• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Damnation Audio Fan/Appreciation Thread

I don't know about the catch I have one of each on different boards. To me they're very similar depth knob works wonders on both pedals. It could just be your ears prefer non fender mosfet tone stack better.

scorpion is very underrated. I think I just prefer the get and non-fender tone stack.
 
Got mine and it's great so far. Seems pretty perfect! Just what I wanted the Broughton Scorpion to be. What's the catch? :)
The catch is that now you have to buy the rest of the Damnation audio lineup once you realize how good they are :cigar:

kidding but not kidding. Spite Box, Curmudgeon 2, and the Dirt Fixer are my baseline for comparing other pedals. I have comfortably downsized my bass dirt collection since : )
 
Got mine and it's great so far. Seems pretty perfect! Just what I wanted the Broughton Scorpion to be. What's the catch? :)

I really really liked the MBD2 I had. I just ended up preferring something else for my low gain needs and it wasn't quite mid forward enough for my main overdrive needs - the enhanced low end that it does also didn't work for me for that particular purpose. It did work great as a high gain drive though, but I again ended up preferring my Civil War muff, because it sounded more articulate in the mix, pushed the phaser better, worked a bit better with the delay for sweeps etc. Still, super versatile and killer dirt pedal.
 
I really really liked the MBD2 I had. I just ended up preferring something else for my low gain needs and it wasn't quite mid forward enough for my main overdrive needs - the enhanced low end that it does also didn't work for me for that particular purpose. It did work great as a high gain drive though, but I again ended up preferring my Civil War muff, because it sounded more articulate in the mix, pushed the phaser better, worked a bit better with the delay for sweeps etc. Still, super versatile and killer dirt pedal.
What did you prefer to low gain?
 
The catch is that now you have to buy the rest of the Damnation audio lineup once you realize how good they are :cigar:

kidding but not kidding. Spite Box, Curmudgeon 2, and the Dirt Fixer are my baseline for comparing other pedals. I have comfortably downsized my bass dirt collection since : )

I agree with that

IMG_4724.jpeg
 
How do the curmudgeon and spite box compare out of interest??
They’re different from each other for sure. The closest comparison IMO is that the spite box with no octave blended in sounds a little similar to the curmudgeon with the depth switch on, but even then there’s a slight difference in how they feel when you strike a note

spite box feels like a fuzz, it sags more and doesn’t have the same controlled attack that the curmudgeon can accomplish with the depth switch off. Compared to other fuzzes though, I like the spite box more than the average muff pedal. I would stack a muff with a superfuzz to get those tones before

In short, Curmudgeon = Palm mute chugga chugga, good for verses & reinforcing the girth from your instrument in a mix
Spite box = liquid sustain lead chaos, perfect for fuzz needs & sounding like Sunn O)))

HOWEVER - I think the curmudgeon 2 greatly benefits from being put in a mixer, or boosting the hell out of your amp. With all devices at unity gain, the curmudgeon will cut some sub bass out of your sound similar to playing with a high pass filter. That is the secret sauce to how it stays so clear and defined without overloading.
The depth switch on adds more low end to the input of the circuit, resulting in more total low end, but also can sacrifice the definition of your note attack, so I place it in the DirtFixer or the Bloop and blend in clean lows underneath the tight foundation that the curmudgeon provides
 
Last edited:
They’re different from each other for sure. The closest comparison IMO is that the spite box with no octave blended in sounds a little similar to the curmudgeon with the depth switch on, but even then there’s a slight difference in how they feel when you strike a note

spite box feels like a fuzz, it sags more and doesn’t have the same controlled attack that the curmudgeon can accomplish with the depth switch off. Compared to other fuzzes though, I like the spite box more than the average muff pedal. I would stack a muff with a superfuzz to get those tones before

In short, Curmudgeon = Palm mute chugga chugga, good for verses & reinforcing the girth from your instrument in a mix
Spite box = liquid sustain lead chaos, perfect for fuzz needs & sounding like Sunn O)))

HOWEVER - I think the curmudgeon 2 greatly benefits from being put in a mixer, or boosting the hell out of your amp. With all devices at unity gain, the curmudgeon will cut some sub bass out of your sound similar to playing with a high pass filter. That is the secret sauce to how it stays so clear and defined without overloading.
The depth switch on adds more low end to the input of the circuit, resulting in more total low end, but also can sacrifice the definition of your note attack, so I place it in the DirtFixer or the Bloop and blend in clean lows underneath the tight foundation that the curmudgeon provides

Awesome thanks for that. I have a question regarding the Bloop. Recently i have been using my Bloop with my Ultrawave. I use mine with my phase switch down and the control all the way counter clockwise. I read that the control adds in the clean level but is this really the case of just using it from zero to full? With mine there seems to be a sweet spot instead? Maybe im using it wrong?? haha. It seems to me at 'zero' it sounds best.
 
  • Like
Reactions: 220_Hz
Awesome thanks for that. I have a question regarding the Bloop. Recently i have been using my Bloop with my Ultrawave. I use mine with my phase switch down and the control all the way counter clockwise. I read that the control adds in the clean level but is this really the case of just using it from zero to full? With mine there seems to be a sweet spot instead? Maybe im using it wrong?? haha. It seems to me at 'zero' it sounds best.

If you have the blend control all the way down then the Bloop is just functioning as a true bypass loop for the Ultrawave. Clean blend doesn't sound great with everything. Sometimes it benefits the overall sound. Sometimes you just want things to be fully wet.
 
  • Like
Reactions: 220_Hz and _Tay_

Latest posts