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Ok. I'm a 45 year old playing original music (Death Metal) and there are very few places to play. I realized over 15 years ago that I probably won't hit it big. The bands in this scene usually play for the door. Normally with 3-4 bands it's usually 2-3 known and at least 1 new band. Alot of times the new band will play for free and the rest divide the door. We don't write and rehearse just to stay in the practice room and any money goes right back into the band (recording, etc.) The places that will have us are usually "hole-in-the-wall" dive bars and youth centers. We are not making money, nor are we taking gigs away from anybody. These bars can barely keep their doors open and in this economy we're lucky that there's any place at all to showcase new material. The OP is not a Diva for wanting to be payed, but I'm not a prick for wanting my music heard. I refuse to give up an audience just because someone thinks they have more right to play than I do. I've payed my dues, went to college, and played everything from backyard parties in Joliet, Il. to the military club circuit in Germany. If you think I'm taking your gigs away, stop crying, grow up and work harder to hustle gigs. If you can't support yourself with music, don't whine to me. Do like so many of the rest of us did. Get a day job. Peace.
Brad, it has been my humble opinion that your real friends will always wanna put a few bucks in your pocket before anyone else will, even when theirs are short. It's at your discretion whether or not to refuse their offer.
The argument here has gone way off post, but I'm gonna chime in again.
As far as playing for free vice playing for pay, all of us should try to get something for every gig we play. That shows we have a value, and also helps those who do this full time for their livelyhood.
Having said that, the argument the OP was making was more of a reneg on a deal at the last minute. No one, professional or otherwise, should ever roll over and play dead when someone does this to them. If you are asked to fill in, and they tell you they will pay you something, then they should pay you. If they change the rules last minute, then you have the right to change the rules too.
The big lesson in all of this is, if you are asked to play or fill in, negotiate and agree on your price up front. Don't leave any details out. You don't necessarily need a contract, but send the people an email summarizing what you agreed upon. Let them know that if they change the agreement, then you can walk, even immediately before the set. Also, make sure that they either pay you upfront or before you start playing. If they can't do that, then don't play. I know you are in your 20's, but its time to act like a pro.
If you agree to play for free, make sure that is in an email as well.
As for the rest of us out there, there is plenty of at least union scale work out there for studios and productions. If you are as one poster put it here in the three points, PROFESSIONAL in your demeanor and your conduct, the work will come, and also will come at higher and higher rates of pay. I am primarily an original artist, former label signed, and I get calls all the time from cover bands asking me for help. Because I am professional in all that I do.
(Quick side note, I recently did a fill in job and got paid $150 for the night. The keyboard player, who was a founding member of his band but didn't handle the biz end, was pissed at me because he only got $70 for the same gig. He actually asked me to give money back. I reminded him that they called me.)
Showcase/exposure gigs can SOMETIMES pay off, but in far too many cases those are just another excuse for some promoter - who is making money - to get bands to play for free.
Because in most of these situations there's little to no guarantee that there will be ANYONE in the audience who is likely or able to follow up with a gig offer.
And you can't eat exposure.
Everyone's personal situation is different.
For me, I have a professional career (non-music related) where I already make plenty of money. So when it comes to playing bass, I could care less whether I get paid or not because I play music for the sheer joy of playing music. And I will continue to do that for the remainder of my life. But again, that's my choice. If others choose to insist on being compensated, that is their prerogative and it would be totally inappropriate for me to tell someone else what they should or should not do. And likewise, it is totally inappropriate for someone to tell me what I should or should not do. It's freedom of choice. Too many people have convinced themselves that they are the "all knowing ones" and that what they say is what should be. I just sit back and crack up at such mental masturbation, and think to myself "thank you for the free entertainment!" Like John Lennon sang, "well they give me all kinds of advice, designed to enlighten me."
Hey Money Bags,
Then just do the working class musicians a favor, when your gigging for free, please try and do it in a fashion that doesn't keep food out of starving musicians mouths.
That's why the blanket statement "no pay no play" is to protect all parties involved.![]()
As an accounting consultant I took on someone's work for free. In my circle of professionals I know lawyers, operations consultants, and doctors that work for free. Musicians who think that nonworking musicians don't do work for free are clueless about the business world and scrwing themselves over because of it.
