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Unusual Rock Trivia?

This is the story of the “APP” guitar. A solid-body electric guitar designed and built by O. W. Appleton in 1941, ten years before the introduction of the Gibson Les Paul.

The APP was unlike any other electric guitar in the world. Although electric guitars existed in 1941, they were all either archtop guitars with added pickups, or small laptop Hawaiian guitars. Even the guitar that Les Paul was using, "The Log," was basically an archtop guitar with a solid center section. Appleton's design was something new. And this new design foretold the future look of electric guitars!

In 1943 Appleton took his guitar to Gibson, to see if they had an interest in manufacturing the model. They told him that they couldn't imagine someone playing a solid-body electric guitar.

App attempted to patent his instrument, but as a musician from the small town of Burlington, Iowa, he didn't have access to a patent attorney. He sent letters and money to folks who advertised themselves as patent attorneys in the back of Popular Mechanics Magazine, but they merely took his cash. During World War II, as manufacturers dedicated their factories to the war effort, all guitar production ceased. Appleton stopped pursuing a patent.

Almost ten years later, in 1952, Appleton received a letter from a friend at Gibson. The letter read, "Well, App, you see our competition (editor's note: that would be Fender) has finally forced us to come out with your solid guitar. Sure wish we had listened to you back in 1943." Included with the letter was a brochure for the new Gibson Les Paul Model. In frustration, App threw the letter out.

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Today, App's story is largely forgotten. And although Gibson's R&D department took credit for the design of the Les Paul Model, you have to imagine that they were influenced by a nearly identical guitar presented to them a decade earlier by O.W. "App" Appleton.

O. W. Appleton Home Page
 
When the studio process becomes more like a contact sport. Aerosmith during the recording of the song “Back In The Saddle”.

A real bullwhip was intended to be used for the whip effects and hours were spent trying to get it to crack in the song. The band members ended up cut up and hurt without making any progress. Eventually, the band decided the whip effects would be created by whirling a 30-foot cord from the studio, then by firing a cap gun to create the crack of the whip (the sound effects are more prominent in the Quadraphonic mix of the album (Columbia CAQ 34165)).
 
When the studio process becomes more like a contact sport. Aerosmith during the recording of the song “Back In The Saddle”.

A real bullwhip was intended to be used for the whip effects and hours were spent trying to get it to crack in the song. The band members ended up cut up and hurt without making any progress. Eventually, the band decided the whip effects would be created by whirling a 30-foot cord from the studio, then by firing a cap gun to create the crack of the whip (the sound effects are more prominent in the Quadraphonic mix of the album (Columbia CAQ 34165)).
I found the rehearsal video of the caps going off…
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When the studio process becomes more like a contact sport. Aerosmith during the recording of the song “Back In The Saddle”.

A real bullwhip was intended to be used for the whip effects and hours were spent trying to get it to crack in the song. The band members ended up cut up and hurt without making any progress. Eventually, the band decided the whip effects would be created by whirling a 30-foot cord from the studio, then by firing a cap gun to create the crack of the whip (the sound effects are more prominent in the Quadraphonic mix of the album (Columbia CAQ 34165)).
:) I had a bullwhip of sorts when I was a kid - it wasn't hard at all to make it crack. Idk what sort of whip the Aeros used, but geez ... I guess they could've used some help. ;)
 
Keith Richards started the craze for 'relicing' guitars when he asked Fender to make copies of his Telecasters for tour use and "bang 'em up a bit".

I heard that story, but it was the guys from ZZ Top, not Keith. That story is also wrong - apparently it was Don Was, but there had been people doing guitar distressing long before then - the request just opened Fender’s eyes to an underground thing that they ran with.
 
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:) I had a bullwhip of sorts when I was a kid - it wasn't hard at all to make it crack. Idk what sort of whip the Aeros used, but geez ... I guess they could've used some help. ;)
@SubHuman
I also heard that during the “Rocks” period, the band was definitely in over the top mode as far as partying goes. There’s another interview where Steve Tyler states he himself doesn’t recollect too much from back then.
 
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I guess not so much unique as it is honorable for Richie Havens upon his passing in 2013. I thought this cool.

Pursuant to Havens's request, when he was was cremated, and his ashes were scattered from the air over the original site of the Woodstock Festival, in a ceremony held on August 18, 2013, the 44th anniversary of the festival's last day.
 
Just one more Richie Havens tidbit. I didn’t know he was asked to stay on stage for so long…

He was the opening act in Woodstock in 1969 and because of traffic issues a lot of the other musicians were late. He was begged by the stage manager to keep getting on stage (six times, in fact) and sing more to keep the audience engaged. Altogether Havens did a 3 hour set, finally running out of material and improvising the famous “Freedom” which also riffed on “Sometimes I feel like a Motherless Child.” This became the centerpiece of the movie and the turning point of his career. In his review of the anniversary version of the documentary Woodstock, Ebert says, “He starts singing, and we don’t see his face again, but his thumb on the guitar strings, punishing them.
 
Before being recruited to join Blondie in 1978 as bassist, replacing original member Gary Valentine (he eventually switched to rhythm guitar once Nigel Harrison joined), Frank Infante also played bass in a punk rock band called World War II, and also spent some time playing guitar for The Divinyls and The New York Dolls.
 
Rufus Tiger Taylor (born 8 March 1991) has been the drummer for the band The Darkness since May 2015. He is the son of Queen drummer Roger Taylor. He has also toured with Queen providing additional drums and percussion. His Godfather was drummer Taylor Hawkins from the Foo Fighters.
… And he dated TAYLOR swift. And his best friend is a tailor. And ….



:D
 
With A Little Help From My Friends by The Beatles was briefly called "Bad Finger Boogie" supposedly because Lennon composed the melody on a piano using his middle finger after having hurt his forefinger.

That's where the Band Badfinger got their name...they were The Iveys prior to their 1st album release on Apple but they wanted a fresh start so John Lennon suggested Badfinger.

Badfinger as the Iveys (Bad lip sync!)