachs and the originals, as they were supposed to be based off measurements taken from the originals, although I knew there were some differences.
 
I would like to know/hear Epi's thinking about this - their marketing philosophy. Because if I were commissioned to make an authentic '63-'65 T-bird it would be to exact measured specs off of mine. You may be correct that they made it bigger so it wouldn't be passed off as a legit early '60s bird, but I would like to hear them say that to make sense of it. G&L did a bang-on RI of their early L-1000/L-2000 series basses from the early '80's and I very much doubt they are BIGGER than the originals.

I don't see how one couldn't notice the difference in body before the headstock, VP's at glance do look like a '60s Bird, but both the upper and lower 'bouts are quite differently shaped compared to the original.
 
it may be a Gibson copyright issue? As cool and close the BaCHs are to the 60’s NRs (definitely closer than the 12/13 RI) when compared side be side to a Gibby they are WAY off..bigger and heavier with similar proportional differences to those observed between that 64 and VP..

It must be a deliberate alteration. It just strikes me as excessive that they made a historically big/long bass bigger/longer. A little bit yes ... a lot?

well isn’t there some rule about n% difference? But?:
1. Why would Gibson apply that to Epiphone ?
2. I thought that was on headstocks rather than bodies... yet... Dingwall changed the DBird body to make the DRoc ?
 
well isn’t there some rule about n% difference? But?:
1. Why would Gibson apply that to Epiphone ?
2. I thought that was on headstocks rather than bodies... yet... Dingwall changed the DBird body to make the DRoc ?

I am not privy to that info so I can't say - with Fender it's all about the hs contour/shape because they failed to register/copyright anything before that point. Not aware of Gibson's copyright rules regarding T-birds.
 
Does anyone else set up his/her Bird for lots of clank? John Entwistle style. Mine is set up very low like all my basses (~1mm action). It gives a lovely clank, but the first fret sometimes frets out depending on the weather (the rosewood absorbs moisture and expands on a rainy day). :)

My general rule-of-thumb is depressing the 3rd fret - the string should barely touch the first fret. This allows optimal height adjustment once you have the overall high adjustment set/dialed.
 
Sure, the balance (or front to back ratio in automotive terms and measured in percentage, 50/50 being optimum) is best when the engine sits between both axles instead of hanging over the front or rear one.

It sounds logical/optimal - but I didn't know the accepted design gestalt so thanks for confirming that. :thumbsup:
 
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I believe the 1st and 2nd were a bit piecemeal, with mahogany core but maple veneer tops. The 3rd run, while lacking the tummy contour and a bit thicker than the others, they were solid mahogany, and pretty nice pieces at that.



Having not played an original NR, just the earlier reverses, I can't say I have that much of a basis of comparison, but I'm a bit surprised there's that much of a difference between the Bachs and the originals, as they were supposed to be based off measurements taken from the originals, although I knew there were some differences.
Excellent point, I never played an earlier model....just going by mine which is of the vintage/batch that did not ship with the belly cut (which I later added)....that said, definitely different instrument..
 
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I don't see how one couldn't notice the difference in body before the headstock, VP's at glance do look like a '60s Bird, but both the upper and lower 'bouts are quite differently shaped compared to the original.

More reason to have a comparison vid.
 
Sure, the balance (or front to back ratio in automotive terms and measured in percentage, 50/50 being optimum) is best when the engine sits between both axles instead of hanging over the front or rear one.

No room for a midship engine on the Miata, but Mazda does that balance brilliantly.
 
it may be a Gibson copyright issue? As cool and close the BaCHs are to the 60’s NRs (definitely closer than the 12/13 RI) when compared side be side to a Gibby they are WAY off..bigger and heavier with similar proportional differences to those observed between that 64 and VP..
Gibson owns Epi.