That was rude to say.:scowl:I think the point here is that its hard enough to get paid being a musician and that when people are playing gigs ( let me state the fact that some gigs are ok to play for free, I'm talking about the ones that the person hiring the band is just being cheap) for free, it hurts all party's involved.
I would rather be offered $25 a guy and a meal then being asked to play for free.
Hey Money Bags,
Then just do the working class musicians a favor, when your gigging for free, please try and do it in a fashion that doesn't keep food out of starving musicians mouths.
That's why the blanket statement "no pay no play" is to protect all parties involved.![]()
LOL!! "Money Bags". I like the sound of that!! (So did my ex-wife when we went to the divorce court.)
As far as keeping food out of starving musicians' mouths, you can rest easy. Playing music is only a hobby for me, and I don't gig often enough to constitute a financial threat to anyone. No worries, mate!
LOL!! Thanks for taking that with stridethe only reason I am getting uppity is that I would like to pursue music as a main source of income, supplementing by giving lessons and working part time when need be.
As long as people in your position see the other side of the coin. That's all I ask for.
+100!!!If the bartender is serving for free, the waiters and waitresses (if any) are working for free, the doorman is doing it for love, and the club owner is making nothing, then by all means do three rehearsals for nothing and play the gig for free.
Hey Money Bags,
Then just do the working class musicians a favor, when your gigging for free, please try and do it in a fashion that doesn't keep food out of starving musicians mouths.
That's why the blanket statement "no pay no play" is to protect all parties involved.![]()
Hey Money Bags,
Then just do the working class musicians a favor, when your gigging for free, please try and do it in a fashion that doesn't keep food out of starving musicians mouths.

Here's what I've learned about free gigs.
- Playing free gigs usually leads to more free gigs. Plenty of bar owners talk to each other, and they have an idea of what bands are getting paid. If you're playing at X bar for free, the guy at Z bar usually knows it. Why would the guy at bar Z pay more than bar X does? Unless the band has a great draw, there's no reason for one venue to pay significantly more than another.
- Playing those backyard BBQs, basement parties, usually don't lead to more lucrative gigs either unless there's a booking agent, A&R guy, venue owner, etc there. And even then, you have to be good and marketable. Many times the folks having these events at home aren't usually the folks who go out to clubs. And they may dig your original music for a little backyard party, but when it comes time for their wedding, bar mitzvah, etc. they are either hiring a pro band or a DJ because they want to hear covers done well that grandma can appreciate.
- Charity gigs are what they are. Expecting future paid gigs from it isn't likely. Even when they do their black tie gala affair, they will still hire a pro band or DJ. And if they don't want to spend money on the band, it's usually because they want to spend more money on the caterers, florist, etc. Charity events are usually fundraisers, and food and entertainment are good ways of getting donations.
But, if you want to play these kinds of gigs for the fun of it, that's your prerogative. Don't expect much more than maybe adding some people to your mailing list, and selling a little bit of merch. Expecting bigger gigs from it, isn't very realistic.
As far as "free" musicians driving down the value of music. It's there to some degree, but I don't think it's as bad as some make it out to be. The increase in bands, the reduction of live venues, the prolifieration of technology, laws against smoking/drinking, and people's tastes play a big factor too.
- First, cover bands and original bands are different entities for different audiences and venues. Sure, apples compete with oranges in the produce section, but no-one buys an apple expecting it to taste like an orange.
- Free bands are rarely in demand. If they were in demand, they wouldn't be playing for free. There's plenty of bands and musicians out there that don't have a high demand, and they aren't in competion with the "pro" bands that are in demand.
- Where I see the value of music being driven down usually from the person doing the booking. A venue wants to try out live music, but doesn't want to spend any money or take any risk, so they get a free band to fill the bill. The free band doesn't sound as good, and/or doesn't draw as much, and they deem the live music thing as a failure and either never pay, or stop doing live music. Instead, they could pay a little more for a better band or better fit and possibly turn a profit.
Just my measley 2 cents. YMMV
LOL!! Thanks for taking that with stridethe only reason I am getting uppity is that I would like to pursue music as a main source of income, supplementing by giving lessons and working part time when need be.
As long as people in your position see the other side of the coin. That's all I ask for.
How would you propose he do that? Play out of tune? Ignore the drummer? Show up drunk?![]()

