I’ve always liked the look of the brass/bone nuts on late ‘70s Ibanez basses. Nice to see someone else implementing a similar idea.Composite brass/rock-wood nut.
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Have made brass/ebony also.
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I’ve always liked the look of the brass/bone nuts on late ‘70s Ibanez basses. Nice to see someone else implementing a similar idea.Composite brass/rock-wood nut.
View attachment 4969045
Have made brass/ebony also.
View attachment 4969050
I’ve always liked the look of the brass/bone nuts on late ‘70s Ibanez basses. Nice to see someone else implementing a similar idea.
Not hard to reproduce. I even have some heavy sheet brass bits I could use. I’ve just never gotten around to doing it. I have owned (and still own) Ibanez basses from that era and those original nuts look very classy. I won’t venture to speculate on whether or not they affect the sound in any noticeable way since I’ve never heard these instruments with anything other than their original brass/bone nuts.It sounds good too! Interesting - I have yet to make a brass/bone composite nut. I'll have to look those '70s Ibanez basses up.
Just found this '70s Ibanez guitar w/one - also found that they are offered for sale, but right now are "out of stock"
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Oh. My. GAWD!

I like your workshop!I ran across this today…I’ve done a few refinishes in my day….ha!
The early 80’s
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This ESP neck, circa 1989 or 1990, has been on a bunch of bodies over the years. For the past ten or so I’ve had it on the black body but it was never a winning combination.
The white body, which I believe is from a “Signature” brand bass from the mid 1990s (but I’m not sure) was orphaned when I used it’s neck (another fretless ESP) for another project. It’s a decent quality alder body and I’ve never used this particular neck on a passive J-bass so I thought I’d try this combination for a while and see how it goes.
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The strings are a lighter gauge than I usually play (I don’t remember where I got them) but I figured the mid-forward sound of the DR PBs would go well with the scoopiness of a passive J. We shall see…
While it was on the bench I also gave the fingerboard a long-overdue dressing. It’s all pretty and shiny now.


Great to see that you're taking on the challenge of a neck build. I'm routing for you. Any info on what kind of neck this is going to be?On my workbench is.... something scary.
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You see, ever since I started building instruments, I've been afraid to build my own neck. I've dreaded this more than soldering, or building something ugly, or disappointing the world. I did take a small step when I built a neck for the mandola. This small sturdy neck is just over six inches long.
But today this order came in from ToneFactory, with stuff for my next build. On the top row, you can see strap pins, copper tape, a jack, the usual stuff. The bottom row? Frets! A truss rod! Fret dots! I'm forcing my hand. I WILL build my own bass neck. It'll be a while before I actually get around to this build, but there's no going back now.
I also ordered a slotted board, fret files, and a fret hammer, but those are on back order.
And if I succeed, and that neck actually works, then I may feel justified in calling myself an "amateur instrument builder". Until such time, I'm "someone with a workshop".
On my workbench is.... something scary.
View attachment 4993070
You see, ever since I started building instruments, I've been afraid to build my own neck. I've dreaded this more than soldering, or building something ugly, or disappointing the world. I did take a small step when I built a neck for the mandola. This small sturdy neck is just over six inches long.
But today this order came in from ToneFactory, with stuff for my next build. On the top row, you can see strap pins, copper tape, a jack, the usual stuff. The bottom row? Frets! A truss rod! Fret dots! I'm forcing my hand. I WILL build my own bass neck. It'll be a while before I actually get around to this build, but there's no going back now.
I also ordered a slotted board, fret files, and a fret hammer, but those are on back order.
And if I succeed, and that neck actually works, then I may feel justified in calling myself an "amateur instrument builder". Until such time, I'm "someone with a workshop".
I have several good straightedges. I'm still looking into a notched one.My personal recommendation for necks, tool-wise, is a really good straight edge, notched if possible.
Umm... what do you want to know? Most of the choices are still in the air. So, it may or may not have:Any info on what kind of neck this is going to be?
I'm sorry, but a zero fret is something I will only do at gunpoint! For me, part of the joy of playing a bass guitar (instead of a piano or a synthesizer) is having open strings that sound different from the other notes.Something to consider: I’m doing zero frets on everything these days.