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Thunderbird Club

Alembic does the brass block thing with their bridges. Although the Alembic bridge is a completely different design than the three point it works on a similar floating concept where it sits up on two posts that are sunk into the body or as an option are sunk into a massive brass block embedded in the body. The difference with and without the block is noticeable especially on attack, decay and punch (and weight).
Here's a pic of the bridge/block/tail piece...
View attachment 4194246

And here's a pic of an Alembic without the block...
View attachment 4194248
Nice pics....can’t dislike anything about Alembics...
 
Nice pics....can’t dislike anything about Alembics...
I can't take credit for the pics, I just grabbed them off the net. But I do love my Alembics, incredibly high quality and tone monsters. Here's mine, they both have the brass bridge blocks...
Alembic Dragon Wing body.JPG


IMG_1933.JPG
 
I ordered at properly spaced hipshot a-style bridge, brass, black. My buddy is going to fabricate a brass spacer plate. I’ve always wanted to do this to a bird. My white diy build us one and it just us a more solid punch. I’ll keep you guys posted.
Good luck! Those are great bridges. I have one on my Carvin.
 
I have always been curious about Thunderbirds, but I went the Lull route.
This bass is super light at 7.6 lbs, perfeclty balanced and a tone monster ;-)

View attachment 4195355Lull T4-3 by Eneade, sur Flickr

View attachment 4195356Lull T4-5 by Eneade, sur Flickr

View attachment 4195357Lull T4-4 by Eneade, sur Flickr

View attachment 4195358Lull T4 by Eneade, sur Flickr

View attachment 4195359Lull T4-2 by Eneade, sur Flickr
Congratulations! What a wonderful bass you have. Welcome to the wonderful world of Thunderbirds!
 
Gig(sorta-open mic/jam)tonight[3/8]. Cool-for south FL-and low humidity=Thunderbird. I haven't done one of these for awhile. Hope they haven't added a lotta new [stuff]. There'll be a "whole lotta fakin' goin' on". Good thing-for me-is I don't hafta take an amp. Last time I did this thing, I was hooked into 2 daisy-chained Rumble 100's, so 200W>2x12's. Not bad for a little outside tiki bar. And it's an early gig: 6:15 -9:00ish.:bassist:
 
I have always been curious about Thunderbirds, but I went the Lull route.
This bass is super light at 7.6 lbs, perfectly balanced and a tone monster ;-)

View attachment 4195355Lull T4-3 by Eneade, sur Flickr

View attachment 4195356Lull T4-5 by Eneade, sur Flickr

View attachment 4195357Lull T4-4 by Eneade, sur Flickr

View attachment 4195358Lull T4 by Eneade, sur Flickr

View attachment 4195359Lull T4-2 by Eneade, sur Flickr


Bonjor! Lovely, you have one of the very best Thunderbirds ever - Mike knew them very well, his updated version is fantastic!
I'm very fortunate in having made his acquaintance way back in 1976, in the intervening years he worked on all my Birds painted a couple '76s for me as well. I was involved a little bit with the T4 and have the #3 he built just for me. I would hang onto that bass as of course Mike has passed away and while the company continues on, no more T4s or Jeff Ament Birds are made, it will only go up in value as time goes on. Let me know if you'd a club number.


The essential Lull.

M7xcnjw.jpg
 
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I have a few 24 fret necked basses also. Agreed that a standard repertoire doesn't require more than 20 frets but I deliberately invent passages at the end/heal of any neck I own. I do the same with my Ex-Factor neck creating something that takes advantage of the lower A. (strung BEAD) It may be an accent or feature within a bass-line/structure but my aim is to incorporate it musically into a song or solo piece where it adds expressive emphasis. It works especially well doubling a guitarists' brief lead fills between changes.

This '60s 15 fret Dano could probably suffice in 98% of bass needs ;)

View attachment 4192441
The upright has the equivalent easily accessible length of about nine frets or so. But, it's a different instrument.
 
I have always been curious about Thunderbirds, but I went the Lull route.
This bass is super light at 7.6 lbs, perfectly balanced and a tone monster ;-)

View attachment 4195355Lull T4-3 by Eneade, sur Flickr

View attachment 4195356Lull T4-5 by Eneade, sur Flickr

View attachment 4195357Lull T4-4 by Eneade, sur Flickr

View attachment 4195358Lull T4 by Eneade, sur Flickr

View attachment 4195359Lull T4-2 by Eneade, sur Flickr

I like how he kept the front traditional and did targeted bevels/scallops on the back to make it more ergonomic and provide access to the upper register. :thumbsup:
 
Bonjor! Lovely, you have one of the very best Thunderbirds ever - Mike knew them very well, his updated version is fantastic!
I'm very fortunate in having made his acquaintance way back in 1976, in the intervening years he worked on all my Birds painted a couple '76s for me as well. I was involved a little bit with the T4 and have the #3 he built just for me. I would hang onto that bass as of course Mike has passed away and while the company continues on, no more T4s or Jeff Ament Birds are made, it will only go up in value as time goes on. Let me know if you'd a club number.


The essential Lull.

View attachment 4195398

I had no idea that Lull stopped the T4 production. That's a bummer. I had hoped to one day buy a T5.
 
I had no idea that Lull stopped the T4 production. That's a bummer. I had hoped to one day buy a T5.

I think Gibson rattled the lawsuit saber again, which is strange because Mike and I spoke about that back when he started making T4s and he said the issue had been resolved in court. My .02 is that if you can find a T5 for sale - buy it!
 
I have always been curious about Thunderbirds, but I went the Lull route.
This bass is super light at 7.6 lbs, perfectly balanced and a tone monster ;-)

View attachment 4195355Lull T4-3 by Eneade, sur Flickr

View attachment 4195356Lull T4-5 by Eneade, sur Flickr

View attachment 4195357Lull T4-4 by Eneade, sur Flickr

View attachment 4195358Lull T4 by Eneade, sur Flickr

View attachment 4195359Lull T4-2 by Eneade, sur Flickr
Congrats! Those pickups get a lot of love around here.
 
Gig(sorta-open mic/jam)tonight[3/8]. Cool-for south FL-and low humidity=Thunderbird. I haven't done one of these for awhile. Hope they haven't added a lotta new [stuff]. There'll be a "whole lotta fakin' goin' on". Good thing-for me-is I don't hafta take an amp. Last time I did this thing, I was hooked into 2 daisy-chained Rumble 100's, so 200W>2x12's. Not bad for a little outside tiki bar. And it's an early gig: 6:15 -9:00ish.:bassist:
At this point I consider playing 45 minutes to empty tables a solid gig.
 
Gig(sorta-open mic/jam)tonight[3/8]. Cool-for south FL-and low humidity=Thunderbird. I haven't done one of these for awhile. Hope they haven't added a lotta new [stuff]. There'll be a "whole lotta fakin' goin' on". Good thing-for me-is I don't hafta take an amp. Last time I did this thing, I was hooked into 2 daisy-chained Rumble 100's, so 200W>2x12's. Not bad for a little outside tiki bar. And it's an early gig: 6:15 -9:00ish.:bassist:
very cool... thank God for gigs! back at the Roadhouse this coming Sunday, 1 to 4....must have done something right first time around.....:wideyed:..
 

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