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AudioKinesis Cabs Part VI...

I definitely like the Mouse vs the Deep, so I'll just have to decide between the Mouse and the MB2.

I played my Deep 5 on a half dozen tunes with a Steely Dan tribute band Saturday night. A couple of years back I used one with a funk band.

It's not just for straight jazz. Depends on how you eq and play it. The deep has a bit different feel than the MB-2. The Mouse is a very different beast, mostly due to the 30" scale. That can throw some people off (it did when I tried to swap between it and 34" scale bass on the same set), and it tends to have a much more blooming sound. But they are very cool instruments - I had both fretted and fretless variants for awhile.
 
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I'm giving that some thought, but I'm a shallow bastid and prefer the shape of the MB2 to the single cut of the Deep. Terrible, I know... The other issue is cost. The Deep approaches the cost of the upright I was considering (Upton Bohemian Hybrid).
If you like the look of the MB-2, then get it. They all sound more similar than different. The different scale size has more to do with the tone (IMHO). That's why I chose the Deep 4 over the Deep 5 (34" vs 35" scale). The Mouse at 30" scale has a bit of a different tone.
 
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I played my Deep 5 on a half dozen tunes with a Steely Dan tribute band Saturday night. A couple of years back I used one with a funk band.

It's not just for straight jazz. Depends on how you eq and play it. The deep has a bit different feel than the MB-2. The Mouse is a very different beast, mostly due to the 30" scale. That can throw some people off (it did when I tried to swap between it and 34" scale bass on the same set), and it tends to have a much more blooming sound. But they are very cool instruments - I had both fretted and fretless variants for awhile.

I love bloom, though it can be overdone. From what I'm hearing the Deep might be too much of a good thing for my tastes. I like the woody nature of the Mouse recordings I've found so far.
 
If you like the look of the MB-2, then get it. They all sound more similar than different. The different scale size has more to do with the tone (IMHO). That's why I chose the Deep 4 over the Deep 5 (34" vs 35" scale). The Mouse at 30" scale has a bit of a different tone.

It sure does (the Mouse), which is why I think I might be leaning more that way now.
 
I would love to see a 115 with deep lows, yet tight. Like a Bagend with some extended lows... that could extend up to maybe 7k or so... and be able to displace some air... and have good mids... Not too hifi though
My Bag End S15X-B fills that bill. I run this with an S-15-B (no compression horn) and I can dust away every other cab systems I've had shootouts with. Tight, puncy full spectrum sound for Jazz, Funk, old school and everything in between.
 
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Cool! I hope they have some simple adhesive backing or similar. I'm not anxious to take a screwdriver to your work, unless it's non-destructive in nature :)

Current plan calls for the logo to have a sticky foam backing that is specifically made to go on rough surfaces.
 
Hi there @DukeLeJeune ... Are your modifications to the 1855 in the near future? I think I'd like to wait for whatever upgrades you do, then order. Thanks!

I spent some time working on the 1855 update today, and it will become a three-way.
 

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