Dont doubt it. Cant afford it. Right now it's looking like two BFB Big Twins or one FF 1515/66T.
Is the price point of the Big Twin low enough that two of them is in the same ball park as a 1515/66?
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Dont doubt it. Cant afford it. Right now it's looking like two BFB Big Twins or one FF 1515/66T.
Is the price point of the Big Twin low enough that two of them is in the same ball park as a 1515/66?
So you believe you get different tone due to the type of power amp?
And if that is the case, please provide me with links that support this so I may educate myself on the reasons why.
Thank you greenboy and Alex (I’m going to soak that in) and hopefully we can get BFM and agedhorse to chime in too - and maybe Duke?
Hmmm..... Not really sure how to respond to this, so we'll go with like kind;
Yes, that's exactly what I'm saying, you'll find several dozen threads regarding this topic in support of my opinion using the search function, and at least one published article on the topic from probably every single major print / online periodical surrounding the subjects of home audio, pro audio, Sound Reinforcement, Live sound, Guitars, Bass, Keyboard etc etc ..... but the best links I have are on either side of my head, coupled with the experience of literally hundreds of gigs and demos using at least a dozen different brands and models of power amplifier in the context of a live bass rig, about 3 years of doing FOH sound all over the east coast (involving experience with literally hundreds of power amps) and being an accredited professional in Pro-Audio for 5 years. Differents brands and models of power amplifier produce RADICALLY different results given the same signal and enclosure. If this were not the case, why would discerning people spend $4,000 on an amp from Lab Gruppen or Powersoft, when they could just buy a Peavey IPR? Why would Someone buy a Crest CA9 when Behringer makes a lovely amp with the same published wattage for less than a third the price? There are many different Toplogies and types of Power Amp. A Crown XLS802 is an entirely different type and topolgy of Amplifier than a Cown Macro-Tech... etc...
The way your post reads it seems a little condescending but perhaps you didn't mean it that way...If you're indicating that you believe all power amps of similar or identical wattage will sound the same give an identical signal and enclosure.... you're going to find very VERY few people who agree with you....Lots and lots of things in audio are highly subjective with different people hearing different things... however this topic is not highly subjective. Many people believe that a Peavey IPR sounds good enough for their purposes.... but very feel few will say they find them to sound and perfrom identically to a better Crown or QSC amplifier of the same published wattage.
Hope that helps....
+1 Thanks very much for popping in guys!
Please dont take it as condescending, its not meant to be. I just dont buy into the idea that different power amps sound different solely based on the type of output section. If there is published testing on this I would love to see it as science trumps opinion.
....
Im not talking about published specs, Im talking about a scientific test. Something like a double blind study to see if there is a sonic difference due to the output stage on amps.
Im not talking about published specs, Im talking about a scientific test. Something like a double blind study to see if there is a sonic difference due to the output stage on amps.
Two Big Twins will be slightly more than one 1515/66T.... which was something I was considering for a while, but Id rather be able to use one Big Twin, and break a second one out only when needed. Ive paid my dues in terms of hauling big monster cabs around....
+1 to hauling dues paid.
Yeah, I bet driving two Big Twins with a crown power amp is going to be a very serious bass rig - out of curiosity which preamp are you considering?
A few degrees off axis for dedicated woofers in a cab with dedicated midrange drivers is nothing you, bandmates, or an audience is ever going to notice.
If the woofs were way more staggered, or if the midrange drivers were staggered off the y axis, it would mess up the imaging though.
Is there anyone who's played both the Barefaced Big Twin AND the FF 1212/6?
hmmmm.....probably either a Presonus Tube Channel with a Sansamp RBI, maybe JUST an RBI.... or an older Aguilar pre if I can find it.... not discounting the BBE Bmax either... I HATED the compressor on the unit I had... but I heard later models were upgraded.
I havent - but, again the FF 1212/6 has staggered woofers whereas the Big Twin has vertically aliened woofers and in theory vertically aliened woofers are best so the Big Twin is the superior design.

A few degrees off axis for dedicated woofers in a cab with dedicated midrange drivers is nothing you, bandmates, or an audience is ever going to notice.
If the woofs were way more staggered, or if the midrange drivers were staggered off the y axis, it would mess up the imaging though.
With woofers that are only working up to around 1kHz there's no sonic difference between absolutely vertically aligned and slightly staggered off from the vertical. By moving the port from the bottom of the Big One to the side of the Big Twin we got the height to fit the drivers in vertically and that gave us the sonic advantage that it stops the height of the cab plus length of the port acting as a short (unwanted) transmission line, so the cab the performs as designed, and if you're playing very loud the cab is better cooled due to the chimney effect of the port so a fraction more power handling and less power compression. We also found this approach got us a stronger and stiffer cab for the same weight. Not big differences at all but as we could make some beneficial tweaks then why not?
Wasnt this covered?![]()
And Alex, recognizing even though the different may be small Barefaced still took the extra step to be superior.A few degrees off axis for dedicated woofers in a cab with dedicated midrange drivers is nothing you, bandmates, or an audience is ever going to notice.
Not big differences at all but as we could make some beneficial tweaks then why not?
nice -Alembic makes a nice F-1X (mono) and F-2B (stereo) 12ax7 tube preamps too.
Yep. Never really cared for either.... I think I've owned every bass preamp ever made at one point or another. Loved the Ampeg and Aguilar pres...
johnk_10 said:speaking of preamps, you might say that i've tried more than my share of them: