Let’s go with the latter and say supply chain problems eased up so they’re available now.Same here. Not sure if it's that we're boneheads or these have just appeared more recently.
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Let’s go with the latter and say supply chain problems eased up so they’re available now.Same here. Not sure if it's that we're boneheads or these have just appeared more recently.
Looking forward to seeing them!View attachment 4138442
When the Epi Vintage Pro came out I kept getting thisclose to hitting the "add to cart" button, but one thing or another always held me back (though I know they're great quality). A couple months ago I found a black one at a good price and almost did it again, until it hit me that my poor, white '76 has been waiting over 20 years for me to restore it (restomod really, to various 60s specs), so I found a local guy and started that process instead. It'll have Scott's Badbird bridge and tailpiece (and his thumb rest if I decide to use a pick guard with a black bird), and Thunderbucker '66 pickups. I have a few other Gibson related projects in the pipeline as well, so I'm hoping to have more to share over the next year.

)Those look right. I’ll get some too for the west coast stockpile. It’s funny, I searched a long time months back and kept coming up empty on #2 1/4 flatheads.
Why didn't you guys say something. I've got a drawer full of those.Same here. Not sure if it's that we're boneheads or these have just appeared more recently.
I was just going to comment on that pedal board being about the sloppiest Velcro job I've seen, not the attention to fine detail that I've come to expect from you. Then I saw your foot note, all makes sense now!I've been tinkering with the settings on the Triple Shot today, running different T-birds through it.
Found settings I like really well, think I'll leave it here for a bit, before doing more experimenting
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(please do your best to ignore that I've been lazy-ish & haven't secured any of the pedals to the board yet...)
Hard to like this...sorry, and best of luck on the jeep hunt! I've worked at a Ford dealership for 28 years and I'm here to say...all brands suck...at something, but they all do the same thing...get us from point A to point B...kinda like basses...they all do the same thing, but we like some better than othersWell crap! Here I am looking at that beautiful NR thinking I might just pull the trigger. My mechanic calls (because my truck broke the other day), I figured he would say it is a broken fuel pump, NOPE! I own a 2002 Ford Explorer Sport Trac with 260,000 miles and now I have to buy a replacement because the motor is toastLooking at options but realistically Im looking for a new(to me) ride. No NR for me this year
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THUNDERBIRD I was just going to comment on that pedal board being about the sloppiest Velcro job I've seen, not the attention to fine detail that I've come to expect from you. Then I saw your foot note, all makes sense now!
BTW - how are you liking the sound of your white custom build vs the white VP? Any words of wisdom for others that might want to build vs buy a VP?


I can't figure out why anybody would bother to do that. It looks fine to me. But then I don't much care what the logo says so long as it looks good. Easy to say for a person who owns five Gibsons, there of them Thunderbirds.It would take a brave experimenter but it's possible the hs face could be wet-sanded with emory cloth (using a wood block to keep it flat) to remove the Gibson (stamp?/decal?) w/o breaking through the finish. It could then be buffed back to a gloss sheen and a tr cover w/Gibson installed. But having said that, I'd have to see one in person before I could determine how it is applied.
I can't figure out why anybody would bother to do that. It looks fine to me. But then I don't much care what the logo says so long as it looks good. Easy to say for a person who owns five Gibsons, there of them Thunderbirds.
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Yes.Same here. Not sure if it's that we're boneheads or these have just appeared more recently.
Perfect! And thanks so much. Lots of great inside information in that post.Yeah, I was meaning to get the velcro done, but I got involved with the new strings on the VP, then working with the Triple Shot....I really should just wait 'til the last pedal shows up, I guess (footswitch for the Peavey).
Long-winded-ness? ensues below...
As far as comparing the CP & the VP...they're pretty similar, in some ways. The VP is a bit lighter (mostly because of the bridge, imo), and sounds a bit brighter.
Putting the brass nut on the CP brought their sound a bit closer, and if I changed out the tone pot on the CP for the standard 500k, might not be a huge difference, sound-wise.
Physically, the body's the same, save for the larger headstock on the VP, so playability is essentially the same.
I do think the Schaller tuners on the CP operate a bit more smoothly than the Wilkinsons on the VP.
The balance is totally different between the two. The CP, with its smaller headstock, lighter tuners, and heavier bridge, is definitely weighted towards the rear; the VP is mostly neutral, maybe just very (very) slightly headstock heavy.
And the bridge....not a gigantic fan of the two piece. It looks cool & vintage correct, works fine, but has some limitations. Those DR reds I just put on - the 105 E-string is pretty much the largest that will fit in the claw, without mods (or tapered strings, I guess?). Tried the 125 B-string that came in the set, just for the funs, wasn't happening.
Adjustability is somewhat challenging/limited, imo the 3-point is better in that regard.
Those of you that have one know that the Babicz is heavy, has tons of adjustability, and is designed so those adjustments can be made easily. And you can put larger strings on very easily - I had a 130 Roto 77 one the CP for a while, fit beautifully with no mods needed to the saddle or the...string retaining area?
I do like both bridges, for different reasons. But if Babicz started making their two-piece replacements for bass also, I'd strongly consider the swap.
But my opinions on bridges may be suspect, since I actually like the three-point...
I think, if someone likes to tinker, like me, and have the CP or similar already, or can get it cheap, the researching, shopping for, buying, & doing the mods is fun, and you can tweak the bass to suit yourself.
But it's not as cost effective as just buying a VP, so if you don't actively want to do/like doing mods, I'd say buy the VP, and have a great sounding & playing bass
Hopefully all that over long expository exposition comes close to answering what you asked?
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Awesome! Nice to see you here George!
I've known George since the wild and wooly days of The Dudepit, which was a pretty unhinged place! Over the years many Birds have graced his collection including this one that our mutual friend Uwe owns.
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That means a lot, coming from a self-professed shallow person.I can't figure out why anybody would bother to do that. It looks fine to me. But then I don't much care what the logo says so long as it looks good. Easy to say for a person who owns five Gibsons, there of them Thunderbirds.
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After a day of deliberation......Inverness Green it is, reservation made! An NR will return to the flock sometime around April.
IMO, the bridge was the worst part of the VP I owned.I agree - why did they install a later 3-point on a model that never had one? I mean, they already proved they could do an original bridge/tailpiece with the VP. I'd like to see the Inverness - a good choice for sure. And I don't recall Gibson being stamped on the hs...
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Thunderbirds....
Interesting how the angle of observation affects perceived headstock size...
Red, white, & chrome:
